Aitchison, C. (2007). Sport and gender identities: masculinities, femininities and sexualities. Routledge.
Alozie, E. C. (2010). Advertising and Culture. Journal of Creative Communications, 5(1), 1–22. https://doi.org/10.1177/097325861100500101
Ashcroft, B., Griffiths, G., & Tiffin, H. (2006). The post-colonial studies reader (2nd ed). Routledge.
Ashcroft, B., Griffiths, G., & Tiffin, H. (2013). Postcolonial studies: the key concepts: Vol. Routledge key guides (Third edition). Routledge.
Back, L. (2012). Cultural Sociology: An Introduction. Wiley-Blackwell. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781444362237
BADER, I., & SCHARENBERG, A. (2010). The Sound of Berlin: Subculture and the Global Music Industry. International Journal of Urban and Regional Research, 34(1), 76–91. https://doi.org/10.1111/j.1468-2427.2009.00927.x
Bailey, S. (2005). Media Audiences and Identity: Self-construction in the Fan Experience. Palgrave Macmillan.
Bailey, S. & MyiLibrary. (2005). Media audiences and identity: self-construction in the fan experience. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=257325
Barker, C. (2004). The Sage dictionary of cultural studies. Sage Publications. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781847877291
Barker, C. (2012). Cultural Studies: Theory and Practice (4th ed). SAGE.
Barker, C., & Jane, E. A. (2016). Cultural studies: theory and practice (5th edition). SAGE.
Barton, K. M., & Lampley, J. M. (Eds.). (2014). Fan CULTure: essays on participatory fandom in the 21st century. McFarland & Company, Inc., Publishers. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781476604596
Beasley, R., & Danesi, M. (2002a). Persuasive signs: the semiotics of advertising (Vol. 4). Mouton de Gruyter. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9783110888003
Beasley, R., & Danesi, M. (2002b). Persuasive Signs: The Semiotics of Advertising: Vol. Approaches to applied semiotics. Mouton de Gruyter. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9783110888003
Beasley, R., & Danesi, M. (2002c). Persuasive Signs: The Semiotics of Advertising: Vol. Approaches to applied semiotics. Mouton de Gruyter.
Bell, C. E. (2010). American Idolatry: Celebrity, Commodity and Reality Television. McFarland & Co., Inc., Publishers. https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1594833
Bell, D., & Hollows, J. (2005). Ordinary Lifestyles: Popular Media, Consumption and Taste. Open University Press.
Bell, D., & Kennedy, B. M. (2007). The Cybercultures Reader (2nd ed). Routledge.
Bennett, A. (2000). Popular Music and Youth Culture: Music, Identity and Place. Macmillan.
Bennett, A. (2001a). Cultures of Popular Music: Vol. Issues in cultural and media studies. Open University Press.
Bennett, A. (2001b). Cultures of Popular Music: Vol. Issues in cultural and media studies. Open University Press. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780335230716
Bennett, J. (2011). Television Personalities: Stardom and the Small Screen. Routledge. https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=589598
Benshoff, H. M. (2021). America on Film: Representing Race, Class, Gender and Sexuality at the Movies (Third edition). Wiley-Blackwell.
Benshoff, H. M., & Griffin, S. (2004). America on film: representing race, class, gender, and sexuality at the movies. Blackwell Pub.
Berger, A. A. (2008). Manufacturing desire: media, popular culture, and everyday life. Transaction.
Bernardi, D. (2009). Filming Difference: Actors, Directors, Producers, and Writers on Gender, Race, and Sexuality in Film. University of Texas Press.
Bertrand, I. (2017). Media Research Methods: Audiences, Institutions, Texts (2 ed). Palgrave Macmillan.
Bertrand, I., & Hughes, P. (2005). Media research methods: audiences, institutions, texts. Palgrave Macmillan.
