Bibliography for MECS2031 Popular Cultures BETA

Aitchison, C. (2007) Sport and gender identities: masculinities, femininities and sexualities. London: Routledge.

Alozie, E.C. (2010) ‘Advertising and Culture’, Journal of Creative Communications, 5(1), pp. 1–22. Available at: https://doi.org/10.1177/097325861100500101.

Ashcroft, B., Griffiths, G. and Tiffin, H. (2006) The post-colonial studies reader. 2nd ed. London: Routledge.

Ashcroft, B., Griffiths, G. and Tiffin, H. (2013) Postcolonial studies: the key concepts. Third edition. London: Routledge.

Back, L. (2012) Cultural Sociology: An Introduction. Chichester, West Sussex: Wiley-Blackwell. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781444362237.

BADER, I. and SCHARENBERG, A. (2010) ‘The Sound of Berlin: Subculture and the Global Music Industry’, International Journal of Urban and Regional Research, 34(1), pp. 76–91. Available at: https://doi.org/10.1111/j.1468-2427.2009.00927.x.

Bailey, S. (2005) Media Audiences and Identity: Self-construction in the Fan Experience. Basingstoke: Palgrave Macmillan.

Bailey, S. and MyiLibrary (2005) Media audiences and identity: self-construction in the fan experience. Basingstoke [U.K.]: Palgrave Macmillan. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=257325.

Barker, C. (2004) The Sage dictionary of cultural studies. London: Sage Publications. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781847877291.

Barker, C. (2012) Cultural Studies: Theory and Practice. 4th ed. Los Angeles, [Calif.]: SAGE.

Barker, C. and Jane, E.A. (2016) Cultural studies: theory and practice. 5th edition. Los Angeles: SAGE.

Barton, K.M. and Lampley, J.M. (eds) (2014) Fan CULTure: essays on participatory fandom in the 21st century. Jefferson, NC: McFarland & Company, Inc., Publishers. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781476604596.

Beasley, R. and Danesi, M. (2002a) Persuasive Signs: The Semiotics of Advertising. Berlin: Mouton de Gruyter. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9783110888003.

Beasley, R. and Danesi, M. (2002b) Persuasive signs: the semiotics of advertising. Berlin: Mouton de Gruyter. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9783110888003.

Beasley, R. and Danesi, M. (2002c) Persuasive Signs: The Semiotics of Advertising. Berlin: Mouton de Gruyter.

Bell, C.E. (2010) American Idolatry: Celebrity, Commodity and Reality Television. Jefferson, N.C.: McFarland & Co., Inc., Publishers. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1594833.

Bell, D. and Hollows, J. (2005) Ordinary Lifestyles: Popular Media, Consumption and Taste. Maidenhead: Open University Press.

Bell, D. and Kennedy, B.M. (2007) The Cybercultures Reader. 2nd ed. London: Routledge.

Bennett, A. (2000) Popular Music and Youth Culture: Music, Identity and Place. Basingstoke: Macmillan.

Bennett, A. (2001a) Cultures of Popular Music. Buckingham: Open University Press.

Bennett, A. (2001b) Cultures of Popular Music. Buckingham: Open University Press. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780335230716.

Bennett, J. (2011) Television Personalities: Stardom and the Small Screen. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=589598.

Benshoff, H.M. (2021) America on Film: Representing Race, Class, Gender and Sexuality at the Movies. Third edition. London: Wiley-Blackwell.

Benshoff, H.M. and Griffin, S. (2004) ‘America on film: representing race, class, gender, and sexuality at the movies’, in. Oxford: Blackwell Pub.

Berger, A.A. (2008) Manufacturing desire: media, popular culture, and everyday life. New Brunswick, N.J.: Transaction.

Bernardi, D. (2009) Filming Difference: Actors, Directors, Producers, and Writers on Gender, Race, and Sexuality in Film. Austin, Tex: University of Texas Press.

Bertrand, I. (2017) Media Research Methods: Audiences, Institutions, Texts. 2 ed. Basingstoke: Palgrave Macmillan.

Bertrand, I. and Hughes, P. (2005) ‘Media research methods: audiences, institutions, texts’, in. Basingstoke: Palgrave Macmillan.

Bilandzic, H., Patriarche, G. and Traudt, P.J. (2012) The social use of media: cultural and social scientific perspectives on audience research. Bristol: Intellect. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781841507446.

Billings, A.C. and Hardin, M. (2014) Routledge Handbook of Sport and New Media. London: Routledge.

Birkenstein, J. (2010a) Reframing 911: film, popular culture and the ‘war on terror’. New York ,London: Continuum.

Birkenstein, J. (2010b) Reframing 911: film, popular culture and the ‘war on terror’. New York ,London: Continuum.

Boomen, M. van den (2009) Digital material: tracing new media in everyday life and technology. Amsterdam: Amsterdam University Press. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9789048506668.

Bourdieu, P. (1986) Distinction: a social critique of the judgement of taste. Routledge & Kegan Paul.

