Abbott, E.A. (1992) Flatland: a romance of many dimensions. New York: Dover.
Abramović, M. (2015) Akademie X: lessons in art + life. London: Phaidon.
‘Art monthly’ (no date).
‘Art review’ (no date).
‘Artforum international’ (no date).
Barthes, R., Lavers, A. and Reynolds, S. (2009) Mythologies. Rev. Vintage ed. London: Vintage.
Benjamin, W. and Arendt, H. (1999) Illuminations. London: Pimlico.
Berger, J. (2008) Ways of seeing. London: Penguin. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780141917986.
Berger, J. (2009) About looking. London: Bloomsbury.
Bishop, C. (2012) Artificial hells: participatory art and the politics of spectatorship. London: Verso.
Borges, J.L., Yates, D.A. and Irby, J.E. (2000) Labyrinths: selected stories and other writings. London: Penguin.
Burton, J. (2016) Vitamin D: new perspectives in drawing. London: Phaidon Press Limited.
Byrne, D. (2013) How music works. Revised and updated edition. Edinburgh: Canongate.
Dillon, B. and Whitechapel Art Gallery (2011) Ruins. London: Whitechapel Gallery.
Elger, D. (2011) Gerhard Richter catalogue raisonne: 1: werknummern 1-198 1962-1968. Ostfildern: Hatje Cantz.
Farthing, S. and Webb-Ingall, E. (eds) (2013) Derek Jarman’s sketchbooks. London: Thames & Hudson.
Fineberg, J.D. (2010) Art since 1940. 3rd ed. Upper Saddle River, N.J.: Pearson Education.
‘Frieze : contemporary art and culture’ (no date).
Gander, R. (2010) Ryan Gander: catalogue raisonnable, Vol. 1. [New York]: Thea Westreich Ethan Wagner Publications.
Glanville, T. (no date) Caro by Anthony Caro. Phaidon Press.
Hale, M. (2002) City racing: the life and times of an artist-run gallery, 1988-1998. London: Black Dog.
Hesse, E. (no date) Diaries. Hauser & Wirth ;,in association with Yale University Press.
Higgie, J. (2007) The artist’s joke. London: Whitechapel.
Hoffman, J. and Whitechapel Art Gallery (2012a) The studio. London: Whitechapel Gallery.
Hoffman, J. and Whitechapel Art Gallery (2012b) The studio. London: Whitechapel Gallery.
Hunter, S. (1986) An American renaissance. Fort Lauderdale, Fla. ,New York: Museum of Art with support from the American Express Co. ;,A.
Johnstone, S. (2008) The everyday. London: Whitechapel Gallery.
Jones, A. (2010) The feminism and visual culture reader. 2nd ed. London: Routledge.
Kelsey, J. (2012) Rich texts. Berlin: Sternberg.
Le Feuvre, L. and Whitechapel Art Gallery (2010) Failure. London: Whitechapel Gallery.
Lippard, L.R. (1997) Six years: the dematerialization of the art object from 1966 to 1972. Berkeley: University of California Press.
Merewether, C. (2006) The archive. London: Whitechapel.
M.I.T. Press (2015) Moving image. Edited by O. Kholeif. London: Whitechapel Gallery.
‘October’ (no date).
Orozco, G. and Bois, Y.A. (2009) Gabriel Orozco. London: MIT Press.
Pauwels, L. and Mannay, D. (eds) (2020) The SAGE handbook of visual research methods. Second edition. Los Angeles: SAGE reference. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=6734502.
Perec, G. and Sturrock, J. (2008) Species of spaces and other pieces: Georges Perec. New ed. London: Penguin.
Perry, G. (2016) Sketchbooks. UK: Particular Books.
Phyllida Barlow (2004) Objects for - and other things. London: Black Dog.
Public Art Fund (New York, N.Y.) (no date) Looking up: Rachel Whiteread’s Water tower. First edition. Edited by L. Neri.
Putnam, J. (2009) Art and artifact: the museum as medium. Rev. ed. London: Thames & Hudson.
Richter, G. (2009) Gerhard Richter. 1st ed. New York, NY: by D.A.P./Distributed Art Publisher+.
Rose, G. (2016) Visual methodologies: an introduction to researching with visual materials. 4th edition. Los Angeles: SAGE.
Roth, D. (2012) Dieter Roth - diaries. New Haven: Yale University Press.
Smith, J. (2011) John Smith. London: LUX.
Sturken, M. and Cartwright, L. (2018) Practices of looking: an introduction to visual culture. Third edition. New York: Oxford University Press.
Tucker, W. (2002a) The language of sculpture. London: Thames & Hudson.
Tucker, W. (2002b) The language of sculpture. London: Thames & Hudson.
‘Ways of Seeing - 4 part BBC documentary series’ (no date). Available at: https://learningonscreen.ac.uk/ondemand/search.php/prog?q%5B0%5D%5Bv%5D=ways+of+seeing&search_type=1&is_available=&q%5B0%5D%5Bindex%5D=title&source=T&date_type=0&date=1952-01-01-00-00&date_start%5B1%5D=01&date_start%5B2%5D=01&date_start%5B0%5D=1952&date_start%5B3%5D=00&date_start%5B4%5D=00&date_end%5B1%5D=10&date_end%5B2%5D=05&date_end%5B0%5D=2017&date_end%5B3%5D=23&date_end%5B4%5D=59&institution=&sort=relevance.
Weintraub, L. (2003) Making contemporary art: how today’s artists think and work. London: Thames & Hudson.