Bilandzic, H., Patriarche, G., & Traudt, P. J. (2012). The social use of media: cultural and social scientific perspectives on audience research. Intellect. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781841507446
Billings, A. C., & Hardin, M. (2014). Routledge Handbook of Sport and New Media: Vol. Routledge handbooks. Routledge.
Birkenstein, J. (2010a). Reframing 911: film, popular culture and the ‘war on terror’. Continuum.
Birkenstein, J. (2010b). Reframing 911: film, popular culture and the ‘war on terror’. Continuum.
Boomen, M. van den. (2009). Digital material: tracing new media in everyday life and technology: Vol. Media matters. Amsterdam University Press. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9789048506668
Bourdieu, P. (1986). Distinction: a social critique of the judgement of taste.
Bowman, P. (2008a). Deconstructing popular culture. Palgrave Macmillan.
Bowman, P. (2008b). Deconstructing Popular Culture. Palgrave Macmillan.
Boyle, R., & Haynes, R. (2009). Power Play: Sport, the Media and Popular Culture (2nd ed). Edinburgh University Press. https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=448730
Brennen, B. (2017). Qualitative research methods for media studies (Second edition). Routledge.
Brown, J. A. (2011). Dangerous curves: action heroines, gender, fetishism, and popular culture. University Press of Mississippi. https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=665317
Bryman, A. (2015). Social research methods (Fifth edition). Oxford University Press.
Buikema, R., & Tuin, I. van der. (2009). Doing gender in media, art and culture. Routledge. https://ebookcentral.proquest.com/lib/worcester/detail.action?milDocID=212518
Burns, L., & Lafrance, M. (2002). Disruptive divas: feminism, identity and popular music: Vol. Studies in contemporary music and culture. Routledge.
Caldwell, M., & Henry, P. (Eds.). (2011). Multi-media research and the consumption of popular culture: Vol. International journal of culture, tourism and hospitality research. Emerald. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781780524894
Cameron, D. (2001). Working with spoken discourse. SAGE.
Cashmore, E. (2010a). Making sense of sports (5th ed). Routledge. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203872697
Cashmore, E. (2010b). Making Sense of Sports (5th ed). Routledge.
Cashmore, E. (2013). Celebrity Culture (Second edition). Routledge.
Castells, M. (2010). The Power of Identity: Vol. The information age: economy, society, and culture (2nd ed). Wiley-Blackwell. https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=470449
Chang, J. (2007). Can’t Stop Won’t Stop: A History of the Hip-hop Generation. Ebury.
Clark, T. R., & Clanton, D. W. (2012). Understanding religion and popular culture: theories, themes, products and practices. Routledge. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203119570
Clarke, D. B., Doel, M. A., & Housiaux, K. (2003). The Consumption Reader. Routledge.
Codell, J. F. (2007). Genre, Gender, Race, and World Cinema. Blackwell.
Cook, G. (2001). The Discourse of Advertising: Vol. Interface (2nd ed). Routledge.
Crawford, G. (2004a). Consuming Sport: Fans, Sport and Culture. Routledge.
Crawford, G. (2004b). Consuming Sport: Fans, Sport and Culture. Routledge.
Crawford, G. & MyiLibrary. (2004a). Consuming sport: fans, sport, and culture. Routledge. https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=182415
Crawford, G. & MyiLibrary. (2004b). Consuming sport: fans, sport, and culture. Routledge. https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=182415
Creeber, G. (Ed.). (2015a). The television genre book (3rd edition). Palgrave.
Creeber, G. (Ed.). (2015b). The television genre book (3rd edition). Palgrave. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781844578986
Creeber, G., & Martin, R. (2009). Digital Cultures. McGraw-Hill Open University Press. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780335237548
Creeber, G., Miller, T., Tulloch, J., & British Film Institute. (2008). The Television Genre Book (2nd ed). Palgrave Macmillan.
Cultural Theory and Popular Culture : a reader (Fifth edition). (2018). Routledge.
