Aitchison, Cara. 2007. Sport and Gender Identities: Masculinities, Femininities and Sexualities (London: Routledge)
Alozie, Emmanuel C. 2010. ‘Advertising and Culture’, Journal of Creative Communications, 5.1: 1–22 <https://doi.org/10.1177/097325861100500101>
Ashcroft, Bill, Gareth Griffiths, and Helen Tiffin. 2006. The Post-Colonial Studies Reader, 2nd ed (London: Routledge)
———. 2013. Postcolonial Studies: The Key Concepts, Third edition (London: Routledge)
Back, Les. 2012. Cultural Sociology: An Introduction (Chichester, West Sussex: Wiley-Blackwell) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781444362237>
BADER, INGO, and ALBERT SCHARENBERG. 2010. ‘The Sound of Berlin: Subculture and the Global Music Industry’, International Journal of Urban and Regional Research, 34.1: 76–91 <https://doi.org/10.1111/j.1468-2427.2009.00927.x>
Bailey, Steve. 2005. Media Audiences and Identity: Self-Construction in the Fan Experience (Basingstoke: Palgrave Macmillan)
Bailey, Steve and MyiLibrary. 2005. Media Audiences and Identity: Self-Construction in the Fan Experience (Basingstoke [U.K.]: Palgrave Macmillan) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=257325>
Barker, Chris. 2004. The Sage Dictionary of Cultural Studies (London: Sage Publications) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781847877291>
———. 2012. Cultural Studies: Theory and Practice, 4th ed (Los Angeles, [Calif.]: SAGE)
Barker, Chris, and Emma A. Jane. 2016. Cultural Studies: Theory and Practice, 5th edition (Los Angeles: SAGE)
Barton, Kristin Michael, and Jonathan Malcolm Lampley (eds.). 2014. Fan CULTure: Essays on Participatory Fandom in the 21st Century (Jefferson, NC: McFarland & Company, Inc., Publishers) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781476604596>
Beasley, Ron, and Marcel Danesi. 2002a. Persuasive Signs: The Semiotics of Advertising (Berlin: Mouton de Gruyter) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9783110888003>
———. 2002b. Persuasive Signs: The Semiotics of Advertising (Berlin: Mouton de Gruyter), iv <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9783110888003>
———. 2002c. Persuasive Signs: The Semiotics of Advertising (Berlin: Mouton de Gruyter)
Bell, Christopher E. 2010. American Idolatry: Celebrity, Commodity and Reality Television (Jefferson, N.C.: McFarland & Co., Inc., Publishers) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1594833>
Bell, David, and Joanne Hollows. 2005. Ordinary Lifestyles: Popular Media, Consumption and Taste (Maidenhead: Open University Press)
Bell, David, and Barbara M. Kennedy. 2007. The Cybercultures Reader, 2nd ed (London: Routledge)
Bennett, Andy. 2000. Popular Music and Youth Culture: Music, Identity and Place (Basingstoke: Macmillan)
———. 2001a. Cultures of Popular Music (Buckingham: Open University Press)
———. 2001b. Cultures of Popular Music (Buckingham: Open University Press) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780335230716>
Bennett, James. 2011. Television Personalities: Stardom and the Small Screen (London: Routledge) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=589598>
Benshoff, Harry M. 2021. America on Film: Representing Race, Class, Gender and Sexuality at the Movies, Third edition (London: Wiley-Blackwell)
Benshoff, Harry M., and Sean Griffin. 2004. ‘America on Film: Representing Race, Class, Gender, and Sexuality at the Movies’ (Oxford: Blackwell Pub)
Berger, Arthur Asa. 2008. Manufacturing Desire: Media, Popular Culture, and Everyday Life (New Brunswick, N.J.: Transaction)
Bernardi, Daniel. 2009. Filming Difference: Actors, Directors, Producers, and Writers on Gender, Race, and Sexuality in Film (Austin, Tex: University of Texas Press)
Bertrand, Ina. 2017. Media Research Methods: Audiences, Institutions, Texts, 2 ed (Basingstoke: Palgrave Macmillan)
Bertrand, Ina, and Peter Hughes. 2005. ‘Media Research Methods: Audiences, Institutions, Texts’ (Basingstoke: Palgrave Macmillan)
Bilandzic, Helena, Geoffroy Patriarche, and Paul J. Traudt. 2012. The Social Use of Media: Cultural and Social Scientific Perspectives on Audience Research (Bristol: Intellect) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781841507446>
Billings, Andrew C., and Marie Hardin. 2014. Routledge Handbook of Sport and New Media (London: Routledge)
Birkenstein, Jeff. 2010a. Reframing 911: Film, Popular Culture and the ‘War on Terror’ (New York ,London: Continuum)
———. 2010b. Reframing 911: Film, Popular Culture and the ‘War on Terror’ (New York ,London: Continuum)
Boomen, Marianne van den. 2009. Digital Material: Tracing New Media in Everyday Life and Technology (Amsterdam: Amsterdam University Press) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9789048506668>
Bourdieu, Pierre. 1986. Distinction: A Social Critique of the Judgement of Taste (Routledge & Kegan Paul)
Bowman, Paul. 2008a. Deconstructing Popular Culture (Basingstoke: Palgrave Macmillan)
———. 2008b. Deconstructing Popular Culture (Basingstoke: Palgrave Macmillan)
