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Altman, R. (1992). Sound theory, sound practice: Vol. AFI film readers. Routledge.
Alton, J. (2013). Painting with light ([New] edition). University of California Press.
Atkinson, M. (1997). Blue velvet: Vol. BFI modern classics. British Film Institute (BFI).
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Blue Velvet (1986). (n.d.). ITV London. https://learningonscreen.ac.uk/ondemand/index.php/prog/001A2AEA?bcast=32577421
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Bordwell, D., Staiger, J., & Thompson, K. (1988). The classical Hollywood cinema: film style & mode of production to 1960. Routledge. https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203358818
Bordwell, D., & Thompson, K. (2008a). Film art: an introduction (International ed., 8th ed). McGraw-Hill Higher Education.
Bordwell, D., & Thompson, K. (2008b). Film art: an introduction (International ed., 8th ed). McGraw-Hill Higher Education.
Bordwell, D., & Thompson, K. (2008c). Film art: an introduction (International ed., 8th ed). McGraw-Hill Higher Education.
Bordwell, D., & Thompson, K. (2008d). Film art: an introduction (International ed., 8th ed). McGraw-Hill Higher Education.
Bordwell, D., & Thompson, K. (2008e). Film art: an introduction (International ed., 8th ed). McGraw-Hill Higher Education.
Bordwell, D., Thompson, K., & Smith, J. (2017). Film art: an introduction (Eleventh edition). McGraw-Hill Education.
Braudy, L., & Cohen, M. (2009). Film theory and criticism: introductory readings (Seventh edition). Oxford University Press.
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Chion, M. (1995). David Lynch. British Film Institute.
Coates, Paul, 1953-. (1991). The Gorgon’s gaze: German cinema, expressionism, and the image of horror. Cambridge University Press. http://hdl.handle.net.apollo.worc.ac.uk/2027/heb.07631.0001.001
Comolli, J.-L., & Narboni, J. (1976). Cinema/Ideology/Criticism. In Movies and methods: an anthology, Vol. 1 (pp. 22–30). University of California Press.
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Corrigan, T. (2015a). A short guide to writing about film (Global edition of ninth edition). Pearson Education. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781292078120
Corrigan, T. (2015b). A short guide to writing about film (Global edition of ninth edition). Pearson Education. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781292078120
Corrigan, T., & Corrigan, G. (2015a). A short guide to writing about film (Ninth edition). Pearson.
Corrigan, T., & Corrigan, G. (2015b). A short guide to writing about film (Ninth edition). Pearson.
Corrigan, T., & Corrigan, G. (2015c). A short guide to writing about film (Ninth edition). Pearson.
Crisp, C. G. (2002). Genre, myth, and convention in the French cinema, 1929-1939. Indiana University Press. https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780253109613
Dickinson, K. (2003). Movie music, the film reader: Vol. In focus--Routledge film readers. Routledge.
Directory of World Cinema: Germany (1st ed.). (2011). Intellect Books Ltd. https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1057949
Directory of World Cinema: Italy (1st ed.). (2011). Intellect Books Ltd. https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1057951
Directory of World Cinema : Japan. (2014a). Intellect. https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=3014871
Directory of World Cinema : Japan. (2014b). Intellect. https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=3014871
Directory of World Cinema: Japan 2 (1st ed.). (2012). Intellect Books Ltd. https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1057947
Dmytryk, E. (1984). On film editing: an introduction to the art of film construction. Focal Press. https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080513034
Donnelly, K. J. (2001). Film music. Edinburgh University Press.
Donnelly, K. J. (2005). The spectre of sound: music in film and television. BFI pub.
Drazin, C. (2000). In search of The Third Man (New edition). Methuen.
Eisenstein, S. (2000). The battleship potemkin. Eureka Video.
Eisenstein, S., & Leyda, J. (2002). Film form: essays in film theory. Harvest.
Eisner, L. H. (2008). The haunted screen: expressionism in the German cinema and the influence of Max Reinhardt. University of California Press.
Evans, M. (2016). Sounding funny: Vol. Genre, music and sound. Equinox Publishing.
Fairservice, D. (2001). Film editing: history, theory, and practice : looking at the invisible. Manchester University Press.
