A Companion to Jean Renoir. 2013. (John Wiley & Sons, Incorporated) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=3058936>
Altman, Rick. 1992. Sound Theory, Sound Practice (New York: Routledge)
Alton, John. 2013. Painting with Light, [New] edition (Berkeley: University of California Press)
Atkinson, Michael. 1997. Blue Velvet (London: British Film Institute (BFI))
Bartkowiak, Mathew J. 2015. The Music of Counterculture Cinema (McFarland & Company, Inc., Publishers)
‘Blade Runner : The Final Cut (2007)’. [n.d.]. (BBC3) <https://learningonscreen.ac.uk/ondemand/index.php/prog/0002E219?bcast=55376018>
‘Blue Velvet (1986)’. [n.d.]. (ITV London) <https://learningonscreen.ac.uk/ondemand/index.php/prog/001A2AEA?bcast=32577421>
Bordwell, David. 1997. On the History of Film Style (Cambridge, Mass. ,London: Harvard University Press)
———. 2005. The Cinema of Eisenstein, [New ed.] (New York: Routledge)
Bordwell, David, Janet Staiger, and Kristin Thompson. 1988. The Classical Hollywood Cinema: Film Style & Mode of Production to 1960 (London: Routledge) <https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203358818>
Bordwell, David, and Kristin Thompson. 2008a. Film Art: An Introduction, International ed., 8th ed (New York: McGraw-Hill Higher Education)
———. 2008b. Film Art: An Introduction, International ed., 8th ed (New York: McGraw-Hill Higher Education)
———. 2008c. Film Art: An Introduction, International ed., 8th ed (New York: McGraw-Hill Higher Education)
———. 2008d. Film Art: An Introduction, International ed., 8th ed (New York: McGraw-Hill Higher Education)
———. 2008e. Film Art: An Introduction, International ed., 8th ed (New York: McGraw-Hill Higher Education)
Bordwell, David, Kristin Thompson, and Jeff Smith. 2017. Film Art: An Introduction, Eleventh edition (New York, NY: McGraw-Hill Education)
Braudy, Leo, and Marshall Cohen. 2009. Film Theory and Criticism: Introductory Readings, Seventh edition (New York: Oxford University Press)
Brooker, Will. 2005. The Blade Runner Experience (London: Wallflower)
Bruzzi, Stella. 2013. Men’s Cinema (Edinburgh: Edinburgh University Press)
Bukatman, Scott and British Film Institute. 2012. Blade Runner, 2nd edition (Basingstoke: Palgrave Macmillan)
Chaplin, Charlie. 2015. ‘Modern Times’ ([U.K.]: Curzon Artificial Eye)
Chion, Michel. 1995. David Lynch (London: British Film Institute)
Coates, Paul, 1953-. 1991. The Gorgon’s Gaze: German Cinema, Expressionism, and the Image of Horror (Cambridge University Press) <http://hdl.handle.net.apollo.worc.ac.uk/2027/heb.07631.0001.001>
Comolli, Jean-Louis, and Jean Narboni. 1976. ‘Cinema/Ideology/Criticism’, in Movies and Methods: An Anthology, Vol. 1 (Berkeley: University of California Press), pp. 22–30
Cook, Pam. 2007. The Cinema Book, 3rd ed (London: BFI)
Cooke, Paul. 2002. German Expressionist Films (Harpenden, Herts: Pocket Essentials)
Coplan, Amy. 2013. Blade Runner, annotated edition (London: Routledge)
Corrigan, Timothy. 2015a. A Short Guide to Writing about Film, Global edition of ninth edition (Harlow: Pearson Education) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781292078120>
———. 2015b. A Short Guide to Writing about Film, Global edition of ninth edition (Harlow: Pearson Education) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781292078120>
Corrigan, Timothy, and Graham Corrigan. 2015a. A Short Guide to Writing about Film, Ninth edition (Boston: Pearson)
———. 2015b. A Short Guide to Writing about Film, Ninth edition (Boston: Pearson)
———. 2015c. A Short Guide to Writing about Film, Ninth edition (Boston: Pearson)
Crisp, C. G. 2002. Genre, Myth, and Convention in the French Cinema, 1929-1939 (Bloomington: Indiana University Press) <https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780253109613>
Dickinson, Kay. 2003. Movie Music, the Film Reader (London: Routledge)
