A Companion to Jean Renoir. 2013. (John Wiley & Sons, Incorporated) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=3058936>
Altman, Rick. 1992. Sound Theory, Sound Practice (Routledge), AFI film readers
Alton, John. 2013. Painting with Light, [New] edition (University of California Press)
Atkinson, Michael. 1997. Blue Velvet (British Film Institute (BFI)), BFI modern classics
Bartkowiak, Mathew J. 2015. The Music of Counterculture Cinema (McFarland & Company, Inc., Publishers)
Blade Runner : The Final Cut (2007). n.d. BBC3 <https://learningonscreen.ac.uk/ondemand/index.php/prog/0002E219?bcast=55376018>
Blue Velvet (1986). n.d. ITV London <https://learningonscreen.ac.uk/ondemand/index.php/prog/001A2AEA?bcast=32577421>
Bordwell, David. 1997. On the History of Film Style (Harvard University Press)
——. 2005. The Cinema of Eisenstein, [New ed.] (Routledge)
——, Janet Staiger, and Kristin Thompson. 1988. The Classical Hollywood Cinema: Film Style & Mode of Production to 1960 (Routledge) <https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203358818>
——, and Kristin Thompson. 2008a. Film Art: An Introduction, International ed., 8th ed (McGraw-Hill Higher Education)
——, and Kristin Thompson. 2008b. Film Art: An Introduction, International ed., 8th ed (McGraw-Hill Higher Education)
——, and Kristin Thompson. 2008c. Film Art: An Introduction, International ed., 8th ed (McGraw-Hill Higher Education)
——, and Kristin Thompson. 2008d. Film Art: An Introduction, International ed., 8th ed (McGraw-Hill Higher Education)
——, and Kristin Thompson. 2008e. Film Art: An Introduction, International ed., 8th ed (McGraw-Hill Higher Education)
——, Kristin Thompson, and Jeff Smith. 2017. Film Art: An Introduction, Eleventh edition (McGraw-Hill Education)
Braudy, Leo, and Marshall Cohen. 2009. Film Theory and Criticism: Introductory Readings, Seventh edition (Oxford University Press)
Brooker, Will. 2005. The Blade Runner Experience (Wallflower)
Bruzzi, Stella. 2013. Men’s Cinema (Edinburgh University Press)
Bukatman, Scott and British Film Institute. 2012. Blade Runner, 2nd edition (Palgrave Macmillan), BFI film classics
Chaplin, Charlie. 2015. Modern Times, Curzon Artificial Eye, videorecording
Chion, Michel. 1995. David Lynch (British Film Institute)
Coates, Paul, 1953-. 1991. The Gorgon’s Gaze: German Cinema, Expressionism, and the Image of Horror (Cambridge University Press) <http://hdl.handle.net.apollo.worc.ac.uk/2027/heb.07631.0001.001>
Comolli, Jean-Louis, and Jean Narboni. 1976. ‘Cinema/Ideology/Criticism’, in Movies and Methods: An Anthology, Vol. 1 (University of California Press), pp. 22–30
Cook, Pam. 2007. The Cinema Book, 3rd ed (BFI)
Cooke, Paul. 2002. German Expressionist Films (Pocket Essentials), Pocket essentials
Coplan, Amy. 2013. Blade Runner, annotated edition (Routledge), Philosophers on film
Corrigan, Timothy. 2015a. A Short Guide to Writing about Film, Global edition of ninth edition (Pearson Education) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781292078120>
——. 2015b. A Short Guide to Writing about Film, Global edition of ninth edition (Pearson Education) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781292078120>
——, and Graham Corrigan. 2015a. A Short Guide to Writing about Film, Ninth edition (Pearson)
——, and Graham Corrigan. 2015b. A Short Guide to Writing about Film, Ninth edition (Pearson)
——, and Graham Corrigan. 2015c. A Short Guide to Writing about Film, Ninth edition (Pearson)
Crisp, C. G. 2002. Genre, Myth, and Convention in the French Cinema, 1929-1939 (Indiana University Press) <https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780253109613>
Dickinson, Kay. 2003. Movie Music, the Film Reader (Routledge), In focus--Routledge film readers