Bowman, P. (2008a) Deconstructing popular culture. Basingstoke: Palgrave Macmillan.

Bowman, P. (2008b) Deconstructing Popular Culture. Basingstoke: Palgrave Macmillan.

Boyle, R. and Haynes, R. (2009) Power Play: Sport, the Media and Popular Culture. 2nd ed. Edinburgh: Edinburgh University Press. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=448730.

Brennen, B. (2017) Qualitative research methods for media studies. Second edition. London: Routledge.

Brown, J.A. (2011) Dangerous curves: action heroines, gender, fetishism, and popular culture. Jackson: University Press of Mississippi. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=665317.

Bryman, A. (2015) Social research methods. Fifth edition. Oxford: Oxford University Press.

Buikema, R. and Tuin, I. van der (2009) Doing gender in media, art and culture. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?milDocID=212518.

Burns, L. and Lafrance, M. (2002) Disruptive divas: feminism, identity and popular music. New York: Routledge.

Caldwell, M. and Henry, P. (eds) (2011) Multi-media research and the consumption of popular culture. [Bingley]: Emerald. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781780524894.

Cameron, D. (2001) Working with spoken discourse. London: SAGE.

Cashmore, E. (2010a) Making sense of sports. 5th ed. London: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203872697.

Cashmore, E. (2010b) Making Sense of Sports. 5th ed. London: Routledge.

Cashmore, E. (2013) Celebrity Culture. Second edition. London: Routledge.

Castells, M. (2010) The Power of Identity. 2nd ed. Chichester, West Sussex, U.K.: Wiley-Blackwell. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=470449.

Chang, J. (2007) Can’t Stop Won’t Stop: A History of the Hip-hop Generation. London: Ebury.

Clark, T.R. and Clanton, D.W. (2012) Understanding religion and popular culture: theories, themes, products and practices. Abingdon, Oxon: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203119570.

Clarke, D.B., Doel, M.A. and Housiaux, K. (2003) The Consumption Reader. London: Routledge.

Codell, J.F. (2007) Genre, Gender, Race, and World Cinema. Malden, Mass: Blackwell.

Cook, G. (2001) The Discourse of Advertising. 2nd ed. London: Routledge.

Crawford, G. (2004a) Consuming Sport: Fans, Sport and Culture. London: Routledge.

Crawford, G. (2004b) Consuming Sport: Fans, Sport and Culture. London: Routledge.

Crawford, G. and MyiLibrary (2004a) Consuming sport: fans, sport, and culture. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=182415.

Crawford, G. and MyiLibrary (2004b) Consuming sport: fans, sport, and culture. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=182415.

Creeber, G. et al. (2008) The Television Genre Book. 2nd ed. Basingstoke: Palgrave Macmillan.

Creeber, G. (ed.) (2015a) The television genre book. 3rd edition. London: Palgrave.

Creeber, G. (ed.) (2015b) The television genre book. 3rd edition. London: Palgrave. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781844578986.

Creeber, G. and Martin, R. (2009) Digital Cultures. Maidenhead: McGraw-Hill Open University Press. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780335237548.

Cultural Theory and Popular Culture : a reader. Fifth edition (2018). New York: Routledge.

Curran, J. and Morley, D. (2006a) ‘Media and Cultural Theory’, in. Abingdon: Routledge.

Curran, J. and Morley, D. (2006b) Media and Cultural Theory. Abingdon: Routledge.

Davis, F. (1994) Fashion, Culture, and Identity. Chicago, [Ill.]: University of Chicago Press.

Davis, G. and Dickinson, K. (2004) Teen TV: Genre, Consumption, Identity. London: British Film Institute.

Devereux, E., Dillane, A. and Power, M.J. (2011) Morrissey: Fandom, Representations and Identities. Bristol: Intellect. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781841505800.

Dickey, L.M. (2011a) ‘The Codes of Gender: Identity & Performance in Popular Culture’, Contemporary Sexuality, 45(12), pp. 9–9.

Dickey, L.M. (2011b) ‘The Codes of Gender: Identity & Performance in Popular Culture’, Contemporary Sexuality, 45(12), pp. 9–9.

Dines, G. et al. (eds) (2018a) Gender, race, and class in media: a critical reader. Fifth edition. Los Angeles: SAGE.

Dines, G. et al. (eds) (2018b) Gender, race, and class in media: a critical reader. Fifth edition. Los Angeles: SAGE.

Dines, G. and Humez, J.M. (2011a) Gender, Race, and Class in Media: A Critical Reader. 3rd ed. Los Angeles, [Calif.]: SAGE.

Dines, G. and Humez, J.M. (2011b) ‘Gender, Race, and Class in Media: A Critical Reader’, in. Los Angeles, [Calif.]: SAGE.

Dines, G. and Humez, J.M. (eds) (2015a) Gender, race, and class in media: a critical reader. Fourth edition. Los Angeles: SAGE.

Dines, G. and Humez, J.M. (eds) (2015b) Gender, race, and class in media: a critical reader. Fourth edition. Los Angeles: SAGE.