Curran, J., & Morley, D. (2006a). Media and Cultural Theory. Routledge.
Curran, J., & Morley, D. (2006b). Media and Cultural Theory. Routledge.
Davis, F. (1994). Fashion, Culture, and Identity. University of Chicago Press.
Davis, G., & Dickinson, K. (2004). Teen TV: Genre, Consumption, Identity. British Film Institute.
Devereux, E., Dillane, A., & Power, M. J. (2011). Morrissey: Fandom, Representations and Identities. Intellect. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781841505800
Dickey, L. M. (2011a). The Codes of Gender: Identity & Performance in Popular Culture. Contemporary Sexuality, 45(12), 9–9.
Dickey, L. M. (2011b). The Codes of Gender: Identity & Performance in Popular Culture. Contemporary Sexuality, 45(12), 9–9.
Dines, G., & Humez, J. M. (2011a). Gender, Race, and Class in Media: A Critical Reader (3rd ed). SAGE.
Dines, G., & Humez, J. M. (2011b). Gender, Race, and Class in Media: A Critical Reader (3rd ed). SAGE.
Dines, G., & Humez, J. M. (Eds.). (2015a). Gender, race, and class in media: a critical reader (Fourth edition). SAGE.
Dines, G., & Humez, J. M. (Eds.). (2015b). Gender, race, and class in media: a critical reader (Fourth edition). SAGE.
Dines, G., Humez, J. M., Yousman, B., & Bindig, L. (Eds.). (2018a). Gender, race, and class in media: a critical reader (Fifth edition). SAGE.
Dines, G., Humez, J. M., Yousman, B., & Bindig, L. (Eds.). (2018b). Gender, race, and class in media: a critical reader (Fifth edition). SAGE.
Dittmer, J. (2010). Popular culture, geopolitics, and identity. Rowman & Littlefield Publishers. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780742568310
Driver, S. (2007). Queer girls and popular culture: reading, resisting, and creating media: Vol. v. 1. Peter Lang.
Du Gay, P. (2013). Doing cultural studies: Vol. Culture, media and identities (Second edition). Sage Publications.
Du Gay, P., Evans, J., Redman, P., & Open University. (2000). Identity: a reader. SAGE in association with The Open University.
Dubied, A., & Hanitzsch, T. (2014). Studying celebrity news. Journalism: Theory, Practice & Criticism, 15(2), 137–143. https://doi.org/10.1177/1464884913488717
Duff, D. (2000). Modern Genre Theory: Vol. Longman critical readers. Longman.
Duffett, M. (Ed.). (2014). Popular music fandom: identities, roles and practices: Vol. Routledge studies in popular music. Routledge. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203795125
During, S. (2007). The Cultural Studies Reader (3rd ed). Routledge.
Duschinsky, R., Schnall, S., & Weiss, D. H. (Eds.). (2016). Purity and danger now: new perspectives. Routledge. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781315529738
Edgar, A., & Sedgwick, P. R. (2008). Cultural Theory: The Key Concepts: Vol. Routledge key guides (2nd ed). Routledge. https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=4875798
Ensslin, A., & Muse, E. J. (2011). Creating second lives: community, identity and spatiality as constructions of the virtual: Vol. Routledge studies in new media and cyberculture. Routledge. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203828571
Evans, J., & Hesmondhalgh, D. (2005). Understanding Media: Inside Celebrity. Open University Press.
Ferguson, G. (2010). The Family on Reality Television: Who’s Shaming Whom? Television & New Media, 11(2), 87–104. https://doi.org/10.1177/1527476409357595
FISHER, J. A. (2002). Tattooing the Body, Marking Culture. Body & Society, 8(4), 91–107. https://doi.org/10.1177/1357034X02008004005
Fishwick, M. W. (2004). Probing Popular Culture: On and Off the Internet. Haworth.
