Abramović M, Akademie X: Lessons in Art + Life (Phaidon 2015)
‘Art Monthly’
‘Art Review’
‘Artforum International’
Barthes R, Lavers A and Reynolds S, Mythologies, vol Vintage classics (Rev Vintage ed, Vintage 2009)
Benjamin W and Arendt H, Illuminations (Pimlico 1999)
Berger J, Ways of Seeing (Penguin 2008) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780141917986>
——, About Looking (Bloomsbury 2009)
Bishop C, Artificial Hells: Participatory Art and the Politics of Spectatorship (Verso 2012)
Borges JL, Yates DA and Irby JE, Labyrinths: Selected Stories and Other Writings (Penguin 2000)
Burton J, Vitamin D. (Phaidon Press Limited 2016)
De Wachter EM, Co-Art (Phaidon Press Limited 2017)
Dillon B and Whitechapel Art Gallery, Ruins (Whitechapel Gallery 2011)
Edwin A. Abbott, William F. Lindgren, and Thomas F. Banchoff, Flatland : An Edition with Notes and Commentary (Cambridge University Press 2009) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1582592>
Farthing S and Webb-Ingall E (eds), Derek Jarman’s Sketchbooks (Thames & Hudson 2013)
Fortnum R, Contemporary British Women Artists (I B Tauris 2007)
——, Contemporary British Women Artists: In Their Own Words (I B Tauris 2007) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9786000042110>
Foster H, Art since 1900: Modernism, Antimodernism, Postmodernism (2nd ed, Thames & Hudson 2011)
——, Art since 1900 (Third edition, Thames and Hudson 2016)
‘Frieze : Contemporary Art and Culture’
Harrison C and Wood P, Art in Theory, 1900-1990: An Anthology of Changing Ideas (Blackwell 1992)
Hesse E, Diaries (Hauser & Wirth ;,in association with Yale University Press)
Higgie J, The Artist’s Joke, vol Documents of contemporary art (Whitechapel 2007)
Hoffman J and Whitechapel Art Gallery, The Studio, vol Documents of contemporary art (Whitechapel Gallery 2012)
Johnstone S, The Everyday, vol Documents of contemporary art (Whitechapel Gallery 2008)
Jones A, The Feminism and Visual Culture Reader, vol In sight (2nd ed, Routledge 2010)
——, The Feminism and Visual Culture Reader, vol In sight (2nd ed, Routledge 2010)
Kholeif O (ed), Electronic Superhighway: From Experiments in Art and Technology to Art after the Internet (Whitechapel Gallery 2016)
Le Feuvre L and Whitechapel Art Gallery, Failure, vol Documents of contemporary art (Whitechapel Gallery 2010)
Mark Godfrey (Author), Jon Wood (Author), Phyllida Barlow (Illustrator), Objects for... and Other Things (Black Dog 2003)
Merewether C, The Archive, vol Documents of contemporary art (Whitechapel 2006)
M.I.T. Press, Moving Image (Omar Kholeif ed, Whitechapel Gallery 2015)
Obrist H-U, Everything You Always Wanted to Know about Curating but Were Afraid to Ask (Sternberg 2011)
‘October’
Olalquiaga C, The Artificial Kingdom (University of Minnesota Press 2002)
Perec G and Sturrock J, Species of Spaces and Other Pieces: Georges Perec, vol Penguin classics (New ed, Penguin 2008)
Perry G, Sketchbooks (Particular Books 2016)
Price E, In a Dream You Saw a Way to Survive and You Were Full of Joy (Hayward Publishing 2016)
Public Art Fund (New York, N.Y.), Looking up: Rachel Whiteread’s Water Tower (Louise Neri ed)
Roth D, Dieter Roth - Diaries, vol Fruitmarket Gallery (Yale University Press 2012)
Sacramento N, ARTocracy: Art, Informal Space, and Social Consequence : A Curatorial Handbook in Collaborative Practice (Jovis 2010) <http://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1755597>
Smith T, Thinking Contemporary Curating, vol Number 1 (Independent Curator International 2012) <http://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1028103>
Stiles K and Selz PH, Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings (2nd ed., revexpanded, University of California Press 2012)
Sturken M and Cartwright L, Practices of Looking: An Introduction to Visual Culture (Third edition, Oxford University Press 2018)
Tawadros G, Campbell S, and Institute of International Visual Arts, Fault Lines: Contemporary Art and Shifting Landscapes (Institute of International Visual Arts 2003)
Tucker W, The Language of Sculpture (Thames & Hudson 2002)
Turkle S, Evocative Objects: Things We Think With (MIT 2007) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780262285223>
‘Ways of Seeing - 4 Part BBC Documentary Series’ <https://learningonscreen.ac.uk/ondemand/search.php/prog?q%5B0%5D%5Bv%5D=ways+of+seeing&search_type=1&is_available=&q%5B0%5D%5Bindex%5D=title&source=T&date_type=0&date=1952-01-01-00-00&date_start%5B1%5D=01&date_start%5B2%5D=01&date_start%5B0%5D=1952&date_start%5B3%5D=00&date_start%5B4%5D=00&date_end%5B1%5D=10&date_end%5B2%5D=05&date_end%5B0%5D=2017&date_end%5B3%5D=23&date_end%5B4%5D=59&institution=&sort=relevance>
Weintraub L, Making Contemporary Art: How Today’s Artists Think and Work (Thames & Hudson 2003)
