A Companion to Jean Renoir (2013). John Wiley & Sons, Incorporated. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=3058936.
Altman, R. (1992) Sound theory, sound practice. New York: Routledge.
Alton, J. (2013) Painting with light. [New] edition. Berkeley: University of California Press.
Atkinson, M. (1997) Blue velvet. London: British Film Institute (BFI).
Bartkowiak, M.J. (2015) The music of counterculture cinema. McFarland & Company, Inc., Publishers.
‘Blade Runner : the final cut (2007)’ (no date). BBC3. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0002E219?bcast=55376018.
‘Blue Velvet (1986)’ (no date). ITV London. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/001A2AEA?bcast=32577421.
Bordwell, D. (1997) On the history of film style. Cambridge, Mass. ,London: Harvard University Press.
Bordwell, D. (2005) The cinema of Eisenstein. [New ed.]. New York: Routledge.
Bordwell, D., Staiger, J. and Thompson, K. (1988) The classical Hollywood cinema: film style & mode of production to 1960. London: Routledge. Available at: https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203358818.
Bordwell, D. and Thompson, K. (2008a) Film art: an introduction. International ed., 8th ed. New York: McGraw-Hill Higher Education.
Bordwell, D. and Thompson, K. (2008b) Film art: an introduction. International ed., 8th ed. New York: McGraw-Hill Higher Education.
Bordwell, D. and Thompson, K. (2008c) Film art: an introduction. International ed., 8th ed. New York: McGraw-Hill Higher Education.
Bordwell, D. and Thompson, K. (2008d) Film art: an introduction. International ed., 8th ed. New York: McGraw-Hill Higher Education.
Bordwell, D. and Thompson, K. (2008e) Film art: an introduction. International ed., 8th ed. New York: McGraw-Hill Higher Education.
Bordwell, D., Thompson, K. and Smith, J. (2017) Film art: an introduction. Eleventh edition. New York, NY: McGraw-Hill Education.
Braudy, L. and Cohen, M. (2009) Film theory and criticism: introductory readings. Seventh edition. New York: Oxford University Press.
Brooker, W. (2005) The blade runner experience. London: Wallflower.
Bruzzi, S. (2013) Men’s cinema. Edinburgh: Edinburgh University Press.
Bukatman, S. and British Film Institute (2012) Blade runner. 2nd edition. Basingstoke: Palgrave Macmillan.
Chaplin, C. (2015) ‘Modern times’. [U.K.]: Curzon Artificial Eye.
Chion, M. (1995) David Lynch. London: British Film Institute.
Coates, Paul, 1953- (1991) The Gorgon’s gaze: German cinema, expressionism, and the image of horror. Cambridge University Press. Available at: http://hdl.handle.net.apollo.worc.ac.uk/2027/heb.07631.0001.001.
Comolli, J.-L. and Narboni, J. (1976) ‘Cinema/Ideology/Criticism’, in Movies and methods: an anthology, Vol. 1. Berkeley: University of California Press, pp. 22–30.
Cook, P. (2007) The cinema book. 3rd ed. London: BFI.
Cooke, P. (2002) German expressionist films. Harpenden, Herts: Pocket Essentials.
Coplan, A. (2013) Blade runner. annotated edition. London: Routledge.
Corrigan, T. (2015a) A short guide to writing about film. Global edition of ninth edition. Harlow: Pearson Education. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781292078120.
Corrigan, T. (2015b) A short guide to writing about film. Global edition of ninth edition. Harlow: Pearson Education. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9781292078120.
Corrigan, T. and Corrigan, G. (2015a) A short guide to writing about film. Ninth edition. Boston: Pearson.
Corrigan, T. and Corrigan, G. (2015b) A short guide to writing about film. Ninth edition. Boston: Pearson.
Corrigan, T. and Corrigan, G. (2015c) A short guide to writing about film. Ninth edition. Boston: Pearson.
Crisp, C.G. (2002) Genre, myth, and convention in the French cinema, 1929-1939. Bloomington: Indiana University Press. Available at: https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780253109613.
Dickinson, K. (2003) Movie music, the film reader. London: Routledge.
Directory of World Cinema: Germany. 1st edn (2011). Intellect Books Ltd. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1057949.