Directory of World Cinema: Germany. 2011. 1st edn (Intellect Books Ltd) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1057949>
Directory of World Cinema: Italy. 2011. 1st edn (Intellect Books Ltd) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1057951>
Directory of World Cinema : Japan. 2014a. (Intellect) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=3014871>
——. 2014b. (Intellect) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=3014871>
Directory of World Cinema: Japan 2. 2012. 1st edn (Intellect Books Ltd) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1057947>
Dmytryk, Edward. 1984. On Film Editing: An Introduction to the Art of Film Construction (Focal Press) <https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080513034>
Donnelly, K. J. 2001. Film Music (Edinburgh University Press)
——. 2005. The Spectre of Sound: Music in Film and Television (BFI pub)
Drazin, Charles. 2000. In Search of The Third Man, New edition (Methuen)
Eisenstein, Sergei. 2000. The Battleship Potemkin, Eureka Video, dvd
——, and Jay Leyda. 2002. Film Form: Essays in Film Theory (Harvest)
Eisner, Lotte H. 2008. The Haunted Screen: Expressionism in the German Cinema and the Influence of Max Reinhardt (University of California Press)
Evans, Mark. 2016. Sounding Funny (Equinox Publishing), Genre, music and sound
Fairservice, Don. 2001. Film Editing: History, Theory, and Practice : Looking at the Invisible (Manchester University Press)
Fassbinder, Rainer Werner. 2006. Fear Eats the Soul, Arrow Films, videorecording
Fellini, Federico. 2013. 8 1/2, 50th anniversary ed, Argent Films, videorecording
Flisfeder, Matthew. 2017. Postmodern Theory and Blade Runner (Bloomsbury Academic), Film theory in practice
Fournier-Lanzoni, Rémi. 2015. French Cinema, Second edition (Bloomsbury)
Frayling, Christopher, and others. 2002. Nosferatu: A Symphony of Horrors, British Film Institute, videorecording
Geiger, Jeffrey, and R. L. Rutsky (eds). 2013a. Film Analysis: A Norton Reader, Second edition (W.W. Norton & Company)
——, and R. L. Rutsky (eds). 2013b. Film Analysis: A Norton Reader, Second edition (W.W. Norton & Company)
——, and R. L. Rutsky (eds). 2013c. Film Analysis: A Norton Reader, Second edition (W.W. Norton & Company)
——, and R. L. Rutsky (eds). 2013d. Film Analysis: A Norton Reader, Second edition (W.W. Norton & Company)
——, and R. L. Rutsky (eds). 2013e. Film Analysis: A Norton Reader, Second edition (W.W. Norton & Company)
——, and R. L. Rutsky (eds). 2013f. Film Analysis: A Norton Reader, Second edition (W.W. Norton & Company)
——, and R. L. Rutsky (eds). 2013g. Film Analysis: A Norton Reader, Second edition (W.W. Norton & Company)
——, and R. L. Rutsky (eds). 2013h. Film Analysis: A Norton Reader, Second edition (W.W. Norton & Company)
——, and R. L. Rutsky (eds). 2013i. Film Analysis: A Norton Reader, Second edition (W.W. Norton & Company)
Gibbs, John. 2002. Mise-En-Scène: Film Style and Interpretation (Wallflower), Short cuts
——, Douglas Pye, and University of Reading. Dept. of Film, Theatre & Television. 2005. Style and Meaning: Studies in the Detailed Analysis of Film (Manchester University Press)
Gillespie, David C. 2000. Early Soviet Cinema: Innovation, Ideology and Propaganda (Wallflower), Short cuts
Hall, Brian. 2015. Understanding Cinematography (The Crowood Press)
Hanson, Helen. 2017. Hollywood Soundscapes, 1st ed. 2017 (BFI)
Hayward, Susan. 2017. Cinema Studies: The Key Concepts, Fifth edition (Routledge) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203075555>
Hills, Matt. 2011. Blade Runner (Wallflower), Cultographies
Jackson, Julian. 2009. La Grande Illusion (British Film Institute), BFI film classics
Justus Nieland. 2012. David Lynch (University of Illinois Press) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=3414181>
