Aston E, Feminist Views on the English Stage: Women Playwrights, 1990-2000, vol Cambridge studies in modern theatre (Cambridge University Press 2003) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780511297403>
Aston E and Reinelt JG, The Cambridge Companion to Modern British Women Playwrights (Cambridge University Press 2000)
Behan B, The Quare Fellow: A Comedy-Drama (Methuen 1956)
——, ‘The Quare Fellow (from The Complete Plays Brendan Behan)’, The complete plays, vol Methuen world classics (Methuen 1978)
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Churchill C and Churchill C, Cloud Nine (Bloomsbury 2013) <https://doi-org.apollo.worc.ac.uk/10.5040/9781408162934.00000098>
Cochrane C, Twentieth-Century British Theatre: Industry, Art and Empire (Cambridge University Press 2011) <http://lib.myilibrary.com/browse/open.asp?id=334210&entityid=https://idp.worc.ac.uk/oala/metadata>
——, Twentieth-Century British Theatre: Industry, Art and Empire (Cambridge University Press 2014)
Delaney S, Aston E and Leeming G, A Taste of Honey (Revised edition, Bloomsbury Publishing PLC 2007)
Edgar D, State of Play (Faber and Faber 1999)
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Innes C, Modern British Drama: The Twentieth Century (2nd Revised edition, Cambridge University Press 2002)
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Lehmann H-T, Postdramatic Theatre (Routledge 2006)
Megson C and others, Modern British Playwriting: The 1970s: Voices, Documents, New Interpretations (Bloomsbury Publishing PLC 2012)
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Nicholson S, The Censorship of British Drama, 1900-1968 (University of Exeter Press 2011)
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Norton-Taylor R, Hammond W and Steward D, Verbatim: Techniques in Contemporary Documentary Theatre (Oberon Books Ltd 2008)
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Pinter H, The Caretaker (2nd ed, Methuen 1962)
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Sierz A, In-Yer-Face Theatre: British Drama Today (Faber and Faber 2001)
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Wertenbaker T, Keneally T and Naismith W, Our Country’s Good (Methuen Drama 2006) <https://doi-org.apollo.worc.ac.uk/10.5040/9781408161470.00000040>
Zarhy-Levo Y and Postlewait T, The Making of Theatrical Reputations: Studies from the Modern London Theatre (University of Iowa Press 2008)