Directory of World Cinema: Italy. 1st edn (2011). Intellect Books Ltd. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1057951.
Directory of World Cinema : Japan (2014a). Intellect. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=3014871.
Directory of World Cinema : Japan (2014b). Intellect. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=3014871.
Directory of World Cinema: Japan 2. 1st edn (2012). Intellect Books Ltd. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1057947.
Dmytryk, E. (1984) On film editing: an introduction to the art of film construction. Boston: Focal Press. Available at: https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080513034.
Donnelly, K.J. (2001) Film music. Edinburgh: Edinburgh University Press.
Donnelly, K.J. (2005) The spectre of sound: music in film and television. London: BFI pub.
Drazin, C. (2000) In search of The Third Man. New edition. London: Methuen.
Eisenstein, S. (2000) ‘The battleship potemkin’. [S.l.]: Eureka Video.
Eisenstein, S. and Leyda, J. (2002) Film form: essays in film theory. San Diego, [Calif.]: Harvest.
Eisner, L.H. (2008) The haunted screen: expressionism in the German cinema and the influence of Max Reinhardt. Berkeley, Calif: University of California Press.
Evans, M. (2016) Sounding funny. Equinox Publishing.
Fairservice, D. (2001) Film editing: history, theory, and practice : looking at the invisible. Manchester: Manchester University Press.
Fassbinder, R.W. (2006) ‘Fear eats the soul’. [U.K.]: Arrow Films.
Fellini, F. (2013) ‘8 1/2’. [U.K.]: Argent Films.
Flisfeder, M. (2017) Postmodern theory and Blade runner. Bloomsbury Academic.
Fournier-Lanzoni, R. (2015) French cinema. Second edition. Bloomsbury.
Frayling, C. et al. (2002) ‘Nosferatu: a symphony of horrors’. London: British Film Institute.
Geiger, J. and Rutsky, R.L. (eds) (2013a) Film analysis: a Norton reader. Second edition. New York: W.W. Norton & Company.
Geiger, J. and Rutsky, R.L. (eds) (2013b) Film analysis: a Norton reader. Second edition. New York: W.W. Norton & Company.
Geiger, J. and Rutsky, R.L. (eds) (2013c) Film analysis: a Norton reader. Second edition. New York: W.W. Norton & Company.
Geiger, J. and Rutsky, R.L. (eds) (2013d) Film analysis: a Norton reader. Second edition. New York: W.W. Norton & Company.
Geiger, J. and Rutsky, R.L. (eds) (2013e) Film analysis: a Norton reader. Second edition. New York: W.W. Norton & Company.
Geiger, J. and Rutsky, R.L. (eds) (2013f) Film analysis: a Norton reader. Second edition. New York: W.W. Norton & Company.
Geiger, J. and Rutsky, R.L. (eds) (2013g) Film analysis: a Norton reader. Second edition. New York: W.W. Norton & Company.
Geiger, J. and Rutsky, R.L. (eds) (2013h) Film analysis: a Norton reader. Second edition. New York: W.W. Norton & Company.
Geiger, J. and Rutsky, R.L. (eds) (2013i) Film analysis: a Norton reader. Second edition. New York: W.W. Norton & Company.
Gibbs, J. (2002) Mise-en-scène: film style and interpretation. London: Wallflower.
Gibbs, J., Pye, D., and University of Reading. Dept. of Film, Theatre & Television (2005) Style and meaning: studies in the detailed analysis of film. Manchester: Manchester University Press.
Gillespie, D.C. (2000) Early Soviet cinema: innovation, ideology and propaganda. London: Wallflower.
Hall, B. (2015) Understanding cinematography. The Crowood Press.
Hanson, H. (2017) Hollywood soundscapes. 1st ed. 2017. BFI.
Hayward, S. (2017) Cinema studies: the key concepts. Fifth edition. London: Routledge. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203075555.
Hills, M. (2011) Blade runner. London: Wallflower.
Jackson, J. (2009) La grande illusion. Basingstoke: British Film Institute.
Justus Nieland (2012) David Lynch. Urbana: University of Illinois Press. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=3414181.
Kalinak, K.M. (2010) Film music: a very short introduction. New York: Oxford University Press. Available at: https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780199707973.