Directory of World Cinema: Germany. 2011. 1st edn (Intellect Books Ltd) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1057949>
Directory of World Cinema: Italy. 2011. 1st edn (Intellect Books Ltd) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1057951>
Directory of World Cinema : Japan. 2014a. (Intellect) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=3014871>
———. 2014b. (Intellect) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=3014871>
Directory of World Cinema: Japan 2. 2012. 1st edn (Intellect Books Ltd) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1057947>
Dmytryk, Edward. 1984. On Film Editing: An Introduction to the Art of Film Construction (Boston: Focal Press) <https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080513034>
Donnelly, K. J. 2001. Film Music (Edinburgh: Edinburgh University Press)
———. 2005. The Spectre of Sound: Music in Film and Television (London: BFI pub)
Drazin, Charles. 2000. In Search of The Third Man, New edition (London: Methuen)
Eisenstein, Sergei. 2000. ‘The Battleship Potemkin’ ([S.l.]: Eureka Video)
Eisenstein, Sergei, and Jay Leyda. 2002. Film Form: Essays in Film Theory (San Diego, [Calif.]: Harvest)
Eisner, Lotte H. 2008. The Haunted Screen: Expressionism in the German Cinema and the Influence of Max Reinhardt (Berkeley, Calif: University of California Press)
Evans, Mark. 2016. Sounding Funny (Equinox Publishing)
Fairservice, Don. 2001. Film Editing: History, Theory, and Practice : Looking at the Invisible (Manchester: Manchester University Press)
Fassbinder, Rainer Werner. 2006. ‘Fear Eats the Soul’ ([U.K.]: Arrow Films)
Fellini, Federico. 2013. ‘8 1/2’ ([U.K.]: Argent Films)
Flisfeder, Matthew. 2017. Postmodern Theory and Blade Runner (Bloomsbury Academic)
Fournier-Lanzoni, Rémi. 2015. French Cinema, Second edition (Bloomsbury)
Frayling, Christopher, Enno Patalas, Max Schreck, and F. W. Murnau. 2002. ‘Nosferatu: A Symphony of Horrors’ (London: British Film Institute)
Geiger, Jeffrey, and R. L. Rutsky (eds.). 2013a. Film Analysis: A Norton Reader, Second edition (New York: W.W. Norton & Company)
——— (eds.). 2013b. Film Analysis: A Norton Reader, Second edition (New York: W.W. Norton & Company)
——— (eds.). 2013c. Film Analysis: A Norton Reader, Second edition (New York: W.W. Norton & Company)
——— (eds.). 2013d. Film Analysis: A Norton Reader, Second edition (New York: W.W. Norton & Company)
——— (eds.). 2013e. Film Analysis: A Norton Reader, Second edition (New York: W.W. Norton & Company)
——— (eds.). 2013f. Film Analysis: A Norton Reader, Second edition (New York: W.W. Norton & Company)
——— (eds.). 2013g. Film Analysis: A Norton Reader, Second edition (New York: W.W. Norton & Company)
——— (eds.). 2013h. Film Analysis: A Norton Reader, Second edition (New York: W.W. Norton & Company)
——— (eds.). 2013i. Film Analysis: A Norton Reader, Second edition (New York: W.W. Norton & Company)
Gibbs, John. 2002. Mise-En-Scène: Film Style and Interpretation (London: Wallflower)
Gibbs, John, Douglas Pye, and University of Reading. Dept. of Film, Theatre & Television. 2005. Style and Meaning: Studies in the Detailed Analysis of Film (Manchester: Manchester University Press)
Gillespie, David C. 2000. Early Soviet Cinema: Innovation, Ideology and Propaganda (London: Wallflower)
Hall, Brian. 2015. Understanding Cinematography (The Crowood Press)
Hanson, Helen. 2017. Hollywood Soundscapes, 1st ed. 2017 (BFI)
Hayward, Susan. 2017. Cinema Studies: The Key Concepts, Fifth edition (London: Routledge) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203075555>
Hills, Matt. 2011. Blade Runner (London: Wallflower)
Jackson, Julian. 2009. La Grande Illusion (Basingstoke: British Film Institute)
Justus Nieland. 2012. David Lynch (Urbana: University of Illinois Press) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=3414181>
