1.
Blue Velvet (1986) [Internet]. ITV London; Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/001A2AEA?bcast=32577421
2.
Geiger J, Rutsky RL, editors. Film analysis: a Norton reader. Second edition. New York: W.W. Norton & Company; 2013.
3.
Corrigan T, Corrigan G. A short guide to writing about film. Ninth edition. Boston: Pearson; 2015.
4.
Corrigan T. A short guide to writing about film [Internet]. Global edition of ninth edition. Harlow: Pearson Education; 2015. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781292078120
5.
Atkinson M. Blue velvet. Vol. BFI modern classics. London: British Film Institute (BFI); 1997.
6.
Chion M. David Lynch. London: British Film Institute; 1995.
7.
Justus Nieland. David Lynch [Internet]. Urbana: University of Illinois Press; 2012. Available from: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=3414181
8.
Lynch D, Rodley C. Lynch on Lynch. Rev. ed. London: Faber; 2005.
9.
McGowan T. The impossible David Lynch. Vol. Film and culture. New York ,Chichester: Columbia University Press; 2007.
10.
Sheen E. The cinema of David Lynch. Vol. Directors’ cuts. London: Wallflower; 2004.
11.
Todd A. Authorship and the films of David Lynch: aesthetic receptions in contemporary Hollywood [Internet]. London: I.B. Tauris; 2012. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780857721129
12.
The Godfather (1972) [Internet]. FilmFour; Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/000C381F?bcast=105279753
13.
Frayling C, Patalas E, Schreck M, Murnau FW. Nosferatu: a symphony of horrors. London: British Film Institute; 2002.
14.
Bordwell D, Thompson K. Film art: an introduction. International ed., 8th ed. New York: McGraw-Hill Higher Education; 2008.
15.
Geiger J, Rutsky RL, editors. Film analysis: a Norton reader. Second edition. New York: W.W. Norton & Company; 2013.
16.
Thompson K, Bordwell D. Film history: an introduction. 3rd ed. Boston, [Mass.]: McGraw-Hill Higher Education; 2010.
17.
Gibbs J. Mise-en-scène: film style and interpretation. Vol. Short cuts. London: Wallflower; 2002.
18.
Bruzzi S. Men’s cinema. Edinburgh: Edinburgh University Press; 2013.
19.
Larke-Walsh GS. Screening the Mafia: masculinity, ethnicity and mobsters from The Godfather to The Sopranos [Internet]. Jefferson, N.C.: McFarland; 2010. Available from: https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780786456130
20.
Lewis J. The Godfather. Vol. BFI film classics. London: Palgrave Macmillan; 2010.
21.
Martin A. Mise en scène and film style: from classical Hollywood to new media art [Internet]. Vol. Palgrave close readings in film and television. Basingstoke: Palgrave Macmillan, an imprint of Macmillan Publishers; 2014. Available from: https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137269959
22.
Eisner LH. The haunted screen: expressionism in the German cinema and the influence of Max Reinhardt. Berkeley, Calif: University of California Press; 2008.
23.
Cooke P. German expressionist films. Vol. Pocket essentials. Harpenden, Herts: Pocket Essentials; 2002.
24.
Roberts I. German expressionist cinema: the world of light and shadow. Vol. Short cuts. London: Wallflower; 2008.
25.
Coates, Paul, 1953-. The Gorgon’s gaze: German cinema, expressionism, and the image of horror [Internet]. Cambridge University Press; 1991. Available from: http://hdl.handle.net.apollo.worc.ac.uk/2027/heb.07631.0001.001
26.
Kracauer S. From Caligari to Hitler. Rev. and expanded ed. Princeton, N.J. ,Oxford: Princeton University Press; 2004.
27.
Massaccesi C. Nosferatu. Vol. Devil’s Advocates. Leighton Buzzard: Auteur Publishing; 2015.
28.
Prawer SS. Nosferatu. 2nd edition. Vol. BFI modern classics. London: British Film Institute; 2013.
29.
The Third Man (1949) [Internet]. BBC2 England; Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/001D37C3?bcast=122247190
30.
La grande illusion (1937) [Internet]. Arte; Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/001DA462?bcast=106995379
31.
Bordwell D, Thompson K. Film art: an introduction. International ed., 8th ed. New York: McGraw-Hill Higher Education; 2008.
32.
Thompson K, Bordwell D. Film history: an introduction. 3rd ed. Boston, [Mass.]: McGraw-Hill Higher Education; 2010.
33.
Alton J. Painting with light. [New] edition. Berkeley: University of California Press; 2013.
34.
Drazin C. In search of The Third Man. New edition. London: Methuen; 2000.
35.
Hall B. Understanding cinematography. The Crowood Press; 2015.
36.