Fiske, J. (2010). Understanding popular culture: Vol. Routledge classics (2nd ed). Routledge. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203837177
Fleming, D. (2000). Formations: a 21st-century media studies textbook. Manchester University Press.
Flew, T. (2014). New media (Fourth edition). Oxford University Press.
Forshaw, B. (2013). Nordic Noir: The Pocket Essential Guide to Scandinavian Crime Fiction, Film & TV. Pocket Essentials.
Fowler, B. (2000). Reading Bourdieu on society and culture: Vol. Sociological review monographs. Blackwell/The Sociological Review.
Fuchs, C. (2012). The Political Economy of Privacy on Facebook. Television & New Media, 13(2), 139–159. https://doi.org/10.1177/1527476411415699
Fung, A. Y. H. (Ed.). (2013a). Asian popular culture: the global (dis)continuity (Vol. 31). Routledge. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203581278
Fung, A. Y. H. (Ed.). (2013b). Asian popular culture: the global (dis)continuity: Vol. Media, culture and social change in Asia. Routledge. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203581278
Gajjala, R., & Chopra, R. (2010). Global media, culture, and identity: theory, cases, and approaches. Routledge. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203148280
Garde-Hansen, J. (2011). Media and memory: Vol. Media topics. Edinburgh University Press. https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=744027
Gauntlett, D. (2008). Media, gender and identity: an introduction (2nd ed). Routledge. https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=330959
Gelder, K. (2005). The subcultures reader (2nd ed). Routledge.
Gelder, K. (2007). Subcultures: Cultural Histories and Social Practice. Routledge.
Genz, S. (2009). Postfemininities in popular culture. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=483169
Giardina, M. D., & Donnelly, M. K. (2008). Youth Culture and Sport: Identity, Power, and Politics: Vol. Critical youth studies. Routledge.
Gibbons, T. (2014a). English national identity and football fan culture: who are ya? Ashgate Publishing Limited. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781472423290
Gibbons, T. (2014b). English national identity and football fan culture: who are ya? Ashgate Publishing Limited. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781472423290
Giles, J., & Middleton, T. (2007a). Studying Culture: A Practical Introduction (2nd ed). Blackwell.
Giles, J., & Middleton, T. (2007b). Studying Culture: A Practical Introduction (2nd ed). Blackwell.
Gillespie, M. (2005). Media Audiences. Open University Press.
Gillis, S., & Hollows, J. (2009). Feminism, Domesticity and Popular Culture. Routledge. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203889633
González, A. M. (2012). Identities through fashion. Berg Publishers.
González, A. M., & Bovone, L. (2012). Identities through fashion: a multidisciplinary approach. Berg.
Gorton, K. (2009a). Media Audiences: Television, Meaning and Emotion. Edinburgh University Press. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780748630363
Gorton, K. (2009b). Media Audiences: Television, Meaning and Emotion: Vol. Media topics. Edinburgh University Press.
Grossberg, L. (2005). MediaMaking: Mass Media in a Popular Culture (2nd ed). SAGE.
Guins, R., & Cruz, O. Z. (2005a). Popular Culture: A Reader. SAGE.
Guins, R., & Cruz, O. Z. (2005b). Popular Culture: A Reader. SAGE.
Gunkel, D. J., & Taylor, P. A. (2014). Heidegger and the media: Vol. Theory and media. Polity Press. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780745678962
Haenfler, R. (2014). Subcultures: Vol. The basics. Routledge.
Halfpenny, P., & Procter, R. (Eds.). (2015). Innovations in digital research methods. SAGE.
Hall, G., & Birchall, C. (2006). New Cultural Studies: Adventures in Theory. Edinburgh University Press.
Hall, G., Birchall, C., & MyiLibrary. (2006). New cultural studies: adventures in theory. Edinburgh University Press. https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=282269
Hammond, M., & Wellington, J. J. (2013). Research Methods: The Key Concepts: Vol. Routledge key guides. Routledge.