Dittmer, J. (2010) Popular culture, geopolitics, and identity. Lanham, Md: Rowman & Littlefield Publishers. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780742568310.

Driver, S. (2007) Queer girls and popular culture: reading, resisting, and creating media. New York: Peter Lang.

Du Gay, P. et al. (2000) Identity: a reader. London: SAGE in association with The Open University.

Du Gay, P. (2013) Doing cultural studies. Second edition. London: Sage Publications.

Dubied, A. and Hanitzsch, T. (2014) ‘Studying celebrity news’, Journalism: Theory, Practice & Criticism, 15(2), pp. 137–143. Available at: https://doi.org/10.1177/1464884913488717.

Duff, D. (2000) Modern Genre Theory. Harlow: Longman.

Duffett, M. (ed.) (2014) Popular music fandom: identities, roles and practices. New York, New York: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203795125.

During, S. (2007) The Cultural Studies Reader. 3rd ed. London: Routledge.

Duschinsky, R., Schnall, S. and Weiss, D.H. (eds) (2016) Purity and danger now: new perspectives. London: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781315529738.

Edgar, A. and Sedgwick, P.R. (2008) Cultural Theory: The Key Concepts. 2nd ed. Abingdon: Routledge. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=4875798.

Ensslin, A. and Muse, E.J. (2011) Creating second lives: community, identity and spatiality as constructions of the virtual. London: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203828571.

Evans, J. and Hesmondhalgh, D. (2005) Understanding Media: Inside Celebrity. Maidenhead: Open University Press.

Ferguson, G. (2010) ‘The Family on Reality Television: Who’s Shaming Whom?’, Television & New Media, 11(2), pp. 87–104. Available at: https://doi.org/10.1177/1527476409357595.

FISHER, J.A. (2002) ‘Tattooing the Body, Marking Culture’, Body & Society, 8(4), pp. 91–107. Available at: https://doi.org/10.1177/1357034X02008004005.

Fishwick, M.W. (2004) Probing Popular Culture: On and Off the Internet. Binghamton, N.Y.: Haworth.

Fiske, J. (2010) Understanding popular culture. 2nd ed. London: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203837177.

Fleming, D. (2000) Formations: a 21st-century media studies textbook. Manchester: Manchester University Press.

Flew, T. (2014) New media. Fourth edition. South Melbourne, Victoria: Oxford University Press.

Forshaw, B. (2013) Nordic Noir: The Pocket Essential Guide to Scandinavian Crime Fiction, Film & TV. Harpenden, Herts: Pocket Essentials.

Fowler, B. (2000) Reading Bourdieu on society and culture. Oxford: Blackwell/The Sociological Review.

Fuchs, C. (2012) ‘The Political Economy of Privacy on Facebook’, Television & New Media, 13(2), pp. 139–159. Available at: https://doi.org/10.1177/1527476411415699.

Fung, A.Y.H. (ed.) (2013a) Asian popular culture: the global (dis)continuity. London: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203581278.

Fung, A.Y.H. (ed.) (2013b) Asian popular culture: the global (dis)continuity. London: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203581278.

Gajjala, R. and Chopra, R. (2010) Global media, culture, and identity: theory, cases, and approaches. London: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203148280.

Garde-Hansen, J. (2011) Media and memory. Edinburgh: Edinburgh University Press. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=744027.

Gauntlett, D. (2008) Media, gender and identity: an introduction. 2nd ed. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=330959.

Gelder, K. (2005) The subcultures reader. 2nd ed. London: Routledge.

Gelder, K. (2007) Subcultures: Cultural Histories and Social Practice. London: Routledge.

Genz, S. (2009) Postfemininities in popular culture. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=483169.

Giardina, M.D. and Donnelly, M.K. (2008) Youth Culture and Sport: Identity, Power, and Politics. New York: Routledge.

Gibbons, T. (2014a) English national identity and football fan culture: who are ya? Farnham: Ashgate Publishing Limited. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781472423290.

Gibbons, T. (2014b) English national identity and football fan culture: who are ya? Farnham: Ashgate Publishing Limited. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781472423290.

Giles, J. and Middleton, T. (2007a) ‘Studying Culture: A Practical Introduction’, in. Oxford: Blackwell.

Giles, J. and Middleton, T. (2007b) Studying Culture: A Practical Introduction. 2nd ed. Oxford: Blackwell.

Gillespie, M. (2005) Media Audiences. Maidenhead: Open University Press.

Gillis, S. and Hollows, J. (2009) Feminism, Domesticity and Popular Culture. New York: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203889633.

González, A.M. (2012) Identities through fashion. Oxford ,New York: Berg Publishers.

González, A.M. and Bovone, L. (2012) Identities through fashion: a multidisciplinary approach. Oxford: Berg.

Gorton, K. (2009a) Media Audiences: Television, Meaning and Emotion. Edinburgh: Edinburgh University Press.

Gorton, K. (2009b) Media Audiences: Television, Meaning and Emotion. Edinburgh: Edinburgh University Press. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780748630363.

