Abramović, M. (2015) Akademie X: lessons in art + life. London: Phaidon.
‘Art monthly’ (no date).
‘Art review’ (no date).
‘Artforum international’ (no date).
Barthes, R., Lavers, A. and Reynolds, S. (2009) Mythologies. Rev. Vintage ed. London: Vintage.
Benjamin, W. and Arendt, H. (1999) Illuminations. London: Pimlico.
Berger, J. (2008) Ways of seeing. London: Penguin. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780141917986.
Berger, J. (2009) About looking. London: Bloomsbury.
Bishop, C. (2012) Artificial hells: participatory art and the politics of spectatorship. London: Verso.
Borges, J.L., Yates, D.A. and Irby, J.E. (2000) Labyrinths: selected stories and other writings. London: Penguin.
Burton, J. (2016) Vitamin D. Phaidon Press Limited.
De Wachter, E.M. (2017) Co-art. Phaidon Press Limited.
Dillon, B. and Whitechapel Art Gallery (2011) Ruins. London: Whitechapel Gallery.
Edwin A. Abbott, William F. Lindgren, and Thomas F. Banchoff (2009) Flatland : An Edition with Notes and Commentary. Cambridge University Press. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1582592.
Farthing, S. and Webb-Ingall, E. (eds) (2013) Derek Jarman’s sketchbooks. London: Thames & Hudson.
Fortnum, R. (2007a) Contemporary British women artists. London: I. B. Tauris.
Fortnum, R. (2007b) Contemporary British women artists: in their own words. London: I. B. Tauris. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9786000042110.
Foster, H. (2011) Art since 1900: modernism, antimodernism, postmodernism. 2nd ed. London: Thames & Hudson.
Foster, H. (2016) Art since 1900. Third edition. Thames and Hudson.
‘Frieze : contemporary art and culture’ (no date).
Harrison, C. and Wood, P. (1992) Art in theory, 1900-1990: an anthology of changing ideas. Oxford: Blackwell.
Hesse, E. (no date) Diaries. Hauser & Wirth ;,in association with Yale University Press.
Higgie, J. (2007) The artist’s joke. London: Whitechapel.
Hoffman, J. and Whitechapel Art Gallery (2012) The studio. London: Whitechapel Gallery.
Johnstone, S. (2008) The everyday. London: Whitechapel Gallery.
Jones, A. (2010a) The feminism and visual culture reader. 2nd ed. London: Routledge.
Jones, A. (2010b) The feminism and visual culture reader. 2nd ed. London: Routledge.
Kholeif, O. (ed.) (2016) Electronic superhighway: from experiments in art and technology to art after the Internet. London: Whitechapel Gallery.
Le Feuvre, L. and Whitechapel Art Gallery (2010) Failure. London: Whitechapel Gallery.
Mark Godfrey (Author), Jon Wood (Author), Phyllida Barlow (Illustrator) (2003) Objects for... and Other Things. London: Black Dog.
Merewether, C. (2006) The archive. London: Whitechapel.
M.I.T. Press (2015) Moving image. Edited by O. Kholeif. London: Whitechapel Gallery.
Obrist, H.-U. (2011) Everything you always wanted to know about curating but were afraid to ask. Berlin: Sternberg.
‘October’ (no date).
Olalquiaga, C. (2002) The artificial kingdom. Minneapolis, Minn. ,[Great Britain]: University of Minnesota Press.
Perec, G. and Sturrock, J. (2008) Species of spaces and other pieces: Georges Perec. New ed. London: Penguin.
Perry, G. (2016) Sketchbooks. UK: Particular Books.
Price, E. (2016) In a dream you saw a way to survive and you were full of joy. London: Hayward Publishing.
Public Art Fund (New York, N.Y.) (no date) Looking up: Rachel Whiteread’s Water tower. First edition. Edited by L. Neri.
Roth, D. (2012) Dieter Roth - diaries. New Haven: Yale University Press.
Sacramento, N. (2010) ARTocracy: art, informal space, and social consequence : a curatorial handbook in collaborative practice. Kurfürstenstrasse, [Germany]: Jovis. Available at: http://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1755597.
Smith, T. (2012) Thinking contemporary curating. New York, New York: Independent Curator International. Available at: http://ebookcentral.proquest.com/lib/worcester/detail.action?docID=1028103.
Stiles, K. and Selz, P.H. (2012) Theories and documents of contemporary art: a sourcebook of artists’ writings. 2nd ed., rev.expanded. Berkeley, Calif: University of California Press.
Sturken, M. and Cartwright, L. (2018) Practices of looking: an introduction to visual culture. Third edition. New York: Oxford University Press.
Tawadros, G., Campbell, S., and Institute of International Visual Arts (2003) Fault lines: contemporary art and shifting landscapes. London: Institute of International Visual Arts.
Tucker, W. (2002) The language of sculpture. London: Thames & Hudson.
Turkle, S. (2007) Evocative objects: things we think with. Cambridge, Mass: MIT. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Worcester&isbn=9780262285223.
‘Ways of Seeing - 4 part BBC documentary series’ (no date). Available at: https://learningonscreen.ac.uk/ondemand/search.php/prog?q%5B0%5D%5Bv%5D=ways+of+seeing&search_type=1&is_available=&q%5B0%5D%5Bindex%5D=title&source=T&date_type=0&date=1952-01-01-00-00&date_start%5B1%5D=01&date_start%5B2%5D=01&date_start%5B0%5D=1952&date_start%5B3%5D=00&date_start%5B4%5D=00&date_end%5B1%5D=10&date_end%5B2%5D=05&date_end%5B0%5D=2017&date_end%5B3%5D=23&date_end%5B4%5D=59&institution=&sort=relevance.
Weintraub, L. (2003) Making contemporary art: how today’s artists think and work. London: Thames & Hudson.