Kalinak, Kathryn Marie. 2010. Film Music: A Very Short Introduction (Oxford University Press), Very short introductions <https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780199707973>
——. 2015. Sound (I.B.Tauris), Behind the silver screen: a modern history of filmmaking
Keating, Patrick. 2014. Cinematography (I. B. Tauris), Behind the silver screen
Kenez, Peter. 2001. Cinema and Soviet Society from the Revolution to the Death of Stalin, [New ed., updated] (I.B. Tauris) <http://www.loc.gov/catdir/toc/hol051/2001270261.html>
Kiarostami, Abbas, and Abbas Kiarostami. 2009. Taste of Cherry: 10 on Ten, Artificial Eye
Kracauer, Siegfried. 2004. From Caligari to Hitler, Rev. and expanded ed. (Princeton University Press)
Kubrick, Stanley, and others. 2001. The Shining, Warner Home Video, dvd
La Grande Illusion (1937). n.d. Arte <https://learningonscreen.ac.uk/ondemand/index.php/prog/001DA462?bcast=106995379>
Larke-Walsh, George S. 2010. Screening the Mafia: Masculinity, Ethnicity and Mobsters from The Godfather to The Sopranos (McFarland) <https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780786456130>
Lastra, James. 2000. Sound Technology and the American Cinema (Columbia University Press), Film and culture
Lewis, Jon. 2010. The Godfather (Palgrave Macmillan), BFI film classics
Leyda, Jay. 1960. Kino <https://babel.hathitrust.org/cgi/pt?id=mdp.39015003853564;view=1up;seq=10>
Luckhurst, Roger. 2013. The Shining (British Film Institute), BFI film classics
Lynch, David, and Chris Rodley. 2005. Lynch on Lynch, Rev. ed (Faber)
Marshall, Herbert. 2015. Masters of the Soviet Cinema (Routledge), Routledge library editions. Cinema
Martin, Adrian. 2014. Mise En Scène and Film Style: From Classical Hollywood to New Media Art (Palgrave Macmillan, an imprint of Macmillan Publishers), Palgrave close readings in film and television <https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137269959>
Massaccesi, Cristina. 2015. Nosferatu (Auteur Publishing), Devil’s Advocates
McGowan, Todd. 2007. The Impossible David Lynch (Columbia University Press), Film and culture
Mee, Laura. 2017. The Shining (Auteur Publishing), Devil’s Advocates
Murch, Walter. 2001. In the Blink of an Eye: A Perspective on Film Editing, 2nd ed (Silman-James Press)
Musser, Charles. 1994. History of the American Cinema (University of California Press), History of the American Cinema S.
Nowell-Smith, Geoffrey. 1996a. The Oxford History of World Cinema (Oxford University Press) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191518188>
——. 1996b. The Oxford History of World Cinema (Oxford University Press) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191518188>
——. 1996c. The Oxford History of World Cinema (Oxford University Press) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191518188>
——. 1996d. The Oxford History of World Cinema (Oxford University Press) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191518188>
——. 1996e. The Oxford History of World Cinema (Oxford University Press) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191518188>
——. 1996f. The Oxford History of World Cinema (Oxford University Press) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191518188>
——. 1996g. The Oxford History of World Cinema (Oxford University Press) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191518188>
——. 1996h. The Oxford History of World Cinema (Oxford University Press) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191518188>
Orpen, Valerie. 2003. Film Editing: The Art of the Expressive (Wallflower), Short cuts
O’Shaughnessy, Martin. 2000. Jean Renoir (Manchester University Press), French film directors
Philip Hayward. 2009. Terror Tracks : Music, Sound and Horror Cinema (Equinox Publishing Ltd)
Pixote, The Law of The Weakest (1981). n.d.