Grossberg, L. (2005) MediaMaking: Mass Media in a Popular Culture. 2nd ed. London: SAGE.

Guins, R. and Cruz, O.Z. (2005a) Popular Culture: A Reader. London: SAGE.

Guins, R. and Cruz, O.Z. (2005b) Popular Culture: A Reader. London: SAGE.

Gunkel, D.J. and Taylor, P.A. (2014) Heidegger and the media. Cambridge: Polity Press. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780745678962.

Haenfler, R. (2014) Subcultures. London: Routledge.

Halfpenny, P. and Procter, R. (eds) (2015) Innovations in digital research methods. Los Angeles: SAGE.

Hall, G. and Birchall, C. (2006) New Cultural Studies: Adventures in Theory. Edinburgh: Edinburgh University Press.

Hall, G., Birchall, C., and MyiLibrary (2006) New cultural studies: adventures in theory. Edinburgh: Edinburgh University Press. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=282269.

Hammond, M. and Wellington, J.J. (2013) Research Methods: The Key Concepts. London: Routledge.

Hammond, M. and Wellington, J.J. (2020) Research methods: the key concepts. 2nd edition. London: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780429608926.

Hancock, J., Johnson-Woods, T. and Karaminas, V. (2013a) Fashion in popular culture: literature, media and contemporary studies. Bristol: Intellect. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1133312.

Hancock, J., Johnson-Woods, T. and Karaminas, V. (2013b) Fashion in popular culture: literature, media and contemporary studies. Bristol: Intellect. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781783200474.

Hannon, S.M. (2010) Punks: a guide to an American subculture. Santa Barbara, Calif: Greenwood Press. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780313364570.

Harrington, C.L. and Bielby, D.D. (2001) Popular culture: production and consumption. Oxford: Blackwell Publishers.

Heath, J. and Potter, A. (2004) Nation of Rebels: Why Counterculture Became Consumer Culture. New York: Harper Business.

Hebdige, D. (1987) Cut ‘n’ Mix: Culture, Identity and Caribbean Music. London: Comedia, Methuen.

Held, J.M. (2006) James Bond and philosophy. Chicago, Ill: Open Court.

Hill, C.A., Dean, E. and Murphy, J. (2013) Social Media, Sociality, and Survey Research. John Wiley & Sons, Incorporated. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1422489.

Hill, C.A., Dean, E. and Murphy, J. (eds) (2014) Social media, sociality, and survey research. Hoboken, New Jersey: Wiley.

Hills, M. (2002) Fan cultures. London: Routledge.

Hodkinson, P. (2002a) Goth: Identity, Style and Subculture. Oxford: Berg.

Hodkinson, P. (2002b) Goth: Identity, Style and Subculture. Oxford: Berg.

Holland, S. (2004) Alternative Femininities: Body, Age and Identity. Oxford: Berg.

Hollows, J. and Moseley, R. (2006) Feminism in Popular Culture. Oxford: Berg.

Holmes, S. and Redmond, S. (2006) Framing celebrity: new directions in celebrity culture. London: Routledge.

Holtzman, L. (2000) Media Messages: What Film, Television, and Popular Music Teach Us about Race, Class Gender and Sexual Orientation. Armonk, NY.: M.E. Sharpe.

Homan, S. (2006) Access All Eras: Tribute Bands and Global Pop Culture. Maidenhead: Open University Press.

Homan, S. and MyiLibrary (2006) Access all eras: tribute bands and global pop culture. Maidenhead, Berkshire, England: Open University Press. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=316287.

Hoover, S.M. and Coats, C.D. (2011) ‘The Media and Male Identities: Audience Research in Media, Religion, and Masculinities’, Journal of Communication, 61(5), pp. 877–895. Available at: https://doi.org/10.1111/j.1460-2466.2011.01583.x.

Horgby, B. and Nilsson, F. (2010) Rockin’ the Borders: Rock Music and Social, Cultural and Political Change. Newcastle: Cambridge Scholars. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1114238.

Horne, J. (2006a) Sport in Consumer Culture. Basingstoke: Palgrave Macmillan.

Horne, J. (2006b) Sport in Consumer Culture. Basingstoke: Palgrave Macmillan.

Horne, J. (2013) Understanding Sport: a Socio-cultural Analysis. 2nd ed. London: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203807132.

How did the news go ‘fake’? When the media went social | Claire Wardle and Hossein Derakhshan | Opinion | The Guardian (no date). Available at: https://www.theguardian.com/commentisfree/2017/nov/10/fake-news-social-media-current-affairs-approval.

Hundley, H.L. and Billings, A.C. (2010) Examining identity in sports media. Los Angeles: Sage Publications. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781483302096.

Hunt, J. (2013) Popular culture: 1980-1999. London: Raintree. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781406256567.

Hutnyk, J. (2000) Critique of exotica: music, politics, and the culture industry. London: Pluto.

Hyde, M. (2010) Celebrity: How Entertainers Took Over the World and Why We Need an Exit Strategy. London: Vintage.