Boyle, Raymond, and Richard Haynes. 2009. Power Play: Sport, the Media and Popular Culture, 2nd ed (Edinburgh: Edinburgh University Press) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=448730>
Brennen, Bonnie. 2017. Qualitative Research Methods for Media Studies, Second edition (London: Routledge)
Brown, Jeffrey A. 2011. Dangerous Curves: Action Heroines, Gender, Fetishism, and Popular Culture (Jackson: University Press of Mississippi) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=665317>
Bryman, Alan. 2015. Social Research Methods, Fifth edition (Oxford: Oxford University Press)
Buikema, Rosemarie, and Iris van der Tuin. 2009. Doing Gender in Media, Art and Culture (London: Routledge) <https://ebookcentral.proquest.com/lib/worcester/detail.action?milDocID=212518>
Burns, Lori, and Mâelisse Lafrance. 2002. Disruptive Divas: Feminism, Identity and Popular Music (New York: Routledge)
Caldwell, Marylouise, and Paul Henry (eds.). 2011. Multi-Media Research and the Consumption of Popular Culture ([Bingley]: Emerald) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781780524894>
Cameron, Deborah. 2001. Working with Spoken Discourse (London: SAGE)
Cashmore, Ernest. 2010a. Making Sense of Sports, 5th ed (London: Routledge) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203872697>
———. 2010b. Making Sense of Sports, 5th ed (London: Routledge)
———. 2013. Celebrity Culture, Second edition (London: Routledge)
Castells, Manuel. 2010. The Power of Identity, 2nd ed (Chichester, West Sussex, U.K.: Wiley-Blackwell) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=470449>
Chang, Jeff. 2007. Can’t Stop Won’t Stop: A History of the Hip-Hop Generation (London: Ebury)
Clark, Terry Ray, and Dan W. Clanton. 2012. Understanding Religion and Popular Culture: Theories, Themes, Products and Practices (Abingdon, Oxon: Routledge) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203119570>
Clarke, David B., Marcus A. Doel, and Kate Housiaux. 2003. The Consumption Reader (London: Routledge)
Codell, Julie F. 2007. Genre, Gender, Race, and World Cinema (Malden, Mass: Blackwell)
Cook, Guy. 2001. The Discourse of Advertising, 2nd ed (London: Routledge)
Crawford, Garry. 2004a. Consuming Sport: Fans, Sport and Culture (London: Routledge)
———. 2004b. Consuming Sport: Fans, Sport and Culture (London: Routledge)
Crawford, Garry and MyiLibrary. 2004a. Consuming Sport: Fans, Sport, and Culture (London: Routledge) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=182415>
———. 2004b. Consuming Sport: Fans, Sport, and Culture (London: Routledge) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=182415>
Creeber, Glen (ed.). 2015a. The Television Genre Book, 3rd edition (London: Palgrave)
——— (ed.). 2015b. The Television Genre Book, 3rd edition (London: Palgrave) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781844578986>
Creeber, Glen, and Royston Martin. 2009. Digital Cultures (Maidenhead: McGraw-Hill Open University Press) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780335237548>
Creeber, Glen, Toby Miller, John Tulloch, and British Film Institute. 2008. The Television Genre Book, 2nd ed (Basingstoke: Palgrave Macmillan)
Cultural Theory and Popular Culture : A Reader. 2018. Fifth edition (New York: Routledge)
Curran, James, and David Morley. 2006a. ‘Media and Cultural Theory’ (Abingdon: Routledge)
———. 2006b. Media and Cultural Theory (Abingdon: Routledge)
Davis, Fred. 1994. Fashion, Culture, and Identity (Chicago, [Ill.]: University of Chicago Press)
Davis, Glyn, and Kay Dickinson. 2004. Teen TV: Genre, Consumption, Identity (London: British Film Institute)
Devereux, Eoin, Aileen Dillane, and Martin J. Power. 2011. Morrissey: Fandom, Representations and Identities (Bristol: Intellect) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781841505800>
Dickey, Lore M. 2011a. ‘The Codes of Gender: Identity & Performance in Popular Culture’, Contemporary Sexuality, 45.12: 9–9
———. 2011b. ‘The Codes of Gender: Identity & Performance in Popular Culture’, Contemporary Sexuality, 45.12: 9–9
Dines, Gail, and Jean McMahon Humez. 2011a. Gender, Race, and Class in Media: A Critical Reader, 3rd ed (Los Angeles, [Calif.]: SAGE)
———. 2011b. ‘Gender, Race, and Class in Media: A Critical Reader’, 3rd ed (Los Angeles, [Calif.]: SAGE)
——— (eds.). 2015a. Gender, Race, and Class in Media: A Critical Reader, Fourth edition (Los Angeles: SAGE)
——— (eds.). 2015b. Gender, Race, and Class in Media: A Critical Reader, Fourth edition (Los Angeles: SAGE)
Dines, Gail, Jean McMahon Humez, Bill Yousman, and Lori Bindig (eds.). 2018a. Gender, Race, and Class in Media: A Critical Reader, Fifth edition (Los Angeles: SAGE)
——— (eds.). 2018b. Gender, Race, and Class in Media: A Critical Reader, Fifth edition (Los Angeles: SAGE)
Dittmer, Jason. 2010. Popular Culture, Geopolitics, and Identity (Lanham, Md: Rowman & Littlefield Publishers) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780742568310>
Driver, Susan. 2007. Queer Girls and Popular Culture: Reading, Resisting, and Creating Media (New York: Peter Lang)