Fassbinder, R. W. (2006). Fear eats the soul. Arrow Films.
Fellini, F. (2013). 8 1/2 (50th anniversary ed). Argent Films.
Flisfeder, M. (2017). Postmodern theory and Blade runner: Vol. Film theory in practice. Bloomsbury Academic.
Fournier-Lanzoni, R. (2015). French cinema (Second edition). Bloomsbury.
Frayling, C., Patalas, E., Schreck, M., & Murnau, F. W. (2002). Nosferatu: a symphony of horrors. British Film Institute.
Geiger, J., & Rutsky, R. L. (Eds.). (2013a). Film analysis: a Norton reader (Second edition). W.W. Norton & Company.
Geiger, J., & Rutsky, R. L. (Eds.). (2013b). Film analysis: a Norton reader (Second edition). W.W. Norton & Company.
Geiger, J., & Rutsky, R. L. (Eds.). (2013c). Film analysis: a Norton reader (Second edition). W.W. Norton & Company.
Geiger, J., & Rutsky, R. L. (Eds.). (2013d). Film analysis: a Norton reader (Second edition). W.W. Norton & Company.
Geiger, J., & Rutsky, R. L. (Eds.). (2013e). Film analysis: a Norton reader (Second edition). W.W. Norton & Company.
Geiger, J., & Rutsky, R. L. (Eds.). (2013f). Film analysis: a Norton reader (Second edition). W.W. Norton & Company.
Geiger, J., & Rutsky, R. L. (Eds.). (2013g). Film analysis: a Norton reader (Second edition). W.W. Norton & Company.
Geiger, J., & Rutsky, R. L. (Eds.). (2013h). Film analysis: a Norton reader (Second edition). W.W. Norton & Company.
Geiger, J., & Rutsky, R. L. (Eds.). (2013i). Film analysis: a Norton reader (Second edition). W.W. Norton & Company.
Gibbs, J. (2002). Mise-en-scène: film style and interpretation: Vol. Short cuts. Wallflower.
Gibbs, J., Pye, D., & University of Reading. Dept. of Film, Theatre & Television. (2005). Style and meaning: studies in the detailed analysis of film. Manchester University Press.
Gillespie, D. C. (2000). Early Soviet cinema: innovation, ideology and propaganda: Vol. Short cuts. Wallflower.
Hall, B. (2015). Understanding cinematography. The Crowood Press.
Hanson, H. (2017). Hollywood soundscapes (1st ed. 2017). BFI.
Hayward, S. (2017). Cinema studies: the key concepts (Fifth edition). Routledge. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203075555
Hills, M. (2011). Blade runner: Vol. Cultographies. Wallflower.
Jackson, J. (2009). La grande illusion: Vol. BFI film classics. British Film Institute.
Justus Nieland. (2012). David Lynch. University of Illinois Press. https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=3414181
Kalinak, K. M. (2010). Film music: a very short introduction: Vol. Very short introductions. Oxford University Press. https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780199707973
Kalinak, K. M. (2015). Sound: Vol. Behind the silver screen: a modern history of filmmaking. I.B.Tauris.
Keating, P. (2014). Cinematography: Vol. Behind the silver screen. I. B. Tauris.
Kenez, P. (2001). Cinema and Soviet society from the revolution to the death of Stalin ([New ed., updated]). I.B. Tauris. http://www.loc.gov/catdir/toc/hol051/2001270261.html
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La grande illusion (1937). (n.d.). Arte. https://learningonscreen.ac.uk/ondemand/index.php/prog/001DA462?bcast=106995379
Larke-Walsh, G. S. (2010). Screening the Mafia: masculinity, ethnicity and mobsters from The Godfather to The Sopranos. McFarland. https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780786456130
Lastra, J. (2000). Sound technology and the American cinema: Vol. Film and culture. Columbia University Press.
Lewis, J. (2010). The Godfather: Vol. BFI film classics. Palgrave Macmillan.
Leyda, Jay. (1960). Kino. https://babel.hathitrust.org/cgi/pt?id=mdp.39015003853564;view=1up;seq=10
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Lynch, D., & Rodley, C. (2005). Lynch on Lynch (Rev. ed). Faber.