Ingraham, C. (2008a) White Weddings: Romancing Heterosexuality in Popular Culture. 2nd ed., New ed. New York: Routledge.

Ingraham, C. (2008b) White Weddings: Romancing Heterosexuality in Popular Culture. 2nd ed., New ed. New York: Routledge.

Ingram, D. (2010) The jukebox in the garden: ecocriticism and American popular music since 1960. Amsterdam: Rodopi. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=617749.

Inness, S.A. (2004) Action chicks: new images of tough women in popular culture. New York: Palgrave Macmillan.

Issitt, M.L. (2011) Goths: a guide to an American subculture. Santa Barbara, Calif: Greenwood. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780313386053.

Jackson, S.J. and Andrews, D.L. (eds) (2004) Sport, Culture and Advertising : Identities, Commodities and the Politics of Representation. Taylor & Francis Group. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=200729.

Jackson, S.J. and Andrews, D.L. (2005) Sport, Culture and Advertising: Identities, Commodities and the Politics of Representation. London: Routledge.

Jenkins, H. (2006a) Fans, bloggers and gamers: exploring participatory culture. New York: New York University Press.

Jenkins, H. (2006b) Fans, Bloggers and Gamers: Exploring Participatory Culture. New York: New York University Press.

Jenkins, H. (2013) Textual Poachers: Television Fans and Participatory Culture. Updated twentieth anniversary edition. New York: Routledge.

Jing Wang (2008) Brand New China : Advertising, Media, and Commercial Culture. Harvard University Press. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=3300154.

Joanne Garde-Hansen (2011) Media and memory. Edinburgh: Edinburgh University Press. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780748647071.

Josselson, R. and Harway, M. (2012) Navigating Multiple Identities: Race, Gender, Culture, Nationality, and Roles. Oxford: Oxford University Press. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780199838295.

Karatzogianni, A. and Kuntsman, A. (2012) Digital Cultures and the Politics of Emotion: Feelings, Affect and Technological Change. Basingstoke: Palgrave Macmillan.

Kehily, M.J. (2007) Understanding Youth: Perspectives, Identities & Practices. London: SAGE.

Kelly, J. (2013) ‘Popular Culture, Sport and the ‘Hero’-fication of British Militarism’, Sociology, 47(4), pp. 722–738. Available at: https://doi.org/10.1177/0038038512453795.

Kidd, W. and Teagle, A. (2012) Culture and identity. Second edition. Basingstoke: Palgrave Macmillan.

King, C.R., Lugo-Lugo, C.R. and Bloodsworth-Lugo, M.K. (2010) Animating Difference: Race, Gender, and Sexuality in Contemporary Films for Children. Lanham, Md: Rowman & Littlefield Publishers. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=500865.

Kirkby, D. (2003) ‘“Beer, Glorious Beer”: Gender Politics and Australian Popular Culture’, The Journal of Popular Culture, 37(2), pp. 244–256. Available at: https://doi.org/10.1111/1540-5931.00066.

Klassen, C. (no date) Religion & popular culture: a cultural studies approach. Oxford University Press.

Kozinets, R.V. (2015) Netnography: redefined. 2nd edition. Los Angeles: SAGE.

Krishnakumar, U. and Laxman, V. (2013) ‘Hidden Agenda Behind Constructed Imagery: Identity Politics in Indian Advertising’, Journal of Management and Public Policy, 5(1), pp. 13–20.

Lacey, N. (2000) Narrative and genre: key concepts in media studies. Basingstoke: Macmillan.

Lacey, N. (2002) Media Institutions and Audiences: Key Concepts in Media Studies. Basingstoke: Palgrave.

Lacey, N. and MyiLibrary (2002) Media institutions and audiences: key concepts in media studies. Houndmills: Palgrave. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=4965010.

Laderman, G. (2000) ‘The Disney Way of Death’, Journal of the American Academy of Religion, 68(1), pp. 27–46. Available at: https://doi.org/10.1093/jaarel/68.1.27.

Langford, B. (2005) Film Genre: Hollywood and Beyond. Edinburgh: Edinburgh University Press.

Lash, S. and Lury, C. (2007a) ‘Global Culture Industry: The Mediation of Things’, in. Cambridge: Polity.

Lash, S. and Lury, C. (2007b) Global Culture Industry: The Mediation of Things. Cambridge: Polity.

Lawrence, G. and Pollock, D. (2006) Cultural Studies: Vol. 20, no. 6: Theorizing politics, politicizing theory. London: Routledge.

Le Blanc, M. and Odell, C. (2013) Anime. Harpenden: Kamera.

Lee, P.W. (ed.) (2016) A galaxy here and now: historical and cultural readings of Star Wars. Jefferson, North Carolina: McFarland & Company, Inc., Publishers. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781476624082.

Lewis, J. (2008) Cultural Studies: The Basics. 2nd ed. Los Angeles, [Calif.]: SAGE.

Lomborg, S. (2014) Social Media, Social Genres: Making Sense of the Ordinary. New York: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203520802.