Kalinak, Kathryn Marie. 2010. Film Music: A Very Short Introduction (New York: Oxford University Press) <https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780199707973>
———. 2015. Sound (I.B.Tauris)
Keating, Patrick. 2014. Cinematography (I. B. Tauris)
Kenez, Peter. 2001. Cinema and Soviet Society from the Revolution to the Death of Stalin, [New ed., updated] (London: I.B. Tauris) <http://www.loc.gov/catdir/toc/hol051/2001270261.html>
Kiarostami, Abbas, and Abbas Kiarostami. 2009. ‘Taste of Cherry: 10 on Ten’ ([United Kingdom]: Artificial Eye)
Kracauer, Siegfried. 2004. From Caligari to Hitler, Rev. and expanded ed. (Princeton, N.J. ,Oxford: Princeton University Press)
Kubrick, Stanley, Jack Nicholson, Shelley Duvall, Danny Lloyd, and Stephen King. 2001. ‘The Shining’ (Warner Home Video)
‘La Grande Illusion (1937)’. [n.d.]. (Arte) <https://learningonscreen.ac.uk/ondemand/index.php/prog/001DA462?bcast=106995379>
Larke-Walsh, George S. 2010. Screening the Mafia: Masculinity, Ethnicity and Mobsters from The Godfather to The Sopranos (Jefferson, N.C.: McFarland) <https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780786456130>
Lastra, James. 2000. Sound Technology and the American Cinema (New York ,Chichester: Columbia University Press)
Lewis, Jon. 2010. The Godfather (London: Palgrave Macmillan)
Leyda, Jay. 1960. Kino <https://babel.hathitrust.org/cgi/pt?id=mdp.39015003853564;view=1up;seq=10>
Luckhurst, Roger. 2013. The Shining (London: British Film Institute)
Lynch, David, and Chris Rodley. 2005. Lynch on Lynch, Rev. ed (London: Faber)
Marshall, Herbert. 2015. Masters of the Soviet Cinema (Routledge)
Martin, Adrian. 2014. Mise En Scène and Film Style: From Classical Hollywood to New Media Art (Basingstoke: Palgrave Macmillan, an imprint of Macmillan Publishers) <https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137269959>
Massaccesi, Cristina. 2015. Nosferatu (Leighton Buzzard: Auteur Publishing)
McGowan, Todd. 2007. The Impossible David Lynch (New York ,Chichester: Columbia University Press)
Mee, Laura. 2017. The Shining (Leighton Buzzard: Auteur Publishing)
Murch, Walter. 2001. In the Blink of an Eye: A Perspective on Film Editing, 2nd ed (Los Angeles: Silman-James Press)
Musser, Charles. 1994. History of the American Cinema (Berkeley ,London: University of California Press)
Nowell-Smith, Geoffrey. 1996a. The Oxford History of World Cinema (Oxford: Oxford University Press) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191518188>
———. 1996b. The Oxford History of World Cinema (Oxford: Oxford University Press) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191518188>
———. 1996c. The Oxford History of World Cinema (Oxford: Oxford University Press) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191518188>
———. 1996d. The Oxford History of World Cinema (Oxford: Oxford University Press) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191518188>
———. 1996e. The Oxford History of World Cinema (Oxford: Oxford University Press) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191518188>
———. 1996f. The Oxford History of World Cinema (Oxford: Oxford University Press) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191518188>
———. 1996g. The Oxford History of World Cinema (Oxford: Oxford University Press) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191518188>
———. 1996h. The Oxford History of World Cinema (Oxford: Oxford University Press) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191518188>
Orpen, Valerie. 2003. Film Editing: The Art of the Expressive (London: Wallflower)
O’Shaughnessy, Martin. 2000. Jean Renoir (Manchester: Manchester University Press)
Philip Hayward. 2009. Terror Tracks : Music, Sound and Horror Cinema (Equinox Publishing Ltd)
‘Pixote, The Law of The Weakest (1981)’. [n.d.].