Du Gay, Paul. 2013. Doing Cultural Studies, Second edition (London: Sage Publications)
Du Gay, Paul, Jessica Evans, Peter Redman, and Open University. 2000. Identity: A Reader (London: SAGE in association with The Open University)
Dubied, Annik, and Thomas Hanitzsch. 2014. ‘Studying Celebrity News’, Journalism: Theory, Practice & Criticism, 15.2: 137–43 <https://doi.org/10.1177/1464884913488717>
Duff, David. 2000. Modern Genre Theory (Harlow: Longman)
Duffett, Mark (ed.). 2014. Popular Music Fandom: Identities, Roles and Practices (New York, New York: Routledge) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203795125>
During, Simon. 2007. The Cultural Studies Reader, 3rd ed (London: Routledge)
Duschinsky, Robbie, Simone Schnall, and Daniel H. Weiss (eds.). 2016. Purity and Danger Now: New Perspectives (London: Routledge) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781315529738>
Edgar, Andrew, and Peter R. Sedgwick. 2008. Cultural Theory: The Key Concepts, 2nd ed (Abingdon: Routledge) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=4875798>
Ensslin, Astrid, and Eben J. Muse. 2011. Creating Second Lives: Community, Identity and Spatiality as Constructions of the Virtual (London: Routledge) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203828571>
Evans, Jessica, and David Hesmondhalgh. 2005. Understanding Media: Inside Celebrity (Maidenhead: Open University Press)
Ferguson, G. 2010. ‘The Family on Reality Television: Who’s Shaming Whom?’, Television & New Media, 11.2: 87–104 <https://doi.org/10.1177/1527476409357595>
FISHER, JILL A. 2002. ‘Tattooing the Body, Marking Culture’, Body & Society, 8.4: 91–107 <https://doi.org/10.1177/1357034X02008004005>
Fishwick, Marshall W. 2004. Probing Popular Culture: On and Off the Internet (Binghamton, N.Y.: Haworth)
Fiske, John. 2010. Understanding Popular Culture, 2nd ed (London: Routledge) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203837177>
Fleming, Dan. 2000. Formations: A 21st-Century Media Studies Textbook (Manchester: Manchester University Press)
Flew, Terry. 2014. New Media, Fourth edition (South Melbourne, Victoria: Oxford University Press)
Forshaw, Barry. 2013. Nordic Noir: The Pocket Essential Guide to Scandinavian Crime Fiction, Film & TV (Harpenden, Herts: Pocket Essentials)
Fowler, Bridget. 2000. Reading Bourdieu on Society and Culture (Oxford: Blackwell/The Sociological Review)
Fuchs, Christian. 2012. ‘The Political Economy of Privacy on Facebook’, Television & New Media, 13.2: 139–59 <https://doi.org/10.1177/1527476411415699>
Fung, Anthony Y. H. (ed.). 2013a. Asian Popular Culture: The Global (Dis)Continuity (London: Routledge) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203581278>
——— (ed.). 2013b. Asian Popular Culture: The Global (Dis)Continuity (London: Routledge), xxxi <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203581278>
Gajjala, Radhika, and Rohit Chopra. 2010. Global Media, Culture, and Identity: Theory, Cases, and Approaches (London: Routledge) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203148280>
Garde-Hansen, Joanne. 2011. Media and Memory (Edinburgh: Edinburgh University Press) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=744027>
Gauntlett, David. 2008. Media, Gender and Identity: An Introduction, 2nd ed (London: Routledge) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=330959>
Gelder, Ken. 2005. The Subcultures Reader, 2nd ed (London: Routledge)
———. 2007. Subcultures: Cultural Histories and Social Practice (London: Routledge)
Genz, Stéphanie. 2009. Postfemininities in Popular Culture (Houndmills, Basingstoke, Hampshire: Palgrave Macmillan) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=483169>
Giardina, Michael D., and Michele K. Donnelly. 2008. Youth Culture and Sport: Identity, Power, and Politics (New York: Routledge)
Gibbons, Tom. 2014a. English National Identity and Football Fan Culture: Who Are Ya? (Farnham: Ashgate Publishing Limited) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781472423290>
———. 2014b. English National Identity and Football Fan Culture: Who Are Ya? (Farnham: Ashgate Publishing Limited) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781472423290>
Giles, Judy, and Tim Middleton. 2007a. ‘Studying Culture: A Practical Introduction’, 2nd ed (Oxford: Blackwell)
———. 2007b. Studying Culture: A Practical Introduction, 2nd ed (Oxford: Blackwell)
Gillespie, Marie. 2005. Media Audiences (Maidenhead: Open University Press)
Gillis, Stacy, and Joanne Hollows. 2009. Feminism, Domesticity and Popular Culture (New York: Routledge) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203889633>
González, Ana Marta. 2012. Identities through Fashion (Oxford ,New York: Berg Publishers)
González, Ana Marta, and Laura Bovone. 2012. Identities through Fashion: A Multidisciplinary Approach (Oxford: Berg)
Gorton, Kristyn. 2009a. Media Audiences: Television, Meaning and Emotion (Edinburgh: Edinburgh University Press)