Longhurst, B., Crawford, G., et al. (2017a) Introducing cultural studies. Third edition. London: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781315690070.

Longhurst, B., Crawford, G., et al. (2017b) Introducing cultural studies. Third edition. London: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781315690070.

Longhurst, B., Smith, G.W.H., et al. (2017) Introducing cultural studies. Third edition. London: Routledge.

Longhurst, D. (ed.) (2012) Gender, genre and narrative pleasure. Abingdon, Oxon: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203120477.

Lovejoy, J. (2024) Analyzing Media Messages: Using Quantitative Content Analysis in Research. 5th edn. New York, NY: Routledge.

Lynch, G., Mitchell, J.P. and Strhan, A. (2012) Religion, media and culture: a reader. London: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203805657.

MacDonald, N. (2002) The Graffiti Subculture: Youth, Masculinity and Identity in London and New York. Basingstoke: Palgrave.

Malefyt, T.D. deWaal and Moeran, B. (2003) Advertising cultures. Oxford: BERG.

Manning, P. (2007a) Drugs and Popular Culture: Drugs, Media and Identity in Contemporary Society. Cullompton: Willan Publishing.

Manning, P. (2007b) Drugs and Popular Culture: Drugs, Media and Identity in Contemporary Society. Cullompton: Willan Publishing.

Mason, P. (2006) Captured by the Media: Prison Discourse in Popular Culture. Cullompton: Willan.

Matheson, D. (2005a) ‘Media Discourses: Analysing Media Texts’, in. Maidenhead: Open University Press.

Matheson, D. (2005b) Media Discourses: Analysing Media Texts. Maidenhead: Open University Press.

Matheson, D. and ProQuest (Firm) (2005) Media discourses: analysing media texts. Maidenhead: Open University Press. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=292124.

Matrix, S.E. (2006) Cyberpop: digital lifestyles and commodity culture. New York: Routledge. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=293680.

McCaughey, M. (ed.) (2014) Cyberactivism on the participatory web. New York: Routledge, Taylor & Francis Group. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781315885797.

McDonald, P. (2013) Hollywood stardom. Chichester, West Sussex: Wiley-Blackwell. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781118321645.

McFall, L. (2004a) Advertising: A Cultural Economy. London: SAGE. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=254591.

McFall, L. (2004b) Advertising: A Cultural Economy. London: SAGE.

McGowan, K. (2007) Key Issues in Critical and Cultural Theory. Maidenhead: Open University Press.

McGowan, K. and MyiLibrary (2007) Key issues in critical and cultural theory. Maidenhead, England: Open University Press. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=316300.

McQuail, D. (2010) ‘McQuail’s Mass Communication Theory’, in. London: SAGE.

Meisel, P. (2010) The Myth of Popular Culture from Dante to Dylan. Chichester, U.K.: Wiley-Blackwell. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?milDocID=238253.

Mercer, J. and Shingler, M. (2004) Melodrama: Genre, Style, Sensibility. London: Wallflower.

Mills, P. (2012) Media and popular music. Edinburgh: Edinburgh University Press. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780748631568.

Moine, R. (2008) Cinema Genre. Malden, Mass: Blackwell.

Morris, T., Morris, M. and Irwin, W. (2005) Superheroes and Philosophy. Chicago, IL: Open Court Publishing Co ,U.S.

Mort, F. (1996) Cultures of consumption: masculinities and social space in late twentieth-century Britain. London: Routledge.

Muggleton, D. (2000) Inside Subculture: The Postmodern Meaning of Style. Oxford: Berg.

Muggleton, D. and Weinzierl, R. (2003) The Post-subcultures Reader. Oxford: Berg.

Mun, J.M., Janigo, K.A. and Johnson, K.K.P. (2012) ‘Tattoo and the Self’, Clothing and Textiles Research Journal, 30(2), pp. 134–148. Available at: https://doi.org/10.1177/0887302X12449200.

Munford, R. and Waters, M. (2014) Feminism & popular culture: investigating the postfeminist mystique. London: I.B. Tauris. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780857723000.

Murphy, P.F. and MyiLibrary (2004) Feminism and masculinities. Oxford: Oxford University Press. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=422675.

Murray, L.A. (2010) Politics and popular culture. Newcastle upon Tyne: Cambridge Scholars. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1114432.

Nalapat, A. and Parker, A. (2005) ‘Sport, Celebrity and Popular Culture’, International Review for the Sociology of Sport, 40(4), pp. 433–446. Available at: https://doi.org/10.1177/1012690205065750.

Neale, S. (2002) Genre and contemporary Hollywood. London: British Film Institute.

Nightingale, V. (2011a) The Handbook of Media Audiences. Malden: Wiley-Blackwell. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781444340495.

Nightingale, V. (2011b) The Handbook of Media Audiences. Malden: Wiley-Blackwell. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781444340495.

Nightingale, V. and Ross, K. (2003) Critical Readings: Media and Audiences. Maidenhead: Open University Press.

Nilan, P. and Feixa, C. (2006) Global Youth?: Hybrid Identities, Plural Worlds. London: Routledge.

