Bibliography for DRAM2203 Plays & Playwrights: British theatre in Times of Change BETA

Aston, E. (2003) Feminist views on the English stage: women playwrights, 1990-2000. Cambridge: Cambridge University Press. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780511297403.

Aston, E. and Reinelt, J.G. (2000) The Cambridge Companion to Modern British Women Playwrights. Cambridge: Cambridge University Press.

Behan, B. (1956) The quare fellow: a comedy-drama. London: Methuen.

Behan, B. (1978) ‘The quare fellow (from The complete plays Brendan Behan)’, in The complete plays. London: Methuen.

Bond, E. and Davis, D. (2009) Saved. London: Methuen Drama. Available at: https://doi-org.apollo.worc.ac.uk/10.5040/9781408167342.00000005.

Brenton, H. (1989) Plays: two. London: Methuen Drama.

Churchill, C. and Churchill, C. (2013) Cloud nine. London: Bloomsbury. Available at: https://doi-org.apollo.worc.ac.uk/10.5040/9781408162934.00000098.

Cochrane, C. (2011) Twentieth-century British theatre: industry, art and empire. Cambridge: Cambridge University Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=334210&entityid=https://idp.worc.ac.uk/oala/metadata.

Cochrane, C. (2014) Twentieth-century British theatre: industry, art and empire. Cambridge: Cambridge University Press.

Delaney, S., Aston, E. and Leeming, G. (2007) A Taste of Honey. Revised edition. London: Bloomsbury Publishing PLC.

Edgar, D. (1999) State of Play. London: Faber and Faber.

Griffin, G. (2003) Contemporary Black and Asian Women Playwrights in Britain. Cambridge: Cambridge University Press.

Hewison, R. (2015) Culture and Consensus: England, Art and Politics Since 1940. London: Taylor & Francis Ltd.

Innes, C. (2002) Modern British Drama: The Twentieth Century. 2nd Revised edition. Cambridge: Cambridge University Press.

John, E. (2003) Moon on a rainbow shawl: a play in three acts. New rev. ed. London: Faber. Available at: https://doi-org.apollo.worc.ac.uk/10.5040/9780571289462.00000004.

Knowles, R. (2004) Reading the Material Theatre. Cambridge: Cambridge University Press.

Lacey, S. (1995) British Realist Theatre: The New Wave in Its Context 1956-1965. 1st edn. Routledge. Available at: https://ebookcentral.proquest.com/lib/worcester/detail.action?docID=180010.

Lehmann, H.-T. (2006) Postdramatic Theatre. Routledge.

Megson, C. et al. (2012) Modern British Playwriting: The 1970s: Voices, Documents, New Interpretations. London: Bloomsbury Publishing PLC.

Modern British Playwriting: The 1970s: Voices, Documents, New Interpretation (no date). Bloomsbury Publishing. Available at: https://doi.org/10.5040/9781408177884.

Nicholson, S. (2011) The Censorship of British Drama, 1900-1968. Exeter: University of Exeter Press.

Nicholson, S. (2012) Modern British playwriting: the 1960s : voices, documents, new interpretations. London: Methuen Drama. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781408129623.

Norton-Taylor, R., Hammond, W. and Steward, D. (2008) Verbatim: Techniques in Contemporary Documentary Theatre. London: Oberon Books Ltd.

Osborne, J. (1960) Look back in anger: a play in three acts. London: Faber and faber.

Osborne, J. and Osborne, J. (2013) Look back in anger. [London]: Bloomsbury. Available at: https://doi-org.apollo.worc.ac.uk/10.5040/9780571285990.00000006.

Pattie, D. (2012) Modern British playwriting: the 1950s : voices, documents, new interpretations. London: Methuen Drama. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781408129296.

Pinter, H. (1962) The caretaker. 2nd ed. London: Methuen.

Pinter, H. and Pinter, H. (2013) The caretaker. [London]: Bloomsbury. Available at: https://doi-org.apollo.worc.ac.uk/10.5040/9780571291779.00000005.

Sierz, A. (2001) In-yer-face Theatre: British Drama Today. London: Faber and Faber.

Sierz, A. (2012) The Theatre of Martin Crimp. 2nd Revised edition. London: Bloomsbury Publishing PLC. Available at: https://doi.org/10.5040/9781408184998.

Sinfield, A. (2004) Literature, politics and culture in postwar Britain. [3rd ed.]. London: Continuum International Publishing. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.worc.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781441179135.

Wertenbaker, T., Keneally, T. and Naismith, W. (2006) Our country’s good. London: Methuen Drama. Available at: https://doi-org.apollo.worc.ac.uk/10.5040/9781408161470.00000040.

Zarhy-Levo, Y. and Postlewait, T. (2008) The Making of Theatrical Reputations: Studies from the Modern London Theatre. Iowa: University of Iowa Press.