Keating P. Cinematography. Vol. Behind the silver screen. I. B. Tauris; 2014.
37.
White R. The third man. Vol. BFI film classics. London: British Film Institute; 2003.
38.
Temple M, Witt M. The French cinema book. London: BFI; 2004.
39.
Vincendeau G, British Film Institute. The companion to French cinema. London: Cassell [and] British Film Institute; 1996.
40.
Crisp CG. Genre, myth, and convention in the French cinema, 1929-1939 [Internet]. Bloomington: Indiana University Press; 2002. Available from: https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780253109613
41.
A Companion to Jean Renoir [Internet]. John Wiley & Sons, Incorporated; 2013. Available from: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=3058936
42.
Fournier-Lanzoni R. French cinema. Second edition. Bloomsbury; 2015.
43.
Jackson J. La grande illusion. Vol. BFI film classics. Basingstoke: British Film Institute; 2009.
44.
O’Shaughnessy M. Jean Renoir. Vol. French film directors. Manchester: Manchester University Press; 2000.
45.
Kubrick S, Nicholson J, Duvall S, Lloyd D, King S. The Shining. Warner Home Video; 2001.
46.
Eisenstein S. The battleship potemkin. [S.l.]: Eureka Video; 2000.
47.
Bordwell D, Thompson K. Film art: an introduction. International ed., 8th ed. New York: McGraw-Hill Higher Education; 2008.
48.
Thompson K, Bordwell D. Film history: an introduction. 3rd ed. Boston, [Mass.]: McGraw-Hill Higher Education; 2010.
49.
Bordwell D, Staiger J, Thompson K. The classical Hollywood cinema: film style & mode of production to 1960 [Internet]. London: Routledge; 1988. Available from: https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203358818
50.
Dmytryk E. On film editing: an introduction to the art of film construction [Internet]. Boston: Focal Press; 1984. Available from: https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080513034
51.
Murch W. In the blink of an eye: a perspective on film editing. 2nd ed. Los Angeles: Silman-James Press; 2001.
52.
Fairservice D. Film editing: history, theory, and practice : looking at the invisible. Manchester: Manchester University Press; 2001.
53.
Orpen V. Film editing: the art of the expressive. Vol. Short cuts. London: Wallflower; 2003.
54.
Luckhurst R. The shining. Vol. BFI film classics. London: British Film Institute; 2013.
55.
Mee L. The Shining. Vol. Devil’s Advocates. Leighton Buzzard: Auteur Publishing; 2017.
56.
Bordwell D. The cinema of Eisenstein. [New ed.]. New York: Routledge; 2005.
57.
Taylor R, British Film Institute. The Eisenstein reader. London: British Film Institute; 1998.
58.
Braudy L, Cohen M. Film theory and criticism: introductory readings. Seventh edition. New York: Oxford University Press; 2009.
59.
Gillespie DC. Early Soviet cinema: innovation, ideology and propaganda. Vol. Short cuts. London: Wallflower; 2000.
60.
Kenez P. Cinema and Soviet society from the revolution to the death of Stalin [Internet]. [New ed., updated]. London: I.B. Tauris; 2001. Available from: http://www.loc.gov/catdir/toc/hol051/2001270261.html
61.
Taylor, Richard. The Battleship Potemkin [Internet]. London: I.B. Tauris; 2000. Available from: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=677093
62.
Eisenstein S, Leyda J. Film form: essays in film theory. San Diego, [Calif.]: Harvest; 2002.
63.
Leyda, Jay. Kino [Internet]. 1960. Available from: https://babel.hathitrust.org/cgi/pt?id=mdp.39015003853564;view=1up;seq=10
64.
Marshall H. Masters of the Soviet cinema. Vol. Routledge library editions. Cinema. Routledge; 2015.
65.
Chaplin C. Modern times. [U.K.]: Curzon Artificial Eye; 2015.
66.
Bordwell D, Thompson K. Film art: an introduction. International ed., 8th ed. New York: McGraw-Hill Higher Education; 2008.
67.
Geiger J, Rutsky RL, editors. Film analysis: a Norton reader. Second edition. New York: W.W. Norton & Company; 2013.
68.
Philip Hayward. Terror Tracks : Music, Sound and Horror Cinema. Equinox Publishing Ltd; 2009.
69.
Dickinson K. Movie music, the film reader. Vol. In focus--Routledge film readers. London: Routledge; 2003.
70.
Altman R. Sound theory, sound practice. Vol. AFI film readers. New York: Routledge; 1992.
71.
Musser C. History of the American cinema. Vol. History of the American Cinema S. Berkeley ,London: University of California Press; 1994.
72.
Evans M. Sounding funny. Vol. Genre, music and sound. Equinox Publishing; 2016.