Prawer, S. S. 2013. Nosferatu, 2nd edition (British Film Institute), BFI modern classics
Reay, Pauline. 2004. Music in Film: Soundtracks and Synergy (Wallflower), Short cuts
Roberts, Ian. 2008. German Expressionist Cinema: The World of Light and Shadow (Wallflower), Short cuts
Salt, Barry. 2009. Film Style and Technology: History and Analysis, 3rd ed (Starword)
Sheen, Erica. 2004. The Cinema of David Lynch (Wallflower), Directors’ cuts
Slobin, Mark. 2008. Global Soundtracks, 1st ed (Wesleyan University Press), Music/culture
Tasker, Yvonne. 2002. Fifty Contemporary Filmmakers (Routledge) <https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203452226>
Taylor, Richard. 2000. The Battleship Potemkin (I.B. Tauris) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=677093>
Taylor, Richard and British Film Institute. 1998. The Eisenstein Reader (British Film Institute)
Temple, Michael, and Michael Witt. 2004. The French Cinema Book (BFI)
The Bicycle Thieves. 2006. Arrow Films, dvd
The Four Hundred Blows (1959). n.d. BBC2 England <https://learningonscreen.ac.uk/ondemand/index.php/prog/0010751D?bcast=4587537>
The Godfather (1972). n.d. FilmFour <https://learningonscreen.ac.uk/ondemand/index.php/prog/000C381F?bcast=105279753>
The Idiots (1998). n.d. Channel 4 <https://learningonscreen.ac.uk/ondemand/index.php/prog/001B81C3?bcast=68829092>
The Seventh Seal. n.d. Film4 <https://learningonscreen.ac.uk/ondemand/index.php/prog/0005A5DC?bcast=67338783>
The Third Man (1949). n.d. BBC2 England <https://learningonscreen.ac.uk/ondemand/index.php/prog/001D37C3?bcast=122247190>
‘THE VOW OF CHASTITY | Dogme95.Dk - A Tribute to the Official Dogme95’. n.d. <http://www.dogme95.dk/the-vow-of-chastity/>
Thompson, Kristin, and David Bordwell. 2010a. Film History: An Introduction, 3rd ed (McGraw-Hill Higher Education)
——, and David Bordwell. 2010b. Film History: An Introduction, 3rd ed (McGraw-Hill Higher Education)
——, and David Bordwell. 2010c. Film History: An Introduction, 3rd ed (McGraw-Hill Higher Education)
——, and David Bordwell. 2010d. Film History: An Introduction, 3rd ed., International ed (McGraw-Hill Higher Education)
——, and David Bordwell. 2010e. Film History: An Introduction, 3rd ed., International ed (McGraw-Hill Higher Education)
——, and David Bordwell. 2010f. Film History: An Introduction, 3rd ed., International ed (McGraw-Hill Higher Education)
——, and David Bordwell. 2010g. Film History: An Introduction, 3rd ed., International ed (McGraw-Hill Higher Education)
——, and David Bordwell. 2010h. Film History: An Introduction, 3rd ed., International ed (McGraw-Hill Higher Education)
——, and David Bordwell. 2010i. Film History: An Introduction, 3rd ed., International ed (McGraw-Hill Higher Education)
——, and David Bordwell. 2010j. Film History: An Introduction, 3rd ed., International ed (McGraw-Hill Higher Education)
Todd, Antony. 2012. Authorship and the Films of David Lynch: Aesthetic Receptions in Contemporary Hollywood (I.B. Tauris) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780857721129>
Tokyo Story. n.d. dvd
Vincendeau, Ginette and British Film Institute. 1996. The Companion to French Cinema (Cassell [and] British Film Institute)
Walker, Elsie M. 2015. Understanding Sound Tracks Throughfilm Theory (Oxford University Press)
White, John. 2017a. European Art Cinema (Routledge), Routledge film guidebooks <https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315737898>
——. 2017b. European Art Cinema (Routledge), Routledge film guidebooks <https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315737898>
——. 2017c. European Art Cinema (Routledge), Routledge film guidebooks <https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315737898>
——. 2017d. European Art Cinema (Routledge), Routledge film guidebooks <https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315737898>
——. 2017e. European Art Cinema (Routledge), Routledge film guidebooks <https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315737898>
——. 2017f. European Art Cinema (Routledge), Routledge film guidebooks <https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315737898>
White, Rob. 2003. The Third Man (British Film Institute), BFI film classics
Wojcik, Pamela Robertson, and Arthur Knight. 2001. Soundtrack Available: Essays on Film and Popular Music (Duke University Press) <https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780822380986>
Wong, Kar-wai. 2015. The Grandmaster, Metrodome Distribution, videorecording
Yojimbo (1961). n.d. FilmFour <https://learningonscreen.ac.uk/ondemand/index.php/prog/000F3A16?bcast=116007029>