Nisa, E.F. (2013) ‘The internet subculture of Indonesian face-veiled women’, International Journal of Cultural Studies, 16(3), pp. 241–255. Available at: https://doi.org/10.1177/1367877912474534.

Nixon, S. (2003a) Advertising Cultures: Gender, Commerce, Creativity. London: SAGE. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781847876614.

Nixon, S. (2003b) Advertising Cultures: Gender, Commerce, Creativity. London: SAGE.

O’Keeffe, A. (2006) Investigating media discourse. London: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203015704.

Orth, M. (2004) The Importance of Being Famous: Behind the Scenes of the Celebrity-industrial Complex. New York: Henry Holt.

Page, R.E. (2012) Stories and social media: identities and interaction. New York: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203148617.

Patriarche, G. et al. (eds) (2013) Audience research methodologies: between innovation and consolidation. New York: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203523155.

Paul McDonald (2013) Hollywood Stardom. 1st edn. John Wiley & Sons, Incorporated. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1120408.

Plesner, U. and Phillips, L. (eds) (2014) Researching virtual worlds: methodologies for studying emergent practices. New York: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203104644.

Priest, S.H. (2010) Doing Media Research: An Introduction. 2nd ed. London: Sage.

Quinn, K.G. (2009) Sports and Their Fans: The History, Economics, and Culture of the Relationship between Spectator and Sport. Jefferson, N.C.: McFarland.

Redmond, S. and Holmes, S. (2007a) ‘Stardom and Celebrity: A Reader’, in. Los Angeles, Calif: SAGE.

Redmond, S. and Holmes, S. (2007b) ‘Stardom and celebrity: a reader’, in. Los Angeles, Calif: SAGE.

Redmond, S. and Holmes, S. (2007c) Stardom and Celebrity: A Reader. Los Angeles, Calif: SAGE.

Richardson, N. (2010) Transgressive bodies: representations in film and popular culture. Farnham: Ashgate. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781409418290.

Roche, M. and Interdisciplinary Centre for Comparative Research in the Social Sciences (2000) Sport, Popular Culture and Identity. 2nd ed. Oxford: Meyer & Meyer Sport.

Rojek, C. (2007) Cultural Studies. Cambridge: Polity.

Rojek, C. (2011) Pop Music, Pop Culture. Cambridge: Polity.

Ross, K. (2010a) Gendered Media: Women, Men, and Identity Politics. Lanham, Md: Rowman & Littlefield.

Ross, K. (2010b) Gendered media: women, men, and identity politics. Lanham, Md: Rowman & Littlefield. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1117186.

Ross, K. (2010c) Gendered media: women, men, and identity politics. Lanham, MD: Rowman & Littlefield. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781442201040.

Ross, S. (2010a) Popular Culture. London: Wayland.

Ross, S. (2010b) Popular Culture. London: Wayland.

Rowe, D. (2004) Critical readings: sport, culture and the media. Buckingham: Open University Press.

Ryan, M., Ingram, B. and Musiol, H. (2010a) Cultural Studies: A Practical Introduction. Chichester, West Sussex, U.K.: Wiley-Blackwell. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=480480.

Ryan, M., Ingram, B. and Musiol, H. (2010b) Cultural Studies: A Practical Introduction. Oxford: Wiley-Blackwell.

Ryan, M. and Musiol, H. (2008) Cultural Studies: An Anthology. Oxford: Blackwell.

Sam, M.P. and Hughson, J. (2011) Sport in the City: Cultural Connections. London: Routledge.

Sandvoss, C. (2005a) Fans: The Mirror of Consumption. Cambridge: Polity.

Sandvoss, C. (2005b) Fans: The Mirror of Consumption. Cambridge: Polity.

Saraswati, L.A. (2013) ‘Wikisexuality: Rethinking sexuality in cyberspace’, Sexualities, 16(5–6), pp. 587–603. Available at: https://doi.org/10.1177/1363460713487368.

Sedgwick, C. (2014) ‘Gender and Popular Culture’, Feminist Media Studies, 14(2), pp. 349–351. Available at: https://doi.org/10.1080/14680777.2014.887820.

Shepherd, L.J. (2013) Gender, violence and popular culture: telling stories. London: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203105030.

Shuker, R. (2005) Popular Music: The Key Concepts. 2nd ed. London: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203088166.

Shuker, R. (2016a) Understanding popular music culture. Fifth edition. London: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781315694870.

Shuker, R. (2016b) Understanding popular music culture. Fifth edition. London: Routledge.

Shuker, R. and Shuker, R. (2008) Understanding Popular Music Culture. 3rd ed. London: Routledge.

Silver, D. and Massanari, A. (2006) Critical Cyberculture Studies. New York: New York University Press.

Silverblatt, A. (2007) Genre Studies in Mass Media: A Handbook. Armonk NY: M.E. Sharpe.

Sloan, L. and Quan-Haase, A. (eds) (2017) The Sage handbook of social media research methods. Los Angeles: Sage. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781473987210.