Kalinak, K.M. (2015) Sound. I.B.Tauris.
Keating, P. (2014) Cinematography. I. B. Tauris.
Kenez, P. (2001) Cinema and Soviet society from the revolution to the death of Stalin. [New ed., updated]. London: I.B. Tauris. Available at: http://www.loc.gov/catdir/toc/hol051/2001270261.html.
Kiarostami, A. and Kiarostami, A. (2009) ‘Taste of cherry: 10 on ten’. [United Kingdom]: Artificial Eye.
Kracauer, S. (2004) From Caligari to Hitler. Rev. and expanded ed. Princeton, N.J. ,Oxford: Princeton University Press.
Kubrick, S. et al. (2001) ‘The Shining’. Warner Home Video.
‘La grande illusion (1937)’ (no date). Arte. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/001DA462?bcast=106995379.
Larke-Walsh, G.S. (2010) Screening the Mafia: masculinity, ethnicity and mobsters from The Godfather to The Sopranos. Jefferson, N.C.: McFarland. Available at: https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780786456130.
Lastra, J. (2000) Sound technology and the American cinema. New York ,Chichester: Columbia University Press.
Lewis, J. (2010) The Godfather. London: Palgrave Macmillan.
Leyda, Jay (1960) Kino. Available at: https://babel.hathitrust.org/cgi/pt?id=mdp.39015003853564;view=1up;seq=10.
Luckhurst, R. (2013) The shining. London: British Film Institute.
Lynch, D. and Rodley, C. (2005) Lynch on Lynch. Rev. ed. London: Faber.
Marshall, H. (2015) Masters of the Soviet cinema. Routledge.
Martin, A. (2014) Mise en scène and film style: from classical Hollywood to new media art. Basingstoke: Palgrave Macmillan, an imprint of Macmillan Publishers. Available at: https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137269959.
Massaccesi, C. (2015) Nosferatu. Leighton Buzzard: Auteur Publishing.
McGowan, T. (2007) The impossible David Lynch. New York ,Chichester: Columbia University Press.
Mee, L. (2017) The Shining. Leighton Buzzard: Auteur Publishing.
Murch, W. (2001) In the blink of an eye: a perspective on film editing. 2nd ed. Los Angeles: Silman-James Press.
Musser, C. (1994) History of the American cinema. Berkeley ,London: University of California Press.
Nowell-Smith, G. (1996a) The Oxford history of world cinema. Oxford: Oxford University Press. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191518188.
Nowell-Smith, G. (1996b) The Oxford history of world cinema. Oxford: Oxford University Press. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191518188.
Nowell-Smith, G. (1996c) The Oxford history of world cinema. Oxford: Oxford University Press. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191518188.
Nowell-Smith, G. (1996d) The Oxford history of world cinema. Oxford: Oxford University Press. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191518188.
Nowell-Smith, G. (1996e) The Oxford history of world cinema. Oxford: Oxford University Press. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191518188.
Nowell-Smith, G. (1996f) The Oxford history of world cinema. Oxford: Oxford University Press. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191518188.
Nowell-Smith, G. (1996g) The Oxford history of world cinema. Oxford: Oxford University Press. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191518188.
Nowell-Smith, G. (1996h) The Oxford history of world cinema. Oxford: Oxford University Press. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191518188.
Orpen, V. (2003) Film editing: the art of the expressive. London: Wallflower.
O’Shaughnessy, M. (2000) Jean Renoir. Manchester: Manchester University Press.
Philip Hayward (2009) Terror Tracks : Music, Sound and Horror Cinema. Equinox Publishing Ltd.
‘Pixote, The Law of The Weakest (1981)’ (no date).
Prawer, S.S. (2013) Nosferatu. 2nd edition. London: British Film Institute.
Reay, P. (2004) Music in film: soundtracks and synergy. London: Wallflower.
Roberts, I. (2008) German expressionist cinema: the world of light and shadow. London: Wallflower.
Salt, B. (2009) Film style and technology: history and analysis. 3rd ed. London: Starword.
Sheen, E. (2004) The cinema of David Lynch. London: Wallflower.
Slobin, M. (2008) Global soundtracks. 1st ed. Middletown, Conn. ,London: Wesleyan University Press.