Prawer, S. S. 2013. Nosferatu, 2nd edition (London: British Film Institute)
Reay, Pauline. 2004. Music in Film: Soundtracks and Synergy (London: Wallflower)
Roberts, Ian. 2008. German Expressionist Cinema: The World of Light and Shadow (London: Wallflower)
Salt, Barry. 2009. Film Style and Technology: History and Analysis, 3rd ed (London: Starword)
Sheen, Erica. 2004. The Cinema of David Lynch (London: Wallflower)
Slobin, Mark. 2008. Global Soundtracks, 1st ed (Middletown, Conn. ,London: Wesleyan University Press)
Tasker, Yvonne. 2002. Fifty Contemporary Filmmakers (London: Routledge) <https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203452226>
Taylor, Richard. 2000. The Battleship Potemkin (London: I.B. Tauris) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=677093>
Taylor, Richard and British Film Institute. 1998. The Eisenstein Reader (London: British Film Institute)
Temple, Michael, and Michael Witt. 2004. The French Cinema Book (London: BFI)
‘The Bicycle Thieves’. 2006. ([U.K.]: Arrow Films)
‘The Four Hundred Blows (1959)’. [n.d.]. (BBC2 England) <https://learningonscreen.ac.uk/ondemand/index.php/prog/0010751D?bcast=4587537>
‘The Godfather (1972)’. [n.d.]. (FilmFour) <https://learningonscreen.ac.uk/ondemand/index.php/prog/000C381F?bcast=105279753>
‘The Idiots (1998)’. [n.d.]. (Channel 4) <https://learningonscreen.ac.uk/ondemand/index.php/prog/001B81C3?bcast=68829092>
‘The Seventh Seal’. [n.d.]. (Film4) <https://learningonscreen.ac.uk/ondemand/index.php/prog/0005A5DC?bcast=67338783>
‘The Third Man (1949)’. [n.d.]. (BBC2 England) <https://learningonscreen.ac.uk/ondemand/index.php/prog/001D37C3?bcast=122247190>
‘THE VOW OF CHASTITY | Dogme95.Dk - A Tribute to the Official Dogme95’. [n.d.]. <http://www.dogme95.dk/the-vow-of-chastity/>
Thompson, Kristin, and David Bordwell. 2010a. Film History: An Introduction, 3rd ed (Boston, [Mass.]: McGraw-Hill Higher Education)
———. 2010b. Film History: An Introduction, 3rd ed (Boston, [Mass.]: McGraw-Hill Higher Education)
———. 2010c. Film History: An Introduction, 3rd ed (Boston, [Mass.]: McGraw-Hill Higher Education)
———. 2010d. Film History: An Introduction, 3rd ed., International ed (Boston, [Mass.]: McGraw-Hill Higher Education)
———. 2010e. Film History: An Introduction, 3rd ed., International ed (Boston, [Mass.]: McGraw-Hill Higher Education)
———. 2010f. Film History: An Introduction, 3rd ed., International ed (Boston, [Mass.]: McGraw-Hill Higher Education)
———. 2010g. Film History: An Introduction, 3rd ed., International ed (Boston, [Mass.]: McGraw-Hill Higher Education)
———. 2010h. Film History: An Introduction, 3rd ed., International ed (Boston, [Mass.]: McGraw-Hill Higher Education)
———. 2010i. Film History: An Introduction, 3rd ed., International ed (Boston, [Mass.]: McGraw-Hill Higher Education)
———. 2010j. Film History: An Introduction, 3rd ed., International ed (Boston, [Mass.]: McGraw-Hill Higher Education)
Todd, Antony. 2012. Authorship and the Films of David Lynch: Aesthetic Receptions in Contemporary Hollywood (London: I.B. Tauris) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780857721129>
‘Tokyo Story’. [n.d.].
Vincendeau, Ginette and British Film Institute. 1996. The Companion to French Cinema (London: Cassell [and] British Film Institute)
Walker, Elsie M. 2015. Understanding Sound Tracks Throughfilm Theory (Oxford University Press)
White, John. 2017a. European Art Cinema (London: Routledge) <https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315737898>
———. 2017b. European Art Cinema (London: Routledge) <https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315737898>
———. 2017c. European Art Cinema (London: Routledge) <https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315737898>
———. 2017d. European Art Cinema (London: Routledge) <https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315737898>
———. 2017e. European Art Cinema (London: Routledge) <https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315737898>
———. 2017f. European Art Cinema (London: Routledge) <https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315737898>
White, Rob. 2003. The Third Man (London: British Film Institute)
Wojcik, Pamela Robertson, and Arthur Knight. 2001. Soundtrack Available: Essays on Film and Popular Music (London: Duke University Press) <https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780822380986>
Wong, Kar-wai. 2015. ‘The Grandmaster’ ([U.K.]: Metrodome Distribution)
‘Yojimbo (1961)’. [n.d.]. (FilmFour) <https://learningonscreen.ac.uk/ondemand/index.php/prog/000F3A16?bcast=116007029>