73.
Hanson H. Hollywood soundscapes. 1st ed. 2017. BFI; 2017.
74.
Kalinak KM. Sound. Vol. Behind the silver screen: a modern history of filmmaking. I.B.Tauris; 2015.
75.
Lastra J. Sound technology and the American cinema. Vol. Film and culture. New York ,Chichester: Columbia University Press; 2000.
76.
Donnelly KJ. The spectre of sound: music in film and television. London: BFI pub; 2005.
77.
Reay P. Music in film: soundtracks and synergy. Vol. Short cuts. London: Wallflower; 2004.
78.
Bartkowiak MJ. The music of counterculture cinema. McFarland & Company, Inc., Publishers; 2015.
79.
Kalinak KM. Film music: a very short introduction [Internet]. Vol. Very short introductions. New York: Oxford University Press; 2010. Available from: https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780199707973
80.
Donnelly KJ. Film music. Edinburgh: Edinburgh University Press; 2001.
81.
Wojcik PR, Knight A. Soundtrack available: essays on film and popular music [Internet]. London: Duke University Press; 2001. Available from: https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780822380986
82.
Slobin M. Global soundtracks. 1st ed. Vol. Music/culture. Middletown, Conn. ,London: Wesleyan University Press; 2008.
83.
Walker EM. Understanding sound tracks throughfilm theory. Oxford University Press; 2015.
84.
Blade Runner : the final cut (2007) [Internet]. BBC3; Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/0002E219?bcast=55376018
85.
Bordwell D, Thompson K. Film art: an introduction. International ed., 8th ed. New York: McGraw-Hill Higher Education; 2008.
86.
Corrigan T, Corrigan G. A short guide to writing about film. Ninth edition. Boston: Pearson; 2015.
87.
Corrigan T. A short guide to writing about film [Internet]. Global edition of ninth edition. Harlow: Pearson Education; 2015. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781292078120
88.
Salt B. Film style and technology: history and analysis. 3rd ed. London: Starword; 2009.
89.
Bukatman S, British Film Institute. Blade runner. 2nd edition. Vol. BFI film classics. Basingstoke: Palgrave Macmillan; 2012.
90.
Brooker W. The blade runner experience. London: Wallflower; 2005.
91.
Coplan A. Blade runner. annotated edition. Vol. Philosophers on film. London: Routledge; 2013.
92.
Hills M. Blade runner. Vol. Cultographies. London: Wallflower; 2011.
93.
Flisfeder M. Postmodern theory and Blade runner. Vol. Film theory in practice. Bloomsbury Academic; 2017.
94.
Bordwell D. On the history of film style. Cambridge, Mass. ,London: Harvard University Press; 1997.
95.
Gibbs J, Pye D, University of Reading. Dept. of Film, Theatre & Television. Style and meaning: studies in the detailed analysis of film. Manchester: Manchester University Press; 2005.
96.
Wong K wai. The grandmaster. [U.K.]: Metrodome Distribution; 2015.
97.
White J. European art cinema [Internet]. Vol. Routledge film guidebooks. London: Routledge; 2017. Available from: https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315737898
98.
Nowell-Smith G. The Oxford history of world cinema [Internet]. Oxford: Oxford University Press; 1996. Available from: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191518188
99.
Comolli JL, Narboni J. Cinema/Ideology/Criticism. In: Movies and methods: an anthology, Vol 1. Berkeley: University of California Press; 1976. p. 22–30.
100.
The bicycle thieves. [U.K.]: Arrow Films; 2006.
101.
Nowell-Smith G. The Oxford history of world cinema [Internet]. Oxford: Oxford University Press; 1996. Available from: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191518188
102.
White J. European art cinema [Internet]. Vol. Routledge film guidebooks. London: Routledge; 2017. Available from: https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315737898
103.
Geiger J, Rutsky RL, editors. Film analysis: a Norton reader. Second edition. New York: W.W. Norton & Company; 2013.
104.
Thompson K, Bordwell D. Film history: an introduction. 3rd ed., International ed. Boston, [Mass.]: McGraw-Hill Higher Education; 2010.
105.
Pixote, The Law of The Weakest (1981).
106.
Nowell-Smith G. The Oxford history of world cinema [Internet]. Oxford: Oxford University Press; 1996. Available from: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191518188
107.
Thompson K, Bordwell D. Film history: an introduction. 3rd ed., International ed. Boston, [Mass.]: McGraw-Hill Higher Education; 2010.
109.
Geiger J, Rutsky RL, editors. Film analysis: a Norton reader. Second edition. New York: W.W. Norton & Company; 2013.
110.
Nowell-Smith G. The Oxford history of world cinema [Internet]. Oxford: Oxford University Press; 1996. Available from: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191518188
111.