Hammond, M., & Wellington, J. J. (2020). Research methods: the key concepts (2nd edition). Routledge. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780429608926
Hancock, J., Johnson-Woods, T., & Karaminas, V. (2013a). Fashion in popular culture: literature, media and contemporary studies. Intellect. https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1133312
Hancock, J., Johnson-Woods, T., & Karaminas, V. (2013b). Fashion in popular culture: literature, media and contemporary studies. Intellect. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781783200474
Hannon, S. M. (2010). Punks: a guide to an American subculture: Vol. Guides to subcultures and countercultures. Greenwood Press. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780313364570
Harrington, C. L., & Bielby, D. D. (2001). Popular culture: production and consumption: Vol. Blackwell readers in sociology. Blackwell Publishers.
Heath, J., & Potter, A. (2004). Nation of Rebels: Why Counterculture Became Consumer Culture. Harper Business.
Hebdige, D. (1987). Cut ‘n’ Mix: Culture, Identity and Caribbean Music. Comedia, Methuen.
Held, J. M. (2006). James Bond and philosophy: Vol. Popular culture and philosophy. Open Court.
Hill, C. A., Dean, E., & Murphy, J. (2013). Social Media, Sociality, and Survey Research. John Wiley & Sons, Incorporated. https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1422489
Hill, C. A., Dean, E., & Murphy, J. (Eds.). (2014). Social media, sociality, and survey research. Wiley.
Hills, M. (2002). Fan cultures: Vol. Sussex studies in culture and communication. Routledge.
Hodkinson, P. (2002a). Goth: Identity, Style and Subculture: Vol. Dress, body, culture. Berg.
Hodkinson, P. (2002b). Goth: Identity, Style and Subculture: Vol. Dress, body, culture. Berg.
Holland, S. (2004). Alternative Femininities: Body, Age and Identity: Vol. Dress, body, culture. Berg.
Hollows, J., & Moseley, R. (2006). Feminism in Popular Culture. Berg.
Holmes, S., & Redmond, S. (2006). Framing celebrity: new directions in celebrity culture. Routledge.
Holtzman, L. (2000). Media Messages: What Film, Television, and Popular Music Teach Us about Race, Class Gender and Sexual Orientation. M.E. Sharpe.
Homan, S. (2006). Access All Eras: Tribute Bands and Global Pop Culture. Open University Press.
Homan, S. & MyiLibrary. (2006). Access all eras: tribute bands and global pop culture. Open University Press. https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=316287
Hoover, S. M., & Coats, C. D. (2011). The Media and Male Identities: Audience Research in Media, Religion, and Masculinities. Journal of Communication, 61(5), 877–895. https://doi.org/10.1111/j.1460-2466.2011.01583.x
Horgby, B., & Nilsson, F. (2010). Rockin’ the Borders: Rock Music and Social, Cultural and Political Change. Cambridge Scholars. https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1114238
Horne, J. (2006a). Sport in Consumer Culture. Palgrave Macmillan.
Horne, J. (2006b). Sport in Consumer Culture. Palgrave Macmillan.
Horne, J. (2013). Understanding Sport: a Socio-cultural Analysis: Vol. Culture, economy and the social (2nd ed). Routledge. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203807132
How did the news go ‘fake’? When the media went social | Claire Wardle and Hossein Derakhshan | Opinion | The Guardian. (n.d.). https://www.theguardian.com/commentisfree/2017/nov/10/fake-news-social-media-current-affairs-approval
Hundley, H. L., & Billings, A. C. (2010). Examining identity in sports media. Sage Publications. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781483302096
Hunt, J. (2013). Popular culture: 1980-1999: Vol. A history of popular culture. Raintree. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781406256567
Hutnyk, J. (2000). Critique of exotica: music, politics, and the culture industry. Pluto.
Hyde, M. (2010). Celebrity: How Entertainers Took Over the World and Why We Need an Exit Strategy. Vintage.
