Abramović, M. (2015). Akademie X: lessons in art + life. Phaidon.
Art monthly. (n.d.).
Art review. (n.d.).
Artforum international. (n.d.).
Barthes, R., Lavers, A., & Reynolds, S. (2009). Mythologies: Vol. Vintage classics (Rev. Vintage ed). Vintage.
Benjamin, W., & Arendt, H. (1999). Illuminations. Pimlico.
Berger, J. (2008). Ways of seeing. Penguin. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780141917986
Berger, J. (2009). About looking. Bloomsbury.
Bishop, C. (2012). Artificial hells: participatory art and the politics of spectatorship. Verso.
Borges, J. L., Yates, D. A., & Irby, J. E. (2000). Labyrinths: selected stories and other writings. Penguin.
Burton, J. (2016). Vitamin D. Phaidon Press Limited.
De Wachter, E. M. (2017). Co-art. Phaidon Press Limited.
Dillon, B. & Whitechapel Art Gallery. (2011). Ruins. Whitechapel Gallery.
Edwin A. Abbott,  William F. Lindgren,  and Thomas F. Banchoff. (2009). Flatland : An Edition with Notes and Commentary. Cambridge University Press. https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1582592
Farthing, S., & Webb-Ingall, E. (Eds.). (2013). Derek Jarman’s sketchbooks. Thames & Hudson.
Fortnum, R. (2007a). Contemporary British women artists. I. B. Tauris.
Fortnum, R. (2007b). Contemporary British women artists: in their own words. I. B. Tauris. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9786000042110
Foster, H. (2011). Art since 1900: modernism, antimodernism, postmodernism (2nd ed). Thames & Hudson.
Foster, H. (2016). Art since 1900 (Third edition). Thames and Hudson.
Frieze : contemporary art and culture. (n.d.).
Harrison, C., & Wood, P. (1992). Art in theory, 1900-1990: an anthology of changing ideas. Blackwell.
Hesse, E. (n.d.). Diaries. Hauser & Wirth ;,in association with Yale University Press.
Higgie, J. (2007). The artist’s joke: Vol. Documents of contemporary art. Whitechapel.
Hoffman, J. & Whitechapel Art Gallery. (2012). The studio: Vol. Documents of contemporary art. Whitechapel Gallery.
Johnstone, S. (2008). The everyday: Vol. Documents of contemporary art. Whitechapel Gallery.
Jones, A. (2010a). The feminism and visual culture reader: Vol. In sight (2nd ed). Routledge.
Jones, A. (2010b). The feminism and visual culture reader: Vol. In sight (2nd ed). Routledge.
Kholeif, O. (Ed.). (2016). Electronic superhighway: from experiments in art and technology to art after the Internet. Whitechapel Gallery.
Le Feuvre, L. & Whitechapel Art Gallery. (2010). Failure: Vol. Documents of contemporary art. Whitechapel Gallery.
Mark Godfrey (Author), Jon Wood (Author), Phyllida Barlow (Illustrator). (2003). Objects for... and Other Things. Black Dog.
Merewether, C. (2006). The archive: Vol. Documents of contemporary art. Whitechapel.
M.I.T. Press. (2015). Moving image (O. Kholeif, Ed.). Whitechapel Gallery.
Obrist, H.-U. (2011). Everything you always wanted to know about curating but were afraid to ask. Sternberg.
October. (n.d.).
Olalquiaga, C. (2002). The artificial kingdom. University of Minnesota Press.
Perec, G., & Sturrock, J. (2008). Species of spaces and other pieces: Georges Perec: Vol. Penguin classics (New ed). Penguin.
Perry, G. (2016). Sketchbooks. Particular Books.
Price, E. (2016). In a dream you saw a way to survive and you were full of joy. Hayward Publishing.
Public Art Fund (New York, N.Y.). (n.d.). Looking up: Rachel Whiteread’s Water tower (L. Neri, Ed.; First edition).
Roth, D. (2012). Dieter Roth - diaries: Vol. Fruitmarket Gallery. Yale University Press.
Sacramento, N. (2010). ARTocracy: art, informal space, and social consequence : a curatorial handbook in collaborative practice. Jovis. http://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1755597
Smith, T. (2012). Thinking contemporary curating: Vol. Number 1. Independent Curator International. http://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1028103
Stiles, K., & Selz, P. H. (2012). Theories and documents of contemporary art: a sourcebook of artists’ writings (2nd ed., rev.expanded). University of California Press.
Sturken, M., & Cartwright, L. (2018). Practices of looking: an introduction to visual culture (Third edition). Oxford University Press.
Tawadros, G., Campbell, S., & Institute of International Visual Arts. (2003). Fault lines: contemporary art and shifting landscapes. Institute of International Visual Arts.
Tucker, W. (2002). The language of sculpture. Thames & Hudson.
Turkle, S. (2007). Evocative objects: things we think with. MIT. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780262285223
Ways of Seeing - 4 part BBC documentary series. (n.d.). https://learningonscreen.ac.uk/ondemand/search.php/prog?q%5B0%5D%5Bv%5D=ways+of+seeing&search_type=1&is_available=&q%5B0%5D%5Bindex%5D=title&source=T&date_type=0&date=1952-01-01-00-00&date_start%5B1%5D=01&date_start%5B2%5D=01&date_start%5B0%5D=1952&date_start%5B3%5D=00&date_start%5B4%5D=00&date_end%5B1%5D=10&date_end%5B2%5D=05&date_end%5B0%5D=2017&date_end%5B3%5D=23&date_end%5B4%5D=59&institution=&sort=relevance
Weintraub, L. (2003). Making contemporary art: how today’s artists think and work. Thames & Hudson.