Smith, J. and Arber, E. (1910) Travels and works of Captain John Smith president of Virginia and Admiral of New England 1580-1631: Volume two.

South, J.B. and ProQuest (Firm) (2003) Buffy the vampire slayer and philosophy: fear and trembling in Sunnydale. Chicago: Open Court. Available at: http://ebookcentral.proquest.com/lib/worcester/detail.action?docID=684153.

Stokes, J.C. (2002) How to do Media and Cultural Studies. 1st ed. SAGE. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=254804.

Stokes, J.C. (2013a) ‘How to do media and cultural studies’, in. Los Angeles, [Calif.]: SAGE.

Stokes, J.C. (2013b) How to do media and cultural studies. 2nd ed. Los Angeles, Calif: SAGE. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781446271704.

Storey, J. (2014) From popular culture to everyday life. London: Routledge.

Storey, J. (2018a) Cultural theory and popular culture: an introduction. Eighth edition. London: Routledge.

Storey, J. (2018b) Cultural theory and popular culture: an introduction. Eighth edition. London: Routledge.

Strangelove, M. (2010) Watching YouTube: extraordinary videos by ordinary people. Toronto: University of Toronto Press. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781442687035.

Street, J. (1997) Politics and popular culture. Cambridge: Polity Press.

Tasker, Y., Negra, D. and McRobbie, A. (2007) Interrogating Postfeminism: Gender and the Politics of Popular Culture. Durham, N.C.: Duke University Press.

Tasker, Y., Negra, D., and ProQuest (Firm) (2007) Interrogating postfeminism: gender and the politics of popular culture. Durham, [N.C.]: Duke University Press. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1170497.

Thomas, L. (2002) Fans, feminisms and ‘quality’ media. London: Routledge.

Thornton, S. (1995) Club cultures: music, media and subcultural capital. Cambridge: Polity.

Thumim, N. (2012a) Self-representation and Digital Culture. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan.

Thumim, N. (2012b) Self-representation and Digital Culture. Basingstoke: Palgrave Macmillan. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781137265135.

TODD, A.M. (2011) ‘Saying Goodbye to Friends: Fan Culture as Lived Experience’, The Journal of Popular Culture, 44(4), pp. 854–871. Available at: https://doi.org/10.1111/j.1540-5931.2011.00866.x.

Tracy, S.J. (2013) Qualitative Research Methods: Collecting Evidence, Crafting Analysis, Communicating Impact. Chichester, West Sussex: Wiley-Blackwell. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781118378816.

Traudt, P.J. (2005) Media, Audiences, Effects: An Introduction to the Study of Media Content and Audience Analysis. Boston: Pearson/Allyn and Bacon.

Turkle, S. (2005) The Second Self : Computers and the Human Spirit. MIT Press. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=3338499.

Turner, G. (2014) ‘Is celebrity news, news?’, Journalism: Theory, Practice & Criticism, 15(2), pp. 144–152. Available at: https://doi.org/10.1177/1464884913488719.

Wall, T. (2003) Studying Popular Music Culture. London: Arnold.

Wall, T. (2013) Studying popular music culture. 2nd edition. Los Angeles: SAGE.

Walliman, N. (2018) Research methods: the basics. London, [England]: Routledge. Available at: http://ebookcentral.proquest.com/lib/worcester/detail.action?docID=5015633.

Wang, J. (2008) Brand New China: Advertising, Media, and Commercial Culture. Cambridge, Mass: Harvard University Press.

Warren, C.A.B. and Karner, T.X. (2010) Discovering Qualitative Methods: Field Research, Interviews, and Analysis. 2nd ed. New York: Oxford University Press.

Weedon, C. (2004) Identity and Culture: Narratives of Difference and Belonging. Maidenhead: Open University Press.

Whannel, G. (2008a) Culture, Politics and Sport: Blowing the Whistle, revisited. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=325533.

Whannel, G. (2008b) Culture, Politics and Sport: Blowing the Whistle, revisited. London: Routledge.

Wheaton, B. (2004) Understanding lifestyle sports: consumption, identity and difference. London: Routledge.

Whiteley, S. and Sklower, J. (eds) (2014) Countercultures and popular music. Farnham: Ashgate. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781472421074.

Wilson, A. (2007) Northern Soul: Music, Drugs and Subcultural Identity. Cullompton: Willan Pub.

Wood, A. (2007) Digital Encounters. London: Routledge.

Woodward, K. (1997) Identity and Difference. London: SAGE.

Woodward, K. (2006) Boxing, Masculinity and Identity: The ‘I’ of the Tiger. London: Routledge.

Woodward, K. (2012) Planet sport. Milton Park, Abingdon, Oxon: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203805220.

Worsley, S.M. (2009) Audience, agency and identity in Black popular culture. New York: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780203866573.

Zhou, S. (2012) ‘“Advertorials”: A genre-based analysis of an emerging hybridized genre’, Discourse & Communication, 6(3), pp. 323–346. Available at: https://doi.org/10.1177/1750481312446265.