Ingraham, C. (2008a). White Weddings: Romancing Heterosexuality in Popular Culture (2nd ed., New ed). Routledge.
Ingraham, C. (2008b). White Weddings: Romancing Heterosexuality in Popular Culture (2nd ed., New ed). Routledge.
Ingram, D. (2010). The jukebox in the garden: ecocriticism and American popular music since 1960 (Vol. 07). Rodopi. https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=617749
Inness, S. A. (2004). Action chicks: new images of tough women in popular culture. Palgrave Macmillan.
Issitt, M. L. (2011). Goths: a guide to an American subculture: Vol. Guides to subcultures and countercultures. Greenwood. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780313386053
Jackson, S. J., & Andrews, D. L. (Eds.). (2004). Sport, Culture and Advertising : Identities, Commodities and the Politics of Representation. Taylor & Francis Group. https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=200729
Jackson, S. J., & Andrews, D. L. (2005). Sport, Culture and Advertising: Identities, Commodities and the Politics of Representation. Routledge.
Jenkins, H. (2006a). Fans, bloggers and gamers: exploring participatory culture. New York University Press.
Jenkins, H. (2006b). Fans, Bloggers and Gamers: Exploring Participatory Culture. New York University Press.
Jenkins, H. (2013). Textual Poachers: Television Fans and Participatory Culture (Updated twentieth anniversary edition). Routledge.
Jing Wang. (2008). Brand New China : Advertising, Media, and Commercial Culture. Harvard University Press. https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=3300154
Joanne Garde-Hansen. (2011). Media and memory. Edinburgh University Press. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780748647071
Josselson, R., & Harway, M. (2012). Navigating Multiple Identities: Race, Gender, Culture, Nationality, and Roles. Oxford University Press. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780199838295
Karatzogianni, A., & Kuntsman, A. (2012). Digital Cultures and the Politics of Emotion: Feelings, Affect and Technological Change. Palgrave Macmillan.
Kehily, M. J. (2007). Understanding Youth: Perspectives, Identities & Practices. SAGE.
Kelly, J. (2013). Popular Culture, Sport and the ‘Hero’-fication of British Militarism. Sociology, 47(4), 722–738. https://doi.org/10.1177/0038038512453795
Kidd, W., & Teagle, A. (2012). Culture and identity (Second edition). Palgrave Macmillan.
King, C. R., Lugo-Lugo, C. R., & Bloodsworth-Lugo, M. K. (2010). Animating Difference: Race, Gender, and Sexuality in Contemporary Films for Children: Vol. Perspectives on a multiracial America series. Rowman & Littlefield Publishers. https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=500865
Kirkby, D. (2003). ‘Beer, Glorious Beer’: Gender Politics and Australian Popular Culture. The Journal of Popular Culture, 37(2), 244–256. https://doi.org/10.1111/1540-5931.00066
Klassen, C. (n.d.). Religion & popular culture: a cultural studies approach. Oxford University Press.
Kozinets, R. V. (2015). Netnography: redefined (2nd edition). SAGE.
Krishnakumar, U., & Laxman, V. (2013). Hidden Agenda Behind Constructed Imagery: Identity Politics in Indian Advertising. Journal of Management and Public Policy, 5(1), 13–20.
Lacey, N. (2000). Narrative and genre: key concepts in media studies. Macmillan.
Lacey, N. (2002). Media Institutions and Audiences: Key Concepts in Media Studies. Palgrave.
Lacey, N. & MyiLibrary. (2002). Media institutions and audiences: key concepts in media studies. Palgrave. https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=4965010
Laderman, G. (2000). The Disney Way of Death. Journal of the American Academy of Religion, 68(1), 27–46. https://doi.org/10.1093/jaarel/68.1.27
Langford, B. (2005). Film Genre: Hollywood and Beyond. Edinburgh University Press.
Lash, S., & Lury, C. (2007a). Global Culture Industry: The Mediation of Things. Polity.