———. 2009b. Media Audiences: Television, Meaning and Emotion (Edinburgh: Edinburgh University Press) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780748630363>
Grossberg, Lawrence. 2005. MediaMaking: Mass Media in a Popular Culture, 2nd ed (London: SAGE)
Guins, Raiford, and Omayra Zaragoza Cruz. 2005a. Popular Culture: A Reader (London: SAGE)
———. 2005b. Popular Culture: A Reader (London: SAGE)
Gunkel, David J., and Paul A. Taylor. 2014. Heidegger and the Media (Cambridge: Polity Press) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780745678962>
Haenfler, Ross. 2014. Subcultures (London: Routledge)
Halfpenny, Peter, and Rob Procter (eds.). 2015. Innovations in Digital Research Methods (Los Angeles: SAGE)
Hall, Gary, and Clare Birchall. 2006. New Cultural Studies: Adventures in Theory (Edinburgh: Edinburgh University Press)
Hall, Gary, Clare Birchall, and MyiLibrary. 2006. New Cultural Studies: Adventures in Theory (Edinburgh: Edinburgh University Press) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=282269>
Hammond, Michael, and J. J. Wellington. 2013. Research Methods: The Key Concepts (London: Routledge)
———. 2020. Research Methods: The Key Concepts, 2nd edition (London: Routledge) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780429608926>
Hancock, Joseph, Toni Johnson-Woods, and Vicki Karaminas. 2013a. Fashion in Popular Culture: Literature, Media and Contemporary Studies (Bristol: Intellect) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1133312>
———. 2013b. Fashion in Popular Culture: Literature, Media and Contemporary Studies (Bristol: Intellect) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781783200474>
Hannon, Sharon M. 2010. Punks: A Guide to an American Subculture (Santa Barbara, Calif: Greenwood Press) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780313364570>
Harrington, C. Lee, and Denise D. Bielby. 2001. Popular Culture: Production and Consumption (Oxford: Blackwell Publishers)
Heath, Joseph, and Andrew Potter. 2004. Nation of Rebels: Why Counterculture Became Consumer Culture (New York: Harper Business)
Hebdige, Dick. 1987. Cut ‘n’ Mix: Culture, Identity and Caribbean Music (London: Comedia, Methuen)
Held, Jacob M. 2006. James Bond and Philosophy (Chicago, Ill: Open Court)
Hill, Craig A., Elizabeth Dean, and Joe Murphy. 2013. Social Media, Sociality, and Survey Research (John Wiley & Sons, Incorporated) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1422489>
——— (eds.). 2014. Social Media, Sociality, and Survey Research (Hoboken, New Jersey: Wiley)
Hills, Matt. 2002. Fan Cultures (London: Routledge)
Hodkinson, Paul. 2002a. Goth: Identity, Style and Subculture (Oxford: Berg)
———. 2002b. Goth: Identity, Style and Subculture (Oxford: Berg)
Holland, Samantha. 2004. Alternative Femininities: Body, Age and Identity (Oxford: Berg)
Hollows, Joanne, and Rachel Moseley. 2006. Feminism in Popular Culture (Oxford: Berg)
Holmes, Su, and Sean Redmond. 2006. Framing Celebrity: New Directions in Celebrity Culture (London: Routledge)
Holtzman, Linda. 2000. Media Messages: What Film, Television, and Popular Music Teach Us about Race, Class Gender and Sexual Orientation (Armonk, NY.: M.E. Sharpe)
Homan, Shane. 2006. Access All Eras: Tribute Bands and Global Pop Culture (Maidenhead: Open University Press)
Homan, Shane and MyiLibrary. 2006. Access All Eras: Tribute Bands and Global Pop Culture (Maidenhead, Berkshire, England: Open University Press) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=316287>
Hoover, Stewart M., and Curtis D. Coats. 2011. ‘The Media and Male Identities: Audience Research in Media, Religion, and Masculinities’, Journal of Communication, 61.5: 877–95 <https://doi.org/10.1111/j.1460-2466.2011.01583.x>
Horgby, Bjorn, and Fredrik Nilsson. 2010. Rockin’ the Borders: Rock Music and Social, Cultural and Political Change (Newcastle: Cambridge Scholars) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1114238>
Horne, John. 2006a. Sport in Consumer Culture (Basingstoke: Palgrave Macmillan)
———. 2006b. Sport in Consumer Culture (Basingstoke: Palgrave Macmillan)
———. 2013. Understanding Sport: A Socio-Cultural Analysis, 2nd ed (London: Routledge) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203807132>
‘How Did the News Go “Fake”? When the Media Went Social | Claire Wardle and Hossein Derakhshan | Opinion | The Guardian’. [n.d.]. <https://www.theguardian.com/commentisfree/2017/nov/10/fake-news-social-media-current-affairs-approval>
Hundley, Heather L., and Andrew C. Billings. 2010. Examining Identity in Sports Media (Los Angeles: Sage Publications) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781483302096>
Hunt, Jilly. 2013. Popular Culture: 1980-1999 (London: Raintree) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781406256567>
Hutnyk, John. 2000. Critique of Exotica: Music, Politics, and the Culture Industry (London: Pluto)
Hyde, Marina. 2010. Celebrity: How Entertainers Took Over the World and Why We Need an Exit Strategy (London: Vintage)
