Abbott, E. A. (1992). Flatland: a romance of many dimensions. Dover.
Abramović, M. (2015). Akademie X: lessons in art + life. Phaidon.
Art monthly. (n.d.).
Art review. (n.d.).
Artforum international. (n.d.).
Barthes, R., Lavers, A., & Reynolds, S. (2009). Mythologies: Vol. Vintage classics (Rev. Vintage ed). Vintage.
Benjamin, W., & Arendt, H. (1999). Illuminations. Pimlico.
Berger, J. (2008). Ways of seeing. Penguin. http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780141917986
Berger, J. (2009). About looking. Bloomsbury.
Bishop, C. (2012). Artificial hells: participatory art and the politics of spectatorship. Verso.
Borges, J. L., Yates, D. A., & Irby, J. E. (2000). Labyrinths: selected stories and other writings. Penguin.
Burton, J. (2016). Vitamin D: new perspectives in drawing. Phaidon Press Limited.
Byrne, D. (2013). How music works (Revised and updated edition). Canongate.
Dillon, B. & Whitechapel Art Gallery. (2011). Ruins. Whitechapel Gallery.
Elger, D. (2011). Gerhard Richter catalogue raisonne: 1: werknummern 1-198 1962-1968. Hatje Cantz.
Farthing, S., & Webb-Ingall, E. (Eds.). (2013). Derek Jarman’s sketchbooks. Thames & Hudson.
Fineberg, J. D. (2010). Art since 1940 (3rd ed). Pearson Education.
Frieze : contemporary art and culture. (n.d.).
Gander, R. (2010). Ryan Gander: catalogue raisonnable, Vol. 1: Vol. Christoph Keller editions. Thea Westreich Ethan Wagner Publications.
Glanville, T. (n.d.). Caro by Anthony Caro: Vol. F A GENERAL. Phaidon Press.
Hale, M. (2002). City racing: the life and times of an artist-run gallery, 1988-1998. Black Dog.
Hesse, E. (n.d.). Diaries. Hauser & Wirth ;,in association with Yale University Press.
Higgie, J. (2007). The artist’s joke: Vol. Documents of contemporary art. Whitechapel.
Hoffman, J. & Whitechapel Art Gallery. (2012a). The studio: Vol. Documents of contemporary art. Whitechapel Gallery.
Hoffman, J. & Whitechapel Art Gallery. (2012b). The studio: Vol. Documents of contemporary art. Whitechapel Gallery.
Hunter, S. (1986). An American renaissance. Museum of Art with support from the American Express Co. ;,A.
Johnstone, S. (2008). The everyday: Vol. Documents of contemporary art. Whitechapel Gallery.
Jones, A. (2010). The feminism and visual culture reader: Vol. In sight (2nd ed). Routledge.
Kelsey, J. (2012). Rich texts. Sternberg.
Le Feuvre, L. & Whitechapel Art Gallery. (2010). Failure: Vol. Documents of contemporary art. Whitechapel Gallery.
Lippard, L. R. (1997). Six years: the dematerialization of the art object from 1966 to 1972. University of California Press.
Merewether, C. (2006). The archive: Vol. Documents of contemporary art. Whitechapel.
M.I.T. Press. (2015). Moving image (O. Kholeif, Ed.). Whitechapel Gallery.
October. (n.d.).
Orozco, G., & Bois, Y. A. (2009). Gabriel Orozco: Vol. October files. MIT Press.
Pauwels, L., & Mannay, D. (Eds.). (2020). The SAGE handbook of visual research methods (Second edition). SAGE reference. https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=6734502
Perec, G., & Sturrock, J. (2008). Species of spaces and other pieces: Georges Perec: Vol. Penguin classics (New ed). Penguin.
Perry, G. (2016). Sketchbooks. Particular Books.
Phyllida Barlow. (2004). Objects for - and other things. Black Dog.
Public Art Fund (New York, N.Y.). (n.d.). Looking up: Rachel Whiteread’s Water tower (L. Neri, Ed.; First edition).
Putnam, J. (2009). Art and artifact: the museum as medium (Rev. ed). Thames & Hudson.
Richter, G. (2009). Gerhard Richter (1st ed). by D.A.P./Distributed Art Publisher+.
Rose, G. (2016). Visual methodologies: an introduction to researching with visual materials (4th edition). SAGE.
Roth, D. (2012). Dieter Roth - diaries: Vol. Fruitmarket Gallery. Yale University Press.
Smith, J. (2011). John Smith. LUX.
Sturken, M., & Cartwright, L. (2018). Practices of looking: an introduction to visual culture (Third edition). Oxford University Press.
Tucker, W. (2002a). The language of sculpture. Thames & Hudson.
Tucker, W. (2002b). The language of sculpture. Thames & Hudson.
Ways of Seeing - 4 part BBC documentary series. (n.d.). https://learningonscreen.ac.uk/ondemand/search.php/prog?q%5B0%5D%5Bv%5D=ways+of+seeing&search_type=1&is_available=&q%5B0%5D%5Bindex%5D=title&source=T&date_type=0&date=1952-01-01-00-00&date_start%5B1%5D=01&date_start%5B2%5D=01&date_start%5B0%5D=1952&date_start%5B3%5D=00&date_start%5B4%5D=00&date_end%5B1%5D=10&date_end%5B2%5D=05&date_end%5B0%5D=2017&date_end%5B3%5D=23&date_end%5B4%5D=59&institution=&sort=relevance
Weintraub, L. (2003). Making contemporary art: how today’s artists think and work. Thames & Hudson.