Lash, S., & Lury, C. (2007b). Global Culture Industry: The Mediation of Things. Polity.
Lawrence, G., & Pollock, D. (2006). Cultural Studies: Vol. 20, no. 6: Theorizing politics, politicizing theory: Vol. Cultural studies. Routledge.
Le Blanc, M., & Odell, C. (2013). Anime. Kamera.
Lee, P. W. (Ed.). (2016). A galaxy here and now: historical and cultural readings of Star Wars. McFarland & Company, Inc., Publishers. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781476624082
Lewis, J. (2008). Cultural Studies: The Basics (2nd ed). SAGE.
Lomborg, S. (2014). Social Media, Social Genres: Making Sense of the Ordinary: Vol. Routledge studies in new media and cyberculture. Routledge. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203520802
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Longhurst, B., Crawford, G., Ogborn, M., Bagnall, G., & Smith, G. W. H. (2017b). Introducing cultural studies (Third edition). Routledge. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781315690070
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Matrix, S. E. (2006). Cyberpop: digital lifestyles and commodity culture. Routledge. https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=293680
McCaughey, M. (Ed.). (2014). Cyberactivism on the participatory web: Vol. Routledge studies in new media and cyberculture. Routledge, Taylor & Francis Group. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781315885797
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McFall, L. (2004a). Advertising: A Cultural Economy: Vol. Culture, representation and identities. SAGE. https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=254591
McFall, L. (2004b). Advertising: A Cultural Economy: Vol. Culture, representation and identities. SAGE.
McGowan, K. (2007). Key Issues in Critical and Cultural Theory. Open University Press.
McGowan, K. & MyiLibrary. (2007). Key issues in critical and cultural theory. Open University Press. https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=316300
McQuail, D. (2010). McQuail’s Mass Communication Theory (6th ed). SAGE.
Meisel, P. (2010). The Myth of Popular Culture from Dante to Dylan: Vol. Blackwell manifestos. Wiley-Blackwell. https://ebookcentral.proquest.com/lib/worcester/detail.action?milDocID=238253
Mercer, J., & Shingler, M. (2004). Melodrama: Genre, Style, Sensibility: Vol. Short cuts. Wallflower.
Mills, P. (2012). Media and popular music: Vol. Media topics. Edinburgh University Press. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780748631568
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Munford, R., & Waters, M. (2014). Feminism & popular culture: investigating the postfeminist mystique. I.B. Tauris. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780857723000
Murphy, P. F. & MyiLibrary. (2004). Feminism and masculinities. Oxford University Press. https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=422675
Murray, L. A. (2010). Politics and popular culture. Cambridge Scholars. https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1114432
Nalapat, A., & Parker, A. (2005). Sport, Celebrity and Popular Culture. International Review for the Sociology of Sport, 40(4), 433–446. https://doi.org/10.1177/1012690205065750
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Nightingale, V. (2011b). The Handbook of Media Audiences: Vol. Global media and communication handbook series (iamcr). Wiley-Blackwell. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781444340495
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Nisa, E. F. (2013). The internet subculture of Indonesian face-veiled women. International Journal of Cultural Studies, 16(3), 241–255. https://doi.org/10.1177/1367877912474534
Nixon, S. (2003a). Advertising Cultures: Gender, Commerce, Creativity. SAGE. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781847876614
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Paul McDonald. (2013). Hollywood Stardom (1st ed.). John Wiley & Sons, Incorporated. https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1120408
Plesner, U., & Phillips, L. (Eds.). (2014). Researching virtual worlds: methodologies for studying emergent practices: Vol. Routledge studies in new media and cyberculture. Routledge. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203104644
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Richardson, N. (2010). Transgressive bodies: representations in film and popular culture. Ashgate. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781409418290
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Ross, K. (2010a). Gendered media: women, men, and identity politics. Rowman & Littlefield. https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1117186
Ross, K. (2010b). Gendered Media: Women, Men, and Identity Politics: Vol. Critical media studies. Rowman & Littlefield.