Ingraham, Chrys. 2008a. White Weddings: Romancing Heterosexuality in Popular Culture, 2nd ed., New ed (New York: Routledge)
———. 2008b. White Weddings: Romancing Heterosexuality in Popular Culture, 2nd ed., New ed (New York: Routledge)
Ingram, David. 2010. The Jukebox in the Garden: Ecocriticism and American Popular Music since 1960 (Amsterdam: Rodopi), 07 <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=617749>
Inness, Sherrie A. 2004. Action Chicks: New Images of Tough Women in Popular Culture (New York: Palgrave Macmillan)
Issitt, Micah L. 2011. Goths: A Guide to an American Subculture (Santa Barbara, Calif: Greenwood) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780313386053>
Jackson, Steven J., and David L. Andrews (eds.). 2004. Sport, Culture and Advertising : Identities, Commodities and the Politics of Representation (Taylor & Francis Group) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=200729>
———. 2005. Sport, Culture and Advertising: Identities, Commodities and the Politics of Representation (London: Routledge)
Jenkins, Henry. 2006a. Fans, Bloggers and Gamers: Exploring Participatory Culture (New York: New York University Press)
———. 2006b. Fans, Bloggers and Gamers: Exploring Participatory Culture (New York: New York University Press)
———. 2013. Textual Poachers: Television Fans and Participatory Culture, Updated twentieth anniversary edition (New York: Routledge)
Jing Wang. 2008. Brand New China : Advertising, Media, and Commercial Culture (Harvard University Press) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=3300154>
Joanne Garde-Hansen. 2011. Media and Memory (Edinburgh: Edinburgh University Press) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780748647071>
Josselson, Ruthellen, and Michele Harway. 2012. Navigating Multiple Identities: Race, Gender, Culture, Nationality, and Roles (Oxford: Oxford University Press) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780199838295>
Karatzogianni, Athina, and Adi Kuntsman. 2012. Digital Cultures and the Politics of Emotion: Feelings, Affect and Technological Change (Basingstoke: Palgrave Macmillan)
Kehily, Mary Jane. 2007. Understanding Youth: Perspectives, Identities & Practices (London: SAGE)
Kelly, John. 2013. ‘Popular Culture, Sport and the ‘Hero’-Fication of British Militarism’, Sociology, 47.4: 722–38 <https://doi.org/10.1177/0038038512453795>
Kidd, Warren, and Alison Teagle. 2012. Culture and Identity, Second edition (Basingstoke: Palgrave Macmillan)
King, C. Richard, Carmen R. Lugo-Lugo, and Mary K. Bloodsworth-Lugo. 2010. Animating Difference: Race, Gender, and Sexuality in Contemporary Films for Children (Lanham, Md: Rowman & Littlefield Publishers) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=500865>
Kirkby, Diane. 2003. ‘“Beer, Glorious Beer”: Gender Politics and Australian Popular Culture’, The Journal of Popular Culture, 37.2: 244–56 <https://doi.org/10.1111/1540-5931.00066>
Klassen, Chris. [n.d.]. Religion & Popular Culture: A Cultural Studies Approach (Oxford University Press)
Kozinets, Robert V. 2015. Netnography: Redefined, 2nd edition (Los Angeles: SAGE)
Krishnakumar, U, and Vinod Laxman. 2013. ‘Hidden Agenda Behind Constructed Imagery: Identity Politics in Indian Advertising’, Journal of Management and Public Policy, 5.1: 13–20
Lacey, Nick. 2000. Narrative and Genre: Key Concepts in Media Studies (Basingstoke: Macmillan)
———. 2002. Media Institutions and Audiences: Key Concepts in Media Studies (Basingstoke: Palgrave)
Lacey, Nick and MyiLibrary. 2002. Media Institutions and Audiences: Key Concepts in Media Studies (Houndmills: Palgrave) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=4965010>
Laderman, G. 2000. ‘The Disney Way of Death’, Journal of the American Academy of Religion, 68.1: 27–46 <https://doi.org/10.1093/jaarel/68.1.27>
Langford, Barry. 2005. Film Genre: Hollywood and Beyond (Edinburgh: Edinburgh University Press)
Lash, Scott, and Celia Lury. 2007a. ‘Global Culture Industry: The Mediation of Things’ (Cambridge: Polity)
———. 2007b. Global Culture Industry: The Mediation of Things (Cambridge: Polity)
Lawrence, Grossberg, and Della Pollock. 2006. Cultural Studies: Vol. 20, No. 6: Theorizing Politics, Politicizing Theory (London: Routledge)
Le Blanc, Michelle, and Colin Odell. 2013. Anime (Harpenden: Kamera)
Lee, Peter W. (ed.). 2016. A Galaxy Here and Now: Historical and Cultural Readings of Star Wars (Jefferson, North Carolina: McFarland & Company, Inc., Publishers) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781476624082>
Lewis, Jeff. 2008. Cultural Studies: The Basics, 2nd ed (Los Angeles, [Calif.]: SAGE)
Lomborg, Stine. 2014. Social Media, Social Genres: Making Sense of the Ordinary (New York: Routledge) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203520802>
Longhurst, Brian, Garry Crawford, Miles Ogborn, Gaynor Bagnall, and Gregory W. H. Smith. 2017a. Introducing Cultural Studies, Third edition (London: Routledge) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781315690070>