Tasker, Y. (2002) Fifty contemporary filmmakers. London: Routledge. Available at: https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203452226.
Taylor, R. and British Film Institute (1998) The Eisenstein reader. London: British Film Institute.
Taylor, Richard (2000) The Battleship Potemkin. London: I.B. Tauris. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=677093.
Temple, M. and Witt, M. (2004) The French cinema book. London: BFI.
‘The bicycle thieves’ (2006). [U.K.]: Arrow Films.
‘The Four Hundred Blows (1959)’ (no date). BBC2 England. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0010751D?bcast=4587537.
‘The Godfather (1972)’ (no date). FilmFour. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/000C381F?bcast=105279753.
‘The Idiots (1998)’ (no date). Channel 4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/001B81C3?bcast=68829092.
‘The Seventh Seal’ (no date). Film4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0005A5DC?bcast=67338783.
‘The Third Man (1949)’ (no date). BBC2 England. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/001D37C3?bcast=122247190.
THE VOW OF CHASTITY | Dogme95.dk - A tribute to the official Dogme95 (no date). Available at: http://www.dogme95.dk/the-vow-of-chastity/.
Thompson, K. and Bordwell, D. (2010a) Film history: an introduction. 3rd ed. Boston, [Mass.]: McGraw-Hill Higher Education.
Thompson, K. and Bordwell, D. (2010b) Film history: an introduction. 3rd ed. Boston, [Mass.]: McGraw-Hill Higher Education.
Thompson, K. and Bordwell, D. (2010c) Film history: an introduction. 3rd ed. Boston, [Mass.]: McGraw-Hill Higher Education.
Thompson, K. and Bordwell, D. (2010d) Film history: an introduction. 3rd ed., International ed. Boston, [Mass.]: McGraw-Hill Higher Education.
Thompson, K. and Bordwell, D. (2010e) Film history: an introduction. 3rd ed., International ed. Boston, [Mass.]: McGraw-Hill Higher Education.
Thompson, K. and Bordwell, D. (2010f) Film history: an introduction. 3rd ed., International ed. Boston, [Mass.]: McGraw-Hill Higher Education.
Thompson, K. and Bordwell, D. (2010g) Film history: an introduction. 3rd ed., International ed. Boston, [Mass.]: McGraw-Hill Higher Education.
Thompson, K. and Bordwell, D. (2010h) Film history: an introduction. 3rd ed., International ed. Boston, [Mass.]: McGraw-Hill Higher Education.
Thompson, K. and Bordwell, D. (2010i) Film history: an introduction. 3rd ed., International ed. Boston, [Mass.]: McGraw-Hill Higher Education.
Thompson, K. and Bordwell, D. (2010j) Film history: an introduction. 3rd ed., International ed. Boston, [Mass.]: McGraw-Hill Higher Education.
Todd, A. (2012) Authorship and the films of David Lynch: aesthetic receptions in contemporary Hollywood. London: I.B. Tauris. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780857721129.
‘Tokyo Story’ (no date).
Vincendeau, G. and British Film Institute (1996) The companion to French cinema. London: Cassell [and] British Film Institute.
Walker, E.M. (2015) Understanding sound tracks throughfilm theory. Oxford University Press.
White, J. (2017a) European art cinema. London: Routledge. Available at: https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315737898.
White, J. (2017b) European art cinema. London: Routledge. Available at: https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315737898.
White, J. (2017c) European art cinema. London: Routledge. Available at: https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315737898.
White, J. (2017d) European art cinema. London: Routledge. Available at: https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315737898.
White, J. (2017e) European art cinema. London: Routledge. Available at: https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315737898.
White, J. (2017f) European art cinema. London: Routledge. Available at: https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315737898.
White, R. (2003) The third man. London: British Film Institute.
Wojcik, P.R. and Knight, A. (2001) Soundtrack available: essays on film and popular music. London: Duke University Press. Available at: https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.worc.ac.uk/oala/metadata&target=https://www.dawsonera.com/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780822380986.
Wong, K. (2015) ‘The grandmaster’. [U.K.]: Metrodome Distribution.
‘Yojimbo (1961)’ (no date). FilmFour. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/000F3A16?bcast=116007029.