Directory of World Cinema : Japan [Internet]. Intellect; 2014. Available from: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=3014871
112.
Thompson K, Bordwell D. Film history: an introduction. 3rd ed., International ed. Boston, [Mass.]: McGraw-Hill Higher Education; 2010.
113.
The Four Hundred Blows (1959) [Internet]. BBC2 England; Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/0010751D?bcast=4587537
114.
Nowell-Smith G. The Oxford history of world cinema [Internet]. Oxford: Oxford University Press; 1996. Available from: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191518188
115.
Geiger J, Rutsky RL, editors. Film analysis: a Norton reader. Second edition. New York: W.W. Norton & Company; 2013.
116.
Thompson K, Bordwell D. Film history: an introduction. 3rd ed., International ed. Boston, [Mass.]: McGraw-Hill Higher Education; 2010.
117.
White J. European art cinema [Internet]. Vol. Routledge film guidebooks. London: Routledge; 2017. Available from: https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315737898
118.
Fassbinder RW. Fear eats the soul. [U.K.]: Arrow Films; 2006.
119.
Geiger J, Rutsky RL, editors. Film analysis: a Norton reader. Second edition. New York: W.W. Norton & Company; 2013.
120.
Nowell-Smith G. The Oxford history of world cinema [Internet]. Oxford: Oxford University Press; 1996. Available from: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191518188
121.
Thompson K, Bordwell D. Film history: an introduction. 3rd ed., International ed. Boston, [Mass.]: McGraw-Hill Higher Education; 2010.
122.
White J. European art cinema [Internet]. Vol. Routledge film guidebooks. London: Routledge; 2017. Available from: https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315737898
123.
Directory of World Cinema: Germany [Internet]. 1st ed. Intellect Books Ltd; 2011. Available from: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1057949
124.
The Idiots (1998) [Internet]. Channel 4; Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/001B81C3?bcast=68829092
125.
White J. European art cinema [Internet]. Vol. Routledge film guidebooks. London: Routledge; 2017. Available from: https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315737898
126.
Thompson K, Bordwell D. Film history: an introduction. 3rd ed., International ed. Boston, [Mass.]: McGraw-Hill Higher Education; 2010.
127.
THE VOW OF CHASTITY | Dogme95.dk - A tribute to the official Dogme95 [Internet]. Available from: http://www.dogme95.dk/the-vow-of-chastity/
128.
The Seventh Seal [Internet]. Film4; Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/0005A5DC?bcast=67338783
129.
Geiger J, Rutsky RL, editors. Film analysis: a Norton reader. Second edition. New York: W.W. Norton & Company; 2013.
130.
Thompson K, Bordwell D. Film history: an introduction. 3rd ed., International ed. Boston, [Mass.]: McGraw-Hill Higher Education; 2010.
131.
White J. European art cinema [Internet]. Vol. Routledge film guidebooks. London: Routledge; 2017. Available from: https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315737898
132.
Fellini F. 8 1/2. 50th anniversary ed. [U.K.]: Argent Films; 2013.
133.
Directory of World Cinema: Italy [Internet]. 1st ed. Intellect Books Ltd; 2011. Available from: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1057951
134.
Nowell-Smith G. The Oxford history of world cinema [Internet]. Oxford: Oxford University Press; 1996. Available from: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191518188
135.
Geiger J, Rutsky RL, editors. Film analysis: a Norton reader. Second edition. New York: W.W. Norton & Company; 2013.
136.
Yojimbo (1961) [Internet]. FilmFour; Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/000F3A16?bcast=116007029
137.
Directory of World Cinema: Japan 2 [Internet]. 1st ed. Intellect Books Ltd; 2012. Available from: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1057947
138.
Directory of World Cinema : Japan [Internet]. Intellect; 2014. Available from: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=3014871
139.
Kiarostami A, Kiarostami A. Taste of cherry: 10 on ten. [United Kingdom]: Artificial Eye; 2009.
140.
Nowell-Smith G. The Oxford history of world cinema [Internet]. Oxford: Oxford University Press; 1996. Available from: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191518188
141.
Tasker Y. Fifty contemporary filmmakers [Internet]. London: Routledge; 2002. Available from: https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203452226
142.
Bordwell D, Thompson K, Smith J. Film art: an introduction. Eleventh edition. New York, NY: McGraw-Hill Education; 2017.
143.
Cook P. The cinema book. 3rd ed. London: BFI; 2007.
144.
Corrigan T, Corrigan G. A short guide to writing about film. Ninth edition. Boston: Pearson; 2015.
145.
Hayward S. Cinema studies: the key concepts [Internet]. Fifth edition. London: Routledge; 2017. Available from: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203075555