———. 2017b. Introducing Cultural Studies, Third edition (London: Routledge) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781315690070>
Longhurst, Brian, Gregory W. H. Smith, Gaynor Bagnall, Garry Crawford, and Miles Ogborn. 2017c. Introducing Cultural Studies, Third edition (London: Routledge)
Longhurst, Derek (ed.). 2012. Gender, Genre and Narrative Pleasure (Abingdon, Oxon: Routledge) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203120477>
Lovejoy, Jennette. 2024. Analyzing Media Messages: Using Quantitative Content Analysis in Research, 5th edn (New York, NY: Routledge)
Lynch, Gordon, Jolyon P. Mitchell, and Anna Strhan. 2012. Religion, Media and Culture: A Reader (London: Routledge) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203805657>
MacDonald, Nancy. 2002. The Graffiti Subculture: Youth, Masculinity and Identity in London and New York (Basingstoke: Palgrave)
Malefyt, Timothy Dwight deWaal, and Brian Moeran. 2003. Advertising Cultures (Oxford: BERG)
Manning, Paul. 2007a. Drugs and Popular Culture: Drugs, Media and Identity in Contemporary Society (Cullompton: Willan Publishing)
———. 2007b. Drugs and Popular Culture: Drugs, Media and Identity in Contemporary Society (Cullompton: Willan Publishing)
Mason, Paul. 2006. Captured by the Media: Prison Discourse in Popular Culture (Cullompton: Willan)
Matheson, Donald. 2005a. ‘Media Discourses: Analysing Media Texts’ (Maidenhead: Open University Press)
———. 2005b. Media Discourses: Analysing Media Texts (Maidenhead: Open University Press)
Matheson, Donald and ProQuest (Firm). 2005. Media Discourses: Analysing Media Texts (Maidenhead: Open University Press) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=292124>
Matrix, Sidney Eve. 2006. Cyberpop: Digital Lifestyles and Commodity Culture (New York: Routledge) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=293680>
McCaughey, Martha (ed.). 2014. Cyberactivism on the Participatory Web (New York: Routledge, Taylor & Francis Group) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781315885797>
McDonald, Paul. 2013. Hollywood Stardom (Chichester, West Sussex: Wiley-Blackwell) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781118321645>
McFall, Liz. 2004a. Advertising: A Cultural Economy (London: SAGE) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=254591>
———. 2004b. Advertising: A Cultural Economy (London: SAGE)
McGowan, Kate. 2007. Key Issues in Critical and Cultural Theory (Maidenhead: Open University Press)
McGowan, Kate and MyiLibrary. 2007. Key Issues in Critical and Cultural Theory (Maidenhead, England: Open University Press) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=316300>
McQuail, Denis. 2010. ‘McQuail’s Mass Communication Theory’, 6th ed (London: SAGE)
Meisel, Perry. 2010. The Myth of Popular Culture from Dante to Dylan (Chichester, U.K.: Wiley-Blackwell) <https://ebookcentral.proquest.com/lib/worcester/detail.action?milDocID=238253>
Mercer, John, and Martin Shingler. 2004. Melodrama: Genre, Style, Sensibility (London: Wallflower)
Mills, Peter. 2012. Media and Popular Music (Edinburgh: Edinburgh University Press) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780748631568>
Moine, Raphaelle. 2008. Cinema Genre (Malden, Mass: Blackwell)
Morris, Tom, Matt Morris, and William Irwin. 2005. Superheroes and Philosophy (Chicago, IL: Open Court Publishing Co ,U.S.)
Mort, Frank. 1996. Cultures of Consumption: Masculinities and Social Space in Late Twentieth-Century Britain (London: Routledge)
Muggleton, David. 2000. Inside Subculture: The Postmodern Meaning of Style (Oxford: Berg)
Muggleton, David, and Rupert Weinzierl. 2003. The Post-Subcultures Reader (Oxford: Berg)
Mun, Jung Mee, Kristy A. Janigo, and Kim K. P. Johnson. 2012. ‘Tattoo and the Self’, Clothing and Textiles Research Journal, 30.2: 134–48 <https://doi.org/10.1177/0887302X12449200>
Munford, Rebecca, and Melanie Waters. 2014. Feminism & Popular Culture: Investigating the Postfeminist Mystique (London: I.B. Tauris) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780857723000>
Murphy, Peter Francis and MyiLibrary. 2004. Feminism and Masculinities (Oxford: Oxford University Press) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=422675>
Murray, Leah A. 2010. Politics and Popular Culture (Newcastle upon Tyne: Cambridge Scholars) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1114432>
Nalapat, Abilash, and Andrew Parker. 2005. ‘Sport, Celebrity and Popular Culture’, International Review for the Sociology of Sport, 40.4: 433–46 <https://doi.org/10.1177/1012690205065750>
Neale, Stephen. 2002. Genre and Contemporary Hollywood (London: British Film Institute)
Nightingale, Virginia. 2011a. The Handbook of Media Audiences (Malden: Wiley-Blackwell) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781444340495>
———. 2011b. The Handbook of Media Audiences (Malden: Wiley-Blackwell) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781444340495>
Nightingale, Virginia, and Karen Ross. 2003. Critical Readings: Media and Audiences (Maidenhead: Open University Press)
