1.
Berger J. Ways of seeing [Internet]. London: Penguin; 2008. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780141917986
2.
Ways of Seeing - 4 part BBC documentary series [Internet]. Available from: https://learningonscreen.ac.uk/ondemand/search.php/prog?q%5B0%5D%5Bv%5D=ways+of+seeing&search_type=1&is_available=&q%5B0%5D%5Bindex%5D=title&source=T&date_type=0&date=1952-01-01-00-00&date_start%5B1%5D=01&date_start%5B2%5D=01&date_start%5B0%5D=1952&date_start%5B3%5D=00&date_start%5B4%5D=00&date_end%5B1%5D=10&date_end%5B2%5D=05&date_end%5B0%5D=2017&date_end%5B3%5D=23&date_end%5B4%5D=59&institution=&sort=relevance
3.
Perec G, Sturrock J. Species of spaces and other pieces: Georges Perec. New ed. Vol. Penguin classics. London: Penguin; 2008.
4.
Abramović M. Akademie X: lessons in art + life. London: Phaidon; 2015.
5.
Abbott EA. Flatland: a romance of many dimensions. New York: Dover; 1992.
6.
Bishop C. Artificial hells: participatory art and the politics of spectatorship. London: Verso; 2012.
7.
Jones A. The feminism and visual culture reader. 2nd ed. Vol. In sight. London: Routledge; 2010.
8.
Tucker W. The language of sculpture. London: Thames & Hudson; 2002.
9.
Hoffman J, Whitechapel Art Gallery. The studio. Vol. Documents of contemporary art. London: Whitechapel Gallery; 2012.
10.
Johnstone S. The everyday. Vol. Documents of contemporary art. London: Whitechapel Gallery; 2008.
11.
Le Feuvre L, Whitechapel Art Gallery. Failure. Vol. Documents of contemporary art. London: Whitechapel Gallery; 2010.
12.
M.I.T. Press. Moving image. Kholeif O, editor. London: Whitechapel Gallery; 2015.
13.
Higgie J. The artist’s joke. Vol. Documents of contemporary art. London: Whitechapel; 2007.
14.
Dillon B, Whitechapel Art Gallery. Ruins. London: Whitechapel Gallery; 2011.
15.
Merewether C. The archive. Vol. Documents of contemporary art. London: Whitechapel; 2006.
16.
Burton J. Vitamin D: new perspectives in drawing. London: Phaidon Press Limited; 2016.
17.
Benjamin W, Arendt H. Illuminations. London: Pimlico; 1999.
18.
Barthes R, Lavers A, Reynolds S. Mythologies. Rev. Vintage ed. Vol. Vintage classics. London: Vintage; 2009.
19.
Public Art Fund (New York, N.Y.). Looking up: Rachel Whiteread’s Water tower. First edition. Neri L, editor.
20.
Farthing S, Webb-Ingall E, editors. Derek Jarman’s sketchbooks. London: Thames & Hudson; 2013.
21.
Roth D. Dieter Roth - diaries. Vol. Fruitmarket Gallery. New Haven: Yale University Press; 2012.
22.
Hesse E. Diaries. Hauser & Wirth ;,in association with Yale University Press;
23.
Perry G. Sketchbooks. UK: Particular Books; 2016.
24.
Borges JL, Yates DA, Irby JE. Labyrinths: selected stories and other writings. London: Penguin; 2000.
25.
Art monthly.
26.
Art review.
27.
Artforum international.
28.
Frieze : contemporary art and culture.
29.
October.
30.
Berger J. About looking. London: Bloomsbury; 2009.
31.
Sturken M, Cartwright L. Practices of looking: an introduction to visual culture. Third edition. New York: Oxford University Press; 2018.
32.
Pauwels L, Mannay D, editors. The SAGE handbook of visual research methods [Internet]. Second edition. Los Angeles: SAGE reference; 2020. Available from: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=6734502
33.
Putnam J. Art and artifact: the museum as medium. Rev. ed. London: Thames & Hudson; 2009.
34.
Rose G. Visual methodologies: an introduction to researching with visual materials. 4th edition. Los Angeles: SAGE; 2016.
35.
Weintraub L. Making contemporary art: how today’s artists think and work. London: Thames & Hudson; 2003.
36.
Fineberg JD. Art since 1940. 3rd ed. Upper Saddle River, N.J.: Pearson Education; 2010.
37.
Gander R. Ryan Gander: catalogue raisonnable, Vol. 1. Vol. Christoph Keller editions. [New York]: Thea Westreich Ethan Wagner Publications; 2010.
38.
Orozco G, Bois YA. Gabriel Orozco. Vol. October files. London: MIT Press; 2009.
39.
Tucker W. The language of sculpture. London: Thames & Hudson; 2002.
40.
Hoffman J, Whitechapel Art Gallery. The studio. Vol. Documents of contemporary art. London: Whitechapel Gallery; 2012.
41.
Hunter S. An American renaissance. Fort Lauderdale, Fla. ,New York: Museum of Art with support from the American Express Co. ;,A; 1986.
42.
Byrne D. How music works. Revised and updated edition. Edinburgh: Canongate; 2013.
43.
Richter G. Gerhard Richter. 1st ed. New York, NY: by D.A.P./Distributed Art Publisher+; 2009.
44.
Lippard LR. Six years: the dematerialization of the art object from 1966 to 1972. Berkeley: University of California Press; 1997.
45.
Elger D. Gerhard Richter catalogue raisonne: 1: werknummern 1-198 1962-1968. Ostfildern: Hatje Cantz; 2011.
46.
Smith J. John Smith. London: LUX; 2011.
47.
Kelsey J. Rich texts. Berlin: Sternberg; 2012.
48.
Glanville T. Caro by Anthony Caro. Vol. F A GENERAL. Phaidon Press;
49.
Phyllida Barlow. Objects for - and other things. London: Black Dog; 2004.
50.
Hale M. City racing: the life and times of an artist-run gallery, 1988-1998. London: Black Dog; 2002.