Ross, K. (2010c). Gendered media: women, men, and identity politics: Vol. Critical media studies. Rowman & Littlefield. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781442201040
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Ryan, M., Ingram, B., & Musiol, H. (2010a). Cultural Studies: A Practical Introduction. Wiley-Blackwell. https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=480480
Ryan, M., Ingram, B., & Musiol, H. (2010b). Cultural Studies: A Practical Introduction. Wiley-Blackwell.
Ryan, M., & Musiol, H. (2008). Cultural Studies: An Anthology. Blackwell.
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Shuker, R. (2016b). Understanding popular music culture (Fifth edition). Routledge.
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Stokes, J. C. (2002). How to do Media and Cultural Studies (1st ed). SAGE. https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=254804
Stokes, J. C. (2013a). How to do media and cultural studies (2nd ed). SAGE.
Stokes, J. C. (2013b). How to do media and cultural studies (2nd ed). SAGE. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781446271704
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Tasker, Y., Negra, D., & McRobbie, A. (2007). Interrogating Postfeminism: Gender and the Politics of Popular Culture: Vol. Console-ing passions : television and cultural power. Duke University Press.
Tasker, Y., Negra, D., & ProQuest (Firm). (2007). Interrogating postfeminism: gender and the politics of popular culture. Duke University Press. https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1170497
Thomas, L. (2002). Fans, feminisms and ‘quality’ media: Vol. Media, education and culture. Routledge.
Thornton, S. (1995). Club cultures: music, media and subcultural capital. Polity.
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TODD, A. M. (2011). Saying Goodbye to Friends: Fan Culture as Lived Experience. The Journal of Popular Culture, 44(4), 854–871. https://doi.org/10.1111/j.1540-5931.2011.00866.x
Tracy, S. J. (2013). Qualitative Research Methods: Collecting Evidence, Crafting Analysis, Communicating Impact. Wiley-Blackwell. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781118378816
Traudt, P. J. (2005). Media, Audiences, Effects: An Introduction to the Study of Media Content and Audience Analysis. Pearson/Allyn and Bacon.
Turkle, S. (2005). The Second Self : Computers and the Human Spirit. MIT Press. https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=3338499
Turner, G. (2014). Is celebrity news, news? Journalism: Theory, Practice & Criticism, 15(2), 144–152. https://doi.org/10.1177/1464884913488719
Wall, T. (2003). Studying Popular Music Culture: Vol. Studying the media. Arnold.
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Walliman, N. (2018). Research methods: the basics. Routledge. http://ebookcentral.proquest.com/lib/worcester/detail.action?docID=5015633
Wang, J. (2008). Brand New China: Advertising, Media, and Commercial Culture. Harvard University Press.
Warren, C. A. B., & Karner, T. X. (2010). Discovering Qualitative Methods: Field Research, Interviews, and Analysis (2nd ed). Oxford University Press.
Weedon, C. (2004). Identity and Culture: Narratives of Difference and Belonging: Vol. Issues in cultural and media studies series. Open University Press.
Whannel, G. (2008a). Culture, Politics and Sport: Blowing the Whistle, revisited: Vol. Routledge critical studies in sport. Routledge. https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=325533
Whannel, G. (2008b). Culture, Politics and Sport: Blowing the Whistle, revisited: Vol. Routledge critical studies in sport series. Routledge.
Wheaton, B. (2004). Understanding lifestyle sports: consumption, identity and difference: Vol. Routledge critical studies in sport. Routledge.
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Worsley, S. M. (2009). Audience, agency and identity in Black popular culture: Vol. Studies in African American history and culture. Routledge. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203866573
Zhou, S. (2012). ‘Advertorials’: A genre-based analysis of an emerging hybridized genre. Discourse & Communication, 6(3), 323–346. https://doi.org/10.1177/1750481312446265