Nilan, Pamela, and Carles Feixa. 2006. Global Youth?: Hybrid Identities, Plural Worlds (London: Routledge)
Nisa, Eva F. 2013. ‘The Internet Subculture of Indonesian Face-Veiled Women’, International Journal of Cultural Studies, 16.3: 241–55 <https://doi.org/10.1177/1367877912474534>
Nixon, Sean. 2003a. Advertising Cultures: Gender, Commerce, Creativity (London: SAGE) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781847876614>
———. 2003b. Advertising Cultures: Gender, Commerce, Creativity (London: SAGE)
O’Keeffe, Anne. 2006. Investigating Media Discourse (London: Routledge) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203015704>
Orth, Maureen. 2004. The Importance of Being Famous: Behind the Scenes of the Celebrity-Industrial Complex (New York: Henry Holt)
Page, Ruth E. 2012. Stories and Social Media: Identities and Interaction (New York: Routledge) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203148617>
Patriarche, Geoffroy, Helena Bilandzic, Jakob Linaa Jensen, and Jelena Jurisic (eds.). 2013. Audience Research Methodologies: Between Innovation and Consolidation (New York: Routledge) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203523155>
Paul McDonald. 2013. Hollywood Stardom, 1st edn (John Wiley & Sons, Incorporated) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1120408>
Plesner, Ursula, and Louise Phillips (eds.). 2014. Researching Virtual Worlds: Methodologies for Studying Emergent Practices (New York: Routledge) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203104644>
Priest, Susanna Hornig. 2010. Doing Media Research: An Introduction, 2nd ed (London: Sage)
Quinn, Kevin G. 2009. Sports and Their Fans: The History, Economics, and Culture of the Relationship between Spectator and Sport (Jefferson, N.C.: McFarland)
Redmond, Sean, and Su Holmes. 2007a. ‘Stardom and Celebrity: A Reader’ (Los Angeles, Calif: SAGE)
———. 2007b. ‘Stardom and Celebrity: A Reader’ (Los Angeles, Calif: SAGE)
———. 2007c. Stardom and Celebrity: A Reader (Los Angeles, Calif: SAGE)
Richardson, Niall. 2010. Transgressive Bodies: Representations in Film and Popular Culture (Farnham: Ashgate) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781409418290>
Roche, Maurice and Interdisciplinary Centre for Comparative Research in the Social Sciences. 2000. Sport, Popular Culture and Identity, 2nd ed (Oxford: Meyer & Meyer Sport)
Rojek, Chris. 2007. Cultural Studies (Cambridge: Polity)
———. 2011. Pop Music, Pop Culture (Cambridge: Polity)
Ross, Karen. 2010a. Gendered Media: Women, Men, and Identity Politics (Lanham, Md: Rowman & Littlefield)
———. 2010b. Gendered Media: Women, Men, and Identity Politics (Lanham, Md: Rowman & Littlefield) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1117186>
———. 2010c. Gendered Media: Women, Men, and Identity Politics (Lanham, MD: Rowman & Littlefield) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781442201040>
Ross, Stewart. 2010a. Popular Culture (London: Wayland)
———. 2010b. Popular Culture (London: Wayland)
Rowe, David. 2004. Critical Readings: Sport, Culture and the Media (Buckingham: Open University Press)
Ryan, Michael, Brett Ingram, and Hanna Musiol. 2010a. Cultural Studies: A Practical Introduction (Chichester, West Sussex, U.K.: Wiley-Blackwell) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=480480>
———. 2010b. Cultural Studies: A Practical Introduction (Oxford: Wiley-Blackwell)
Ryan, Michael, and Hanna Musiol. 2008. Cultural Studies: An Anthology (Oxford: Blackwell)
Sam, Michael P., and John Hughson. 2011. Sport in the City: Cultural Connections (London: Routledge)
Sandvoss, Cornel. 2005a. Fans: The Mirror of Consumption (Cambridge: Polity)
———. 2005b. Fans: The Mirror of Consumption (Cambridge: Polity)
Saraswati, L Ayu. 2013. ‘Wikisexuality: Rethinking Sexuality in Cyberspace’, Sexualities, 16.5–6: 587–603 <https://doi.org/10.1177/1363460713487368>
Sedgwick, Claire. 2014. ‘Gender and Popular Culture’, Feminist Media Studies, 14.2: 349–51 <https://doi.org/10.1080/14680777.2014.887820>
Shepherd, Laura J. 2013. Gender, Violence and Popular Culture: Telling Stories (London: Routledge) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203105030>
Shuker, Roy. 2005. Popular Music: The Key Concepts, 2nd ed (London: Routledge) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203088166>
———. 2016a. Understanding Popular Music Culture, Fifth edition (London: Routledge) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781315694870>
———. 2016b. Understanding Popular Music Culture, Fifth edition (London: Routledge)
Shuker, Roy, and Roy Shuker. 2008. Understanding Popular Music Culture, 3rd ed (London: Routledge)
Silver, David, and Adrienne Massanari. 2006. Critical Cyberculture Studies (New York: New York University Press)
Silverblatt, Art. 2007. Genre Studies in Mass Media: A Handbook (Armonk NY: M.E. Sharpe)
Sloan, Luke, and Anabel Quan-Haase (eds.). 2017. The Sage Handbook of Social Media Research Methods (Los Angeles: Sage) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781473987210>