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Martin, A. (2014). Mise en scène and film style: from classical Hollywood to new media art: Vol. Palgrave close readings in film and television. Palgrave Macmillan, an imprint of Macmillan Publishers. https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137269959
Massaccesi, C. (2015). Nosferatu: Vol. Devil’s Advocates. Auteur Publishing.
McGowan, T. (2007). The impossible David Lynch: Vol. Film and culture. Columbia University Press.
Mee, L. (2017). The Shining: Vol. Devil’s Advocates. Auteur Publishing.
Murch, W. (2001). In the blink of an eye: a perspective on film editing (2nd ed). Silman-James Press.
Musser, C. (1994). History of the American cinema: Vol. History of the American Cinema S. University of California Press.
Nowell-Smith, G. (1996a). The Oxford history of world cinema. Oxford University Press. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191518188
Nowell-Smith, G. (1996b). The Oxford history of world cinema. Oxford University Press. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191518188
Nowell-Smith, G. (1996c). The Oxford history of world cinema. Oxford University Press. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191518188
Nowell-Smith, G. (1996d). The Oxford history of world cinema. Oxford University Press. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191518188
Nowell-Smith, G. (1996e). The Oxford history of world cinema. Oxford University Press. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191518188
Nowell-Smith, G. (1996f). The Oxford history of world cinema. Oxford University Press. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191518188
Nowell-Smith, G. (1996g). The Oxford history of world cinema. Oxford University Press. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191518188
Nowell-Smith, G. (1996h). The Oxford history of world cinema. Oxford University Press. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191518188
Orpen, V. (2003). Film editing: the art of the expressive: Vol. Short cuts. Wallflower.
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Salt, B. (2009). Film style and technology: history and analysis (3rd ed). Starword.
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Tasker, Y. (2002). Fifty contemporary filmmakers. Routledge. https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203452226
Taylor, R. & British Film Institute. (1998). The Eisenstein reader. British Film Institute.
Taylor, Richard. (2000). The Battleship Potemkin. I.B. Tauris. https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=677093
Temple, M., & Witt, M. (2004). The French cinema book. BFI.
The bicycle thieves. (2006). Arrow Films.
The Four Hundred Blows (1959). (n.d.). BBC2 England. https://learningonscreen.ac.uk/ondemand/index.php/prog/0010751D?bcast=4587537
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Thompson, K., & Bordwell, D. (2010a). Film history: an introduction (3rd ed). McGraw-Hill Higher Education.
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Thompson, K., & Bordwell, D. (2010c). Film history: an introduction (3rd ed). McGraw-Hill Higher Education.
Thompson, K., & Bordwell, D. (2010d). Film history: an introduction (3rd ed., International ed). McGraw-Hill Higher Education.
Thompson, K., & Bordwell, D. (2010e). Film history: an introduction (3rd ed., International ed). McGraw-Hill Higher Education.
Thompson, K., & Bordwell, D. (2010f). Film history: an introduction (3rd ed., International ed). McGraw-Hill Higher Education.
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White, J. (2017a). European art cinema: Vol. Routledge film guidebooks. Routledge. https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315737898
White, J. (2017b). European art cinema: Vol. Routledge film guidebooks. Routledge. https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315737898
White, J. (2017c). European art cinema: Vol. Routledge film guidebooks. Routledge. https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315737898
White, J. (2017d). European art cinema: Vol. Routledge film guidebooks. Routledge. https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315737898
White, J. (2017e). European art cinema: Vol. Routledge film guidebooks. Routledge. https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315737898
White, J. (2017f). European art cinema: Vol. Routledge film guidebooks. Routledge. https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315737898
White, R. (2003). The third man: Vol. BFI film classics. British Film Institute.
Wojcik, P. R., & Knight, A. (2001). Soundtrack available: essays on film and popular music. Duke University Press. https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780822380986
Wong, K. (2015). The grandmaster. Metrodome Distribution.
Yojimbo (1961). (n.d.). FilmFour. https://learningonscreen.ac.uk/ondemand/index.php/prog/000F3A16?bcast=116007029