Smith, John, and Edward Arber. 1910. Travels and Works of Captain John Smith President of Virginia and Admiral of New England 1580-1631: Volume Two
South, James B. and ProQuest (Firm). 2003. Buffy the Vampire Slayer and Philosophy: Fear and Trembling in Sunnydale (Chicago: Open Court) <http://ebookcentral.proquest.com/lib/worcester/detail.action?docID=684153>
Stokes, Jane C. 2002. How to Do Media and Cultural Studies, 1st ed (SAGE) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=254804>
———. 2013a. ‘How to Do Media and Cultural Studies’, 2nd ed (Los Angeles, [Calif.]: SAGE)
———. 2013b. How to Do Media and Cultural Studies, 2nd ed (Los Angeles, Calif: SAGE) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781446271704>
Storey, John. 2014. From Popular Culture to Everyday Life (London: Routledge)
———. 2018a. Cultural Theory and Popular Culture: An Introduction, Eighth edition (London: Routledge)
———. 2018b. Cultural Theory and Popular Culture: An Introduction, Eighth edition (London: Routledge)
Strangelove, Michael. 2010. Watching YouTube: Extraordinary Videos by Ordinary People (Toronto: University of Toronto Press) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781442687035>
Street, John. 1997. Politics and Popular Culture (Cambridge: Polity Press)
Tasker, Yvonne, Diane Negra, and A McRobbie. 2007a. Interrogating Postfeminism: Gender and the Politics of Popular Culture (Durham, N.C.: Duke University Press)
Tasker, Yvonne, Diane Negra, and ProQuest (Firm). 2007b. Interrogating Postfeminism: Gender and the Politics of Popular Culture (Durham, [N.C.]: Duke University Press) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1170497>
Thomas, Lyn. 2002. Fans, Feminisms and ‘quality’ Media (London: Routledge)
Thornton, Sarah. 1995. Club Cultures: Music, Media and Subcultural Capital (Cambridge: Polity)
Thumim, Nancy. 2012a. Self-Representation and Digital Culture (Houndmills, Basingstoke, Hampshire: Palgrave Macmillan)
———. 2012b. Self-Representation and Digital Culture (Basingstoke: Palgrave Macmillan) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781137265135>
TODD, ANNE MARIE. 2011. ‘Saying Goodbye to Friends: Fan Culture as Lived Experience’, The Journal of Popular Culture, 44.4: 854–71 <https://doi.org/10.1111/j.1540-5931.2011.00866.x>
Tracy, Sarah J. 2013. Qualitative Research Methods: Collecting Evidence, Crafting Analysis, Communicating Impact (Chichester, West Sussex: Wiley-Blackwell) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781118378816>
Traudt, Paul J. 2005. Media, Audiences, Effects: An Introduction to the Study of Media Content and Audience Analysis (Boston: Pearson/Allyn and Bacon)
Turkle, Sherry. 2005. The Second Self : Computers and the Human Spirit (MIT Press) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=3338499>
Turner, Graeme. 2014. ‘Is Celebrity News, News?’, Journalism: Theory, Practice & Criticism, 15.2: 144–52 <https://doi.org/10.1177/1464884913488719>
Wall, Tim. 2003. Studying Popular Music Culture (London: Arnold)
———. 2013. Studying Popular Music Culture, 2nd edition (Los Angeles: SAGE)
Walliman, Nicholas. 2018. Research Methods: The Basics (London, [England]: Routledge) <http://ebookcentral.proquest.com/lib/worcester/detail.action?docID=5015633>
Wang, Jing. 2008. Brand New China: Advertising, Media, and Commercial Culture (Cambridge, Mass: Harvard University Press)
Warren, Carol A. B., and Tracy X. Karner. 2010. Discovering Qualitative Methods: Field Research, Interviews, and Analysis, 2nd ed (New York: Oxford University Press)
Weedon, Chris. 2004. Identity and Culture: Narratives of Difference and Belonging (Maidenhead: Open University Press)
Whannel, Garry. 2008a. Culture, Politics and Sport: Blowing the Whistle, Revisited (London: Routledge) <https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=325533>
———. 2008b. Culture, Politics and Sport: Blowing the Whistle, Revisited (London: Routledge)
Wheaton, Belinda. 2004. Understanding Lifestyle Sports: Consumption, Identity and Difference (London: Routledge)
Whiteley, Sheila, and Jedediah Sklower (eds.). 2014. Countercultures and Popular Music (Farnham: Ashgate) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781472421074>
Wilson, Andrew. 2007. Northern Soul: Music, Drugs and Subcultural Identity (Cullompton: Willan Pub)
Wood, Aylish. 2007. Digital Encounters (London: Routledge)
Woodward, Kath. 1997. Identity and Difference (London: SAGE)
———. 2006. Boxing, Masculinity and Identity: The ‘I’ of the Tiger (London: Routledge)
———. 2012. Planet Sport (Milton Park, Abingdon, Oxon: Routledge) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203805220>
Worsley, Shawan M. 2009. Audience, Agency and Identity in Black Popular Culture (New York: Routledge) <http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203866573>
Zhou, Sijing. 2012. ‘“Advertorials”: A Genre-Based Analysis of an Emerging Hybridized Genre’, Discourse & Communication, 6.3: 323–46 <https://doi.org/10.1177/1